Stockhausen's mysterious Scandinavian Classic

Stockhausen's fragmentary piano music played by Elisabeth Klein on the German TIM label (sleeve above) has spent a lot of time in my CD player recently. It's a very rewarding release which I recommend to any readers who still run a mile at the mention of Stockhausen. But the reason for its inclusion in a Scandinavian Classics series with related sleeve artwork escapes me. Or is it simply that Hungarian born pianist Elisabeth Klein built her reputation as a leading interpreter of contemporary music in northern Europe? (Do check out her CD of piano music from the Weimar Republic).

Am I missing the connection? Or is it part of a dream?
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk


Pliable said…
Email received:

One album that seriously deserves re-issuing, and another recommendation for those who would run a mile upon hearing the name Stockhausen, is a long-deleted ERATO recording coupling Stockhausen's Zyklus with another great, but little known, religious percussion-work by the Romanian/French composer Marius Constant (known tangentally to Canadians and Americans as the composer of the theme music to later seasons of Twilight Zone): his 14 Stations. An absolutely first-rate performance by Sylvio Gualda.


David Cavlovic

Recent popular posts

Folk music dances to a dangerous tune

A tale of two new audiences

Does it have integrity and relevance?

The Berlin Philharmonic's darkest hour

Master musician who experienced the pain of genius

Is classical music obsessed by existential angst?

Nada Brahma - Sound is God

Le Voyage de Sahar

So it's not just listening ...

You are looking at the future of classical music journalism