What do you expect? - it's Wagner


Slightly more respect for the master of Bayreuth here.
The King Charles Cavalier dozing in front of my CD collection is Alice (after Alice Elgar), and belongs to legendary recording EMI recording producer Christopher Bishop. Photo (c) On An Overgrown Path 2008. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

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Wilhelm Furtwängler was born on 25th January 1886. He was Music Director of the Berlin Philharmonic from 1923 to his death in 1954, and held this position for the twelve years that Hitler was in power. In January 1945 he was conducting in Vienna, and fled from there to Switzerland where he remained until the Battle of Berlin ended in the defeat of the Nazis. The musicians of his orchestra remained in Berlin during its darkest hour. Here is their story: On 28th March 1945 the Russian forces commanded by Marshal Georgy Zhukov were just twenty miles to the east of Berlin. A month previously Albert Speer had been replaced as Nazi armaments minister after trying to persuade Hitler that defeat was inevitable. Speer now turned his energies to preventing the musicians of his adored Berlin Philharmonic from perishing in the inevitable final battle. Reich Commisioner Dr Joseph Goebells, who was in charge of the defence of Berlin, had ordered the entire orchestra to be drafted into the Vol
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My recent post ' Your cat is a music therapist ' was well appreciated judging by site traffic. So here is a codicil which raises some interesting points about synaesthesia. Reportedly Alexander Scriabin, Jean Sibelius, Olivier Messiaen, György Ligeti and Franz Liszt were among the classical composers who experienced cross-over between sensory channels. The impact of narrowing sensory bandwidth as music moves from a live to a recorded environment, and then from analogue to lossy digital formats is little understood and little researched.But it may have important implications for classical music's attempts to reach a new audience, and, topically, it may be very relevant to the post-COVID experience of Zoom concerts and live music in socially distanced auditoriums . I will discuss how what we see influences what we hear in a forthcoming post. Meanwhile here is an extract from Akif Pirinçci and Rolf Degen ’s book Cat Sense which explains the synaesthetic impact of a Ma
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In August 1945 atomic bombs were dropped on the Japanese cities of Hiroshima and Nagasaki. Around 120,000 people, of which 95% were civilians, were killed outright. It is estimated that a further quarter of a million died from the after effects of the explosions. Six days after the second bomb was dropped Japan surrendered unconditionally, removing the requirement for an invasion of the Japanese mainland by Allied forces , an engagement that would undoubtedly have resulted in dreadful casualties on both sides. Hopefully the music community, as well as the world, will remember 2005 as the sixtieth anniversary of these terrible events, as well as the year of the premiere of an opera by John Adams . My attempts to understand the almost incomprehensible events of 1945 led me to the recently published 109 East Palace by Jennet Conant . This is the story of the extraordinary secret community of allied scientists at Los Alamos in New Mexico that, in a race against the clock, created the t
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