Brother Paul saw me off, repeating his assurance that it had been an honour. On the road in the bright sunshine, I found myself envying him. But precisely what was it that I was envying? The warmth of the cocoon that surrounded him? His certainty? The joy that peeped out again as we shook hands? His faith itself? To some extent, of course, all of these, but there was something else: his courage. The truth is that I am unable to believe that when Christ said: 'My Kingdom is not of this world' he meant that it was. Among the fifty monks of Notre Dame d'Aiguebelle, it was possible to see, misty but unmistakeable, the point. The enclosing shell of the monastery becomes a symbol of what must be the ultimate truth not only of Christianity but of all religions: the Kingdom of Heaven is within. For the monks within the walls, for the rest of us, within the human heart, which has room enough for all the walls there are. We all carry within our hearts a Notre Dame d'Aiguebelle, ...
Comments
There are an awful lot of works that would fall apart if not for a traffic cop on the podium (excluding operatic works. They really need a benevolent dictator to keep things going!)
Most, however, were composed after 1890 and require humungous resources. That alone makes these performances costly. So, maybe, the clue to financial stability is for orchestras to pair-down, perform older (and newer!) works that don’t require so many musicians, and occasionally get someone to conduct the bigger works. The late 19th /early 20th century orchestra is truly a product of the end of the Industrial Age and the central focus of the Consumer Age. We are, I believe, in the post-ages for both. And small is good again.
Cheers
David Cavlovic
Whether or not they're overpaid is a different matter entirely (one could say the same thing about software program managers compared to the developers who actually build the darn things), but if a conductor "doesn't make a difference" to the music, then classical music, recording-wise, might as well be like rock music (or film scores), where only the first recording of a work is necessary or "valid".
Obviously it is not. The Guardian article speaks from a position of sheer ignorance and self-righteousness.