Reader Antoine Leboyer writes to point out that the New York Philharmonic has made its programme archive available online and that the archive shows how past programmes were far more varied than those played today. Here are just some of the composers that Antoine highlights from past concerts by the orchestra: Siniaglia, Busoni, Bosi, Chadwick, Stanford, Loeffler, McDowell, Hadley, Goldmark, Pfitzner, Enesco, Vieuxtemps and Grétry. Antoine also remarks on how Webern's music has virtually disappeared from New York concerts in recent years. One of the many confidence tricks of the digital era is how a long tail of cultural riches was promised , but a short head immaculately coiffed by audience whoring celebrities was actually delivered. I suggest that one of the key search criteria for the New York Philharmonic's new music director should be a passion for giving audiences permission to like unfamiliar music . Graphic is grabbed from the New York Philarmonic archive lan
Comments
The glimpse at what BBC executives claim as expenses and receive in terms of corporate hospitality does not include anything that relates to "journalism, art or literature".
This is because of exemptions within the UK Freedom of Information Act 2000, as explained on the BBC website:
It is important to bear this in mind when considering the Freedom of Information Act and how it applies to the BBC. The Act does not apply to the BBC in the way it does to most public authorities in one significant respect. It recognises the different position of the BBC (as well as Channel 4, S4C and the Gaelic Media Service) by providing that it covers information “held for purposes other than those of journalism, art or literature”. This means the Act does not apply to information held for the purposes of creating the BBC’s output (TV, radio, online etc), or information that supports and is closely associated with these activities.
As the BBC's main purpose is to create output for TV, radio, online etc this means the great part of the BBC's activities are exempt from the Freedom of Information Act. An interesting situation when one considers that the BBC's annual income is more than £3 billion, and that the income is raised by a legally enforced poll tax.
http://www.bbc.co.uk/foi/about.shtml
My view of the good Sir Nicholas is forever coloured by a lunch I had with him 20 years ago, when he was editor of, I believe, that soaraway publication Early Music News.
Lunch was on my expense account and, if I remember rightly, Mr Kenyon (as he was then) ordered the most expensive items on the menu and a big cigar afterwards. He was clearly thinking big in those days too.
http://www.bbc.co.uk/dna/mbradio3/F7497566?thread=4922946
Plus ça change. BBC Radio 3 controller Roger Wright's contribution to the Guardian Stockhausen tribute was to namedrop the London restaurant he took the composer to -
http://music.guardian.co.uk/electronic/story/0,,2226684,00.html