In a typically thoughtful contribution to my post Why not play the premier league composers more often? Richard Bratby - who is professionally involved in classical music - mused "speaking solely from my own experience - there is a very noticeable falling-off in ticket sales when a symphony orchestra programmes pre-Beethoven repertoire, irrespective of the quality of the performance or the music, or the energy with which it is marketed. But why?" Now Kea has answered Richard's question with the following comment: Wagner, Mahler, Shostakovich, etc, all sound more or less like film music (or -- more accurately -- film music sounds more or less like recycled bits of Wagner, Mahler, Shostakovich, etc) and therefore don't require any intellectual involvement or serious effort to listen to. Understanding the music of Bach, Mozart or Haydn, etc (or for that matter Schumann, Brahms, Webern, Cage, etc) actually requires people to listen actively rather than being pulled alo...
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I really do not understand why those Londoners are programming Hugh Masakela. I’ve listened to his Music and frankly speaking : I didn’t like it.
Threre’s much better in South Africa. Take for instance Dollar Brand , i e Abdullah Ibrahim. A great artist.
Just listen to “ Good News From Africa”. A masterpiece. It’s http://www.jazzrecords.com/enja/2048.htm
He’s very serious. He wants his Music to be respected. He doesn’t start playing as long as there is noise in the concert hall.
My guess is that he’s not that well known in the UK. When he was in exile ( apartheid) he lived in Germany. He keeps playing all over Europe ( mostly in Germany). He now has a small institute at the Cape Town University.
You can find info on pianist Dollar Brand / Abdullah Ibrahim here:
http://en.wikipedia.org/wiki/Abdullah_Ibrahim
and most of all : http://www.abdullahibrahim.com/indexf.html
The Guardian said : http://www.guardian.co.uk/music/2001/dec/08/jazz
I think you’ll like this Music.
BT