I couldn't agree more strongly with Théo . As Colin Davis said when he took over at the LSO, what the orchestra needed was to play a great deal of Mozart and Haydn, string tone often having been the Achilles heel of London orchestras. Davis has also said that, of works he would most still like to record he would most like to record, he would choose the St Matthew Passion, but noted that, alas, the 'specialists' would never allow that. As our good host points out, the present situation would have been incomprehensible to great conductors of the past, whether Walter, Klemperer, Mengelberg, or Furtwängler. How is one to hear the Bach in Mahler, let alone the Mahler in Bach, if one does not know Bach - and know him intimately? Even if one were to take the ayatollah-like view that Bach and Handel were and could only be chamber music, it would be necessary to play them for that reason alone. Those would confine Bach, Mozart, Monteverdi, or anyone else, to a (generally grossly mis...
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I am not sure where you stay when you are in Paris, but have you ever tried Les Pipos (2 Rue de l'Ecole Polytechnic)? A slight caveat in that we have not been for about 3 years, but it had not changed in the 10 or 12 years we had been visiting on a fairly regular basis.
Affordable hotel and restaurant recommendations make a change from suggested CDs. Does anyone have any ideas for Lille where I will be in a couple of weeks?
http://www.opera-lille.fr/en/saison-09-10/bdd/cat/music/sid/99185_mohamed-rouicha