Peace symphony for presidential candidate
'When one is in one's twenties, one tends to see things in perhaps too simple a way. At the time I was very attracted to the peaceful aspects of Christianity - Dona nobis pacem, "turn the other cheek", and so forth. The United States was mired in the war in Vietnam and many churches were active in rallies and other projects of the Peace Movement. I somehow overlooked the history of the inquisition and crusades, and hardly anticipated the trend of very recent history towards church support of capital punishment and various military endeavours. Thus the "Mass without Singers" was for me an anti-war statement, and I chose George McGovern as my dedicatee, believing that his tremendous loss in the 1972 election, his campaign had given legitimacy to the cause of peace' - writes Arnold Rosner in the notes for the new Naxos CD of his post-romantic Symphony No. 5 'Missa sine Cantoribus super Salve regina' from 1973 played by the National Radio Symphony Orchestra of Ukraine conducted by John McLaughlin Williams.
The first ever recording of Rosner's "Mass without singers" is the latest release in Naxos' American Classics series, a project that is making a large amount of previously unrecorded and unfashionable music available. Ignore the condescending views of today's music pontiffs whose attitude has parallels in the Catholic Church's long history of prohibiting translations of the Bible to prevent the masses from making their own religeous judgements. Low cost CDs from Naxos and others are disruptive technology in the tradition of the movable-type printing that made translated Bibles widely available and triggered the Reformation.
Forget whether Rosner's Mass is 'cool' or 'uncool' or first or third-rate. It deserves to be heard so listeners can make their own judgement. The coupling on this excellent CD is Nicolas Flagello's 1957 Missa Sinfonica. Flagello was a great artist, both in music and paint. Read more about him here.
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I’m also going to have to listen to Hans Werner Henze’s Fifth Symphony again, but I did recently listen to Henze’s Symphony #6, which was composed in Havana, Cuba, and which was included in the DG “Twentieth Century Classics” 1973 compilation of the Henze’s first six symphonies. Unlike the first five symphonies recorded with the Berlin Philharmonic, the Sixth was recorded by DG with Henze leading the London Symphony Orchestra. (It features two chamber orchestras, and may - or may not - have been influenced by Elliott Carter – and/or John Cage.)
I remember being fascinated, in college in the 1970s, by new LP releases in the library of Henze’s “El Cimarron” and “The Raft of the Medusa.” Strangely, even though I now have both of these works on CD, I’ve only listened to “Raft of the Medusa” once, a long while back; and I haven’t opened “El Cimarron.” Aesthetically, surely this has been my loss.