"No, you have not landed on Slipped Disc by mistake. Respected electronic music pioneer Klaus Schulze tells the story himself. The origins of " Body Love " are quite funny. I received a call from a movie producer named Manfred Menz and I wound up becoming his principal composer for a period of time. Amongst others, I composed the "Barracuda" soundtrack for him [1978, previously unreleased on album]. This led to a friendship which lasts till today. Menz now lives in Malibu, California where I visited him a couple of years ago. Anyway, this guy calls me and asks if I would compose the score to a porn movie. I said: "Porn? Nah, I don't do that kind of thing". As it turned out, the director of the movie, Lasse Braun, had already shot it and had used my albums " Timewind " [1975] and " Moondawn " [1976] as a kind of "working soundtrack". This was obvious because the couples in the film were moving in time to my gro...
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The plagiarist is one, Eric Anderson, who posted the exact same post on the Classical Music & Opera Forums message board in early March of this year under the name, "Overturesen" (see, here), for which action I closed out his account and banned him (by IP) from ever posting on the CM&OF again (see, here).
ACD
http://news.bbc.co.uk/1/hi/8641515.stm
Yeah, I'm pretty sure Figes had no part in this.
ACD
Would love to know who you do think has insights. I've only ever heard Barenboim's Reith lectures and thought they were great.
p.s thanks for the book recommendations! Will have a look for them-though it's very hard to find stuff here.
Today we are fixated with finding the solution to everything in 420 characters or less. So we have classical charts, composer's greatest hits, and books that the media acclaim for telling us all we need to know about contemporary classical music in 620 pages.
Yes, some of them are of value. But the problem is none of them will ever provide the much sought after 'open sesame'. Moreover there is a real risk that they destroy the essence of the music, its sheer diversity and profundity, in the attempt.
As in many things John Cage had it nailed when he wrote:
'If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all.'
In the spirit of the above I suggest the following highly fallible list, many of which have appeared On An Overgrown Path:
* Glenn Gould: Wondrous Strange - Kevin Bazzana
* Evening in the Palace of Reason - James Gaines
* The Roaring Silence: John Cage, A Life - David Revill
* Benjamin Britten - Humphrey Carpenter
* Tainted By Experience - John Drummond
* Hildegard of Bingen - Fiona Maddocks
* Horizons Touched: The Music of ECM - Steve Lake & Paul Griffiths
* Jonathan Harvey - Arnold Whitall
* Boulez: Composer, Conductor, Enigma - Joan Peyser
But I would happily trade them all for Brilliant Classic's 155 CD Bach Edition
On the subject of sourcing books I now almost exclusively buy good quality used copies from Amazon resellers. I have had few problems even with international delivery, and the bargains that can be found are quite astonishing.
Agree with you also on the dissection/analysis bit-as well as the desire for an easy fix. Much prefer personal recommendations to these lists.
Glenn Gould: still haven't read the Otto Friedrich book my sister has but thanks for the recommendation anyway.
salaams,
b.
The Andrew Porter volumes of criticism are also superb.