Joined up jazz


Saxophonist Andy Sheppard at the Aldeburgh Residency Open Session this evening with French bassist Michel Benita and drummer Sebastian Rochford of Polar Bear and Acoustic Ladyland fame. The session came at the end of a week long residency by the musicians at Snape Maltings. The results, which combine free jazz and fresh treatments of standards, will be used on the trio's new ECM CD. Aldeburgh Music had an almost full house of more than one hundred people in the Peter Pears recital room. This was despite the session taking place at 6.00pm on a Friday in deepest rural Suffolk in the worst winter weather that Britain has seen for decades. They hung it on white walls with very small explanatory panels. They did nothing to detract from its impact. And the public flocked to see it ...

Photo (c) On An Overgrown Path 2009. Is it sufficiently fuzzy to be used for the ECM CD inlay? Or is it just a pale imitation of this. Our tickets for the Open Session were bought from the Aldeburgh box office. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Comments

Post a comment

Recent popular posts

How to reach a big new post-COVID classical audience

Image
Bruno Walter's 1938 Vienna Philharmonic interpretation of Mahler's Ninth Symphony still has the power to move and enlighten, despite the technical limitations of the recording. Similarly Wilhelm Furtwängler's Berlin Philharmonic concert recording from 1949 of Bruckner's Eighth Symphony still reminds us that beauty is more powerful than hatred, again despite considerable technical limitations. Today, blowing 866 million euro on a not quite acoustically perfect concert hall is the go-to solution for saving classical music, which means a celebrity conductor can  throw his batons out of the pram  when he is not rewarded with a blinged-out new hall. So why, given these contemporary priorities, can great recordings from the past touch us so deeply when heard through the technology equivalent of a tin shed concert hall?  The answer lies in the little-understood but vitally important process of listening . There is no such thing as perfect sound , or historic sound, or bad
Read more

I put a spell on you

Image
Thanks go to all those who responded to the post about disposal of my LP collection and turntable . I am pleased to report both have now been sold. It is doubly pleasing to report they have been sold to the same purchaser who is a composer. So having been such a valuable resource for me, the collection and turntable will continue to be a resource for another generation. Technology has many benefits ; but in forty years time there will definitely not be a similarly advantageous market for personal virtual libraries of streamed classical music .  Header advertisement is currently appearing in eBay's free marketplace Gumtree. New Overgrown Path posts are available via RSS/email by entering your email address at the top of this page. Any copyrighted material is included for critical analysis, and will be removed at the request of copyright owner(s).
Read more

Requiem for my vinyl

Image
As I move deeper into retirement an impending move to a very nice but smaller property means I have reluctantly decided to part with my collection of 600 classical LPs and turntable. There are several reasons why this LP collection dating from the 1970s and 80s will be of particular interest. Regular readers will know my musical passions, and these are is reflected in the eclectic classical repertoire which has a particular focus on British music - Elgar, Vaughan Williams, Tippett, Rubbra, Finzi etc. Most of the discs are from 'quality' labels, DGG, Lyrita, Decca, Argo, Philips, EMI, Archiv, Hyperion, Conifer etc.  But what makes the collection unique is that every disc is in mint condition. All were bought by me and have never been out of my hands. I am fastidious about replay quality, so when buying noisy pressings were rejected until a flawless copy was provided. Typically the discs in the collection will have been played less than five times. They have only been played on
Read more

Vonnegut gets his Dresden facts wrong

Image
In 1968, the year I wrote Slaughterhouse Five, I finally became grown up enough to write about the bombing of Dresden. It was the largest massacre in European history. I, of course, know about Auschwitz, but a massacre is something that happens suddenly, the killing of a whole lot of people in a very short time. In Dresden, on February 13, 1945, about 135,000 people were killed by British firebombing in one night. It was pure nonsense, pointless destruction. The whole city was burned down, and it was a British atrocity, not ours. They sent in night bombers, and they came in and set the whole town on fire with a new kind of incendiary bomb. And so everything organic, except my little PoW group, was consumed by fire. It was a military experiment to find out if you could burn down a whole city by scattering incendiaries over it. Kurt Vonnegut's 1968 novel Slaughter-house Five is an essential part of the literature of the bombing of Dresden. In his new book A Man Without a Country:
Read more

Untold story of the counterculture's Islamic connection

Image
For many children of the sixties a 'journey to the East' was a mandatory rite of passage. As a result one of the lasting impacts of the counterculture was the assimilation into Western culture of esoteric religions. The embrace of Vedanta and Zen Buddhism is well-documented, as is the music that it produced ranging from the Beatles' Indian period to John Cage's 4' 33". Less celebrated is the counterculture's engagement with the esoteric strand of Islam known as Sufism, an involvement that also produced important but overlooked music. Given the current preoccupation with Islam it is puzzling that more attention has not been paid to the green shoots of Sufism - a tradition with a benign history - that appeared in the West in the late 1960s. Earlier this year the film Blessed are the Strangers directed by young director Ahmed Peerbux premiered. But this film is selective in its coverage of 1960s Sufism, so this post attempts to fill in some conspicuous and
Read more

