The art of the CD label


With MP3 downloads you don't have to imagine there's no artwork. This CD by the Tashi Lhunpo monks featured in Wagner and the Tantric orchestra.

Featured CD was purchased by me. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

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The purpose of puffery and closed-mindedness

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Two contrasting responses from America to my post Third rate music on Naxos' American classics? Flinging merde - ' Granted some of the stuff that Naxos has packaged in that series has been less than distinguished but operating in a cultural establishment where critics treat every cow patty ever dropped by the likes of Alwyn (above) and Bax and Finzi and Michael Tippitt (sic) as if it were fois gras, Clements is hardly in a position to fling merde' - from Sequenza21 , and I'm sure Norman Lebrecht would approve of that misspelling of Tippett. The true beauty of the effort - ' Personally speaking I expect listener reaction to concert music is heavily dependent on emotional mood and cultural/historical context . The concept of "ratings" and "tiers" for composers is pretty much an over-rated specialization of critics, which serves the purpose of puffery and closed-mindedness. My father is the American composer George Frederick McKay (photo be...
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Young Mahler - encouragement worthwhile?

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A charming and previously unpublished reminiscence of an 11-year-old Gustav Mahler (photo above) comes to An Overgrown Path from Elissa Minet Fuchs former ballerina with the Ballet Russe and the Metropolitan Opera. Mrs. Fuchs (see photo below) is the widow of conductor and composer Peter Paul Fuchs who was the subject of two tributes here when he died last year. A reader drew Mrs. Fuchs' attention to my articles and she has very kindly supplied me with material, including previously unpublished photographs, on her husband for a full appreciation to be published here on the first anniversary of his death next week. Among the material was this memory of a young Gustav Mahler. Peter's grandfather on his mother's side, Alois Rusicka, was born in a small town in Czechoslovakia not far from the Austrian border. He was a law student - pursuing his degree and an amateur musician, a cellist. On one of his visits home, he was approached by a tavern keeper. He was asked to meet ...
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Classical music's biggest problem is that no one cares

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Third rate music on Naxos' American Classics?

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