Short ride in a parked machine


While the Atlanta Symphony promotes ride sharing the Los Angeles Philharmonic continues to support Venezuela's petro-socialism. Or do all the platinum donors drive Teslas?

No point in asking how green was their concert?
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Joseph Campbell famously revealed the importance of myths in contemporary society, explaining that "Myth is much more important and true than history. History is just journalism and you know how reliable that is". Today the unreliability of journalism is conveniently ignored . But the importance of myth is also overlooked. This is puzzling because it explains, among many other things, the refusal of physical music media - CD and vinyl - to go away , and the staying power of print books .  In our digital age the dated concept of myth has been replaced by the zeitgeist friendly 'backstory' - a set of events that have occurred before the main story. The vitally important difference between physical and virtual media is that CDs, and vinyl can eloquently narrate a backstory; whereas streamed and downloaded music  is no more than a sequence of dumb binary characters.  In his famous Aspen Award acceptance speech Benjamin Britten explained "Music demands mor
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Classical music's problem nailed in one sentence

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While admiring Igor Levit as a pianist, in a Wall Street Journal review Tim Page takes exception to Levit's new book House Concert , describing it as "a dreary jumble—a succession of would-be aphorisms". Predictably Norman Lebrecht, who has turned negativity into a lucrative Olympic sport , gloats over the WSJ review. A few months ago I wrote enthusiastically about Igor Levit's double CD Tristan , so I bought and read House Concert with some interest - that's the book on my 'just read' bookshelf. Now, as Tim Page confirms, Igor Levit is a remarkable pianistic success story. One measure of the value he has added to classical music is that at a time when the artform is suffering from serial deflation , his acclaimed Beethoven Sonata cycle for Sony retails for around double the price of cycles from other legendary pianists. So I read House Concert not to have my preconceptions and prejudices confirmed or to generate some tasty clickbait, but to learn m
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