Berlin Philharmonic's first woman conductor

Image
In 2005 the appointment of a woman music director by a major American orchestra caused a storm of controversy . So, it is surprising to find that it was back in 1930 that the Berlin Philharmonic Orchestra was first conducted by a woman, and even more surprising to find she was an American. But the story doesn't have a happy ending. Despite receiving critical acclaim, Antonia Brico found doors closed to her when she returned to the US, and was forced to form her own orchestras to continue her conducting career. She is seen above conducting in New York in 1945. (Image credit Dr. Ralph Weizsäcker ). Antonia Brico was born Wilhelmina Wolthus in Rotterdam in the Netherlands in 1902, and emigrated to California with her foster parents in 1908. She attended high school in Oakland where she gained experience as a pianist and conductor. She went on to study liberal arts at the University of California, Berkeley , and also worked at the San Francisco Opera as an assistant to the director,
Read more

Benjamin Brittten's relationship with children

Image
From early in life, Britten had close relationships with handsome teenagers. On his side, there was often a sexual attraction. The boys themselves were sometimes unaware, sometimes complicit. Ronan Magill, the last such figure in Britten's life, wasn't conscious of the charge in their relationship at the time, but says now: 'If he did [feel attraction], then I'm glad that he did - if I could make him think that way for even five seconds. ' When it comes to the question of how far attraction was physically expressed, Bridcut sometimes leans on the evidence. In 1936, Britten invited Harry Morris, 13, on a family holiday in Cornwall (Britten's brother and sister and their families were also present). According to Morris, Britten came into his room one night and made what he understood to be a sexual approach. The boy screamed and hit his host with a chair, attracting the attention of Britten's sister, Beth. Harry returned to London in the morning. With Pea
Read more

Classical music must face the facts - click bait pays

Image
Above are the latest accounts for SlippedDisc Limited, which has Norman Lebrecht as a director*. These accounts show that the profit and loss account surplus** increased in fiscal 2020 to £203,719, an increase of 41% over the previous year***. To put that £203,719 trading surplus into context, the average salary for a Metropolitan Opera musician converted into sterling is £138,990 , that of BBC Radio 3 Controller Alan Davey is £182,000 , and Boris Johnson earns £161,401 . Let's be clear at this point: the filed accounts fully comply with the requirements of Companies House and are in the public domain , and Norman runs a legitimate business. This post is not being driven by malice or sour grapes. On An Overgrown Path has never had commercial aspirations: I was well rewarded during my career in the music industry and I am very fortunate to have adequate pension provisions. This post is driven, like so many on my blog, by context and facts.  Regular readers know that, to put it mi
Read more

Classical music has many saviours

Image
In June the scene above will become the most talked about concert venue in the world when Gustavo Dudamel and the Simón Bolívar Symphony Orchestra of Venezuela give an outdoor concert in Raploch, Stirling . Scottish artist Bill McAnally's watercolour shows Stirling Castle which will provide the spectacular backdrop for Gustavo Dudamel's concert on midsummer's day June 21, 2012. The original painting hangs in our dining room as a reminder of the years we spent living on the edge of the Raploch in the 1980s; it was here that our son started school and our daughter was born. Gustavo Dudamel's concert is being staged by Sistema Scotland and is part of the visionary Big Noise Raploch project which is working to create a children’s orchestra centre. Almost all the ingredients are in place for an unforgettable concert in June, a world class conductor and orchestra playing in a magnificent natural setting to promote music education. What more could we want? Well, I think we
Read more

The Berlin Philharmonic's darkest hour

Image
Wilhelm Furtwängler was born on 25th January 1886. He was Music Director of the Berlin Philharmonic from 1923 to his death in 1954, and held this position for the twelve years that Hitler was in power. In January 1945 he was conducting in Vienna, and fled from there to Switzerland where he remained until the Battle of Berlin ended in the defeat of the Nazis. The musicians of his orchestra remained in Berlin during its darkest hour. Here is their story: On 28th March 1945 the Russian forces commanded by Marshal Georgy Zhukov were just twenty miles to the east of Berlin. A month previously Albert Speer had been replaced as Nazi armaments minister after trying to persuade Hitler that defeat was inevitable. Speer now turned his energies to preventing the musicians of his adored Berlin Philharmonic from perishing in the inevitable final battle. Reich Commisioner Dr Joseph Goebells, who was in charge of the defence of Berlin, had ordered the entire orchestra to be drafted into the Vol
Read more