House style


More pictures from an album cover here.
The Deutsche Grammophon Beethoven disc is reviewed here, the Deutsche Grammophon Dudamel Tchaikovsky disc is reviewed here. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report errors to - overgrownpath at hotmail dot co dot uk

Comments

La Cowntessa said…
I must admit, I did a double-take at the Karajan cover for a moment. Then I realized it was the wrong hand, ha.
7:36 pm
Pliable said…
Thanks to reader Tim Perry for pointing out that my original path on this topic took an amusing wrong turn - now corrected.
8:28 am
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Those are my principles....

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'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
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