What do you expect? - it's Wagner


Slightly more respect for the master of Bayreuth here.
The King Charles Cavalier dozing in front of my CD collection is Alice (after Alice Elgar), and belongs to legendary recording EMI recording producer Christopher Bishop. Photo (c) On An Overgrown Path 2008. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

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My symphonies are sperm

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On paper Leif Segerstam's symphonies don't look promising. More than 300 in total, each lasting only around half an hour but needing only two pages of score, and some requiring no conductor. All underwritten by the philosophy that "My symphonies are sperm. There is strength in numbers. Some will survive to take evolution forward". (So my headline is a genuine pull quote, not Slipped Disc-style clickbait). Anyone acquainted with his authoritative Sibelius and Rautavaara will know that with Segerstam unconventional does not mean unacceptable. There is a method in what many will view as his madness. In the deliberate absence of a conductor the musicians are cued by certain specified signals given by different instruments in turn. The aim is to release the players' latent creativity which is normally suppressed by the highly prescriptive Western classical tradition.  Segerstam explained that "I wanted a performance to be a creative event, not a Prussian plou...
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Audiences need permission to like unfamiliar music

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That photo of Sir Malcolm Arnold and Julian Bream appears on the late composer's website . Ten years ago I was literally very close to Sir Malcolm's music. He spent his final years being tended by his carer Anthony Day in Attleborough just a few miles from where I live in Norfolk. I managed Sir Malcolm's website and one of my first posts  about his music dates from that time. Following Sir Malcolm's death in 2006 I never lost my appreciation of his music, but it featured less frequently in my listening. However, recently I have returned to his symphonies, and listening to them again has raised some important questions. His nine symphonies are the product of a master craftsman. They move forward from Mahler and Shostakovich, yet should be immediately accessible to contemporary audiences saturated in the music of those two composers. But, despite this, Sir Malcolm Arnold's symphonies remain unknown outside a small circle of admirers. Why? Let me make it clear ...
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Travels beyond TripAdvisor

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These photos were taken on my recent spirit quest in Morocco to the Sufi shrine of Sidi Chamharouch, which is seen above. A 75 minutes drive from Marrakech brought me to Imlil where the road ends and the mountains begin. The hamlet of Sidi Chamharouch - which is one of those blessed places which returns a blank in a Trip Advisor search - is at an altitude of 2350 metres and is reached by a tough and potentially dangerous two hour climb up a rocky path. Access is impossible for wheeled vehicles and supplies are brought in by the mules seen in my photos. Beyond Sidi Chamharouch is Jebel Toubkal, which at 4,167 metres is the highest mountain in North Africa. During my trek I was struck by the similarity between the High Atlas and Ladakh on the border of India and Tibet . Film director Martin Scorsese was also struck by the similarity. With Tibet a no-go zone he used this region for location shooting of his 1997 movie Kundun ; this depicts the Dalai Lama 's flight into exile fro...
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Classical music's biggest problem is that no one cares

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These photos were taken by me in 2008 at independent record retailer Prelude Records in Norwich. Jordi Savall's impromptu viol recital and signing session preceeded two performances at the Norfolk and Norwich Festival. One was a solo recital by Jordi in Peter Mancroft Church ; the other was an immensely moving performance of his visionary Jerusalem multicultural project at the Theatre Royal*. As reported here Prelude Records closed earlier this year; it was a victim of predatory online retailing, and today its premises stand empty awaiting occupation by a mobile phone or E-cigarette retailer. The Norfolk and Norwich Festival has been the victim of savage funding cuts , but continues in a more modest form due to the dedicated work of its small management team. A few days ago I wrote about a two-thirds empty Snape Maltings concert and proposed that classical music's heartland is facing a perfect storm caused by the convergence of the shifts in consumer tastes and the r...
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Benjamin Brittten's relationship with children

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From early in life, Britten had close relationships with handsome teenagers. On his side, there was often a sexual attraction. The boys themselves were sometimes unaware, sometimes complicit. Ronan Magill, the last such figure in Britten's life, wasn't conscious of the charge in their relationship at the time, but says now: 'If he did [feel attraction], then I'm glad that he did - if I could make him think that way for even five seconds. ' When it comes to the question of how far attraction was physically expressed, Bridcut sometimes leans on the evidence. In 1936, Britten invited Harry Morris, 13, on a family holiday in Cornwall (Britten's brother and sister and their families were also present). According to Morris, Britten came into his room one night and made what he understood to be a sexual approach. The boy screamed and hit his host with a chair, attracting the attention of Britten's sister, Beth. Harry returned to London in the morning. With Pea...
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Storm clouds gather over Aldeburgh

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"No, you have not landed on Slipped Disc by mistake. Respected electronic music pioneer Klaus Schulze tells the story himself.  The origins of " Body Love " are quite funny. I received a call from a movie producer named Manfred Menz and I wound up becoming his principal composer for a period of time. Amongst others, I composed the "Barracuda" soundtrack for him [1978, previously unreleased on album]. This led to a friendship which lasts till today. Menz now lives in Malibu, California where I visited him a couple of years ago. Anyway, this guy calls me and asks if I would compose the score to a porn movie. I said: "Porn? Nah, I don't do that kind of thing".  As it turned out, the director of the movie, Lasse Braun, had already shot it and had used my albums " Timewind " [1975] and " Moondawn " [1976] as a kind of "working soundtrack". This was obvious because the couples in the film were moving in time to my gro...
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