House style


More pictures from an album cover here.
The Deutsche Grammophon Beethoven disc is reviewed here, the Deutsche Grammophon Dudamel Tchaikovsky disc is reviewed here. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report errors to - overgrownpath at hotmail dot co dot uk

Comments

La Cowntessa said…
I must admit, I did a double-take at the Karajan cover for a moment. Then I realized it was the wrong hand, ha.
7:36 pm
Pliable said…
Thanks to reader Tim Perry for pointing out that my original path on this topic took an amusing wrong turn - now corrected.
8:28 am
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David Munrow - more than early music

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'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
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Swamped by a tsunami of classical populism.

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Some singers have wonderful voices. Others are consummate musicians. Still others are incandescent actors. A very few possess those virtues in equal part, and the rarest of them all use the gifts both selflessly and with self-awareness. Internationally acclaimed mezzo-soprano Lorraine Hunt Lieberson, who died Monday morning at her Santa Fe home, was one of that rare elect. Whether singing at the Santuario de Guadalupe in Santa Fe and joking with the audience from the stage, pouring out sound and feeling in great concert halls, or commanding respect in the world's opera houses, she was an artist of the highest order as well as a woman full of heart -- a true daughter of the muses. Hunt Lieberson, who was in her early 50s, had battled breast cancer for several years but continued to perform whenever possible, and always up to her own exacting standards. Her husband, composer Peter Lieberson , was at her side when she died. The pair met at the Santa Fe Opera during the 1997 producti...
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