Two hands clap and there is a sound


Today's Koan.
Now playing - music by an American composer, James Tenney's 1971 Koan for violin and piano.
Photo is one of a sequence by me which you can view here, (c) On An Overgrown Path 2007. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

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All aboard the Martinu bandwagon

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Depressing, but predictable, to see the mainstream media scrambling aboard the Bohuslav Martinů bandwagon as soon as BBC Radio 3 announces a cycle of his superb symphonies . Equally depressing, but a sign of the times, to see the Independent publishing an appreciation of the composer's symphonies by a writer who confesses elsewhere to never having heard a single note of them. As Norman Lebrecht famously wrote in the Evening Standard back in 2006: ‘... until bloggers deliver hard facts … paid for newspapers will continue to set the standard as the only show in town’. Sadly the hard facts now show that Norman is no longer at the Evening Standard , and, as from next Monday, the Evening Standard will no longer be a paid for newspaper . But you can find pre-bandwagon appreciations of Martinů here and here . Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of
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Whatever happened to the long tail of composers?

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Reader Antoine Leboyer writes to point out that the New York Philharmonic has made its programme archive available online and that the archive shows how past programmes were far more varied than those played today. Here are just some of the composers that Antoine highlights from past concerts by the orchestra: Siniaglia, Busoni, Bosi, Chadwick, Stanford, Loeffler, McDowell, Hadley, Goldmark, Pfitzner, Enesco, Vieuxtemps and Grétry. Antoine also remarks on how Webern's music has virtually disappeared from New York concerts in recent years. One of the many confidence tricks of the digital era is how a long tail of cultural riches was promised , but a short head immaculately coiffed by audience whoring celebrities was actually delivered. I suggest that one of the key search criteria for the New York Philharmonic's new music director should be a passion for giving audiences permission to like unfamiliar music . Graphic is grabbed from the New York Philarmonic archive lan
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Can streamed music ever be beautiful?

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Programme note for orchestra touring China

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The worst thing for any victim is not the pain that one has undergone, but the knowledge that the culprit is still roaming free, and worse if the victim has to stand in silence while the culprit goes about in the crowd with a show of power. To be in a free country and allowing Chinese leaders to go unchallenged, allowing them to carry on their business as if everything is fine back in China and Tibet, is a DUTY not performed. We protest not because we hate Chinese , but because we want to speak to their conscience or their wrongdoing, and tell them we have not forgotten and that we still protest this, and also to tell the world of the injustice we are suffering at the hands of the brute and the bully, thereby seeking their support.  That extract comes from the essay Protest As Celebration Of Difference by Tenzin Tsundue . After graduating from Madras, South India, Tenzin Tsundue crossed the Himalayas on foot and entered Tibet. He wanted to see the situation in his occupied country
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Master musician who experienced the pain of genius

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On that sleeve for his 1985 recording of the Goldberg Variations , Scott Ross is seen standing in the grounds of Château d'Assas in Languedoc. It was here that many of the harpsichordist's great recordings were made. Then, as today, the château dwelt in the twilight zone between grandeur and dereliction, and thirty years ago the recording sessions were regularly interrupted by the sound of rats scurrying across the floor. Scott Ross was born in Pittsburgh in 1951, and moved to France with his mother following the death of his father in 1964. He studied at the conservatoires in Nice and Paris, and first came to Château d'Assas in 1969 to give music lessons to the grandson of its owner Mme. Simone Demangel . When an early music academy was established at the Château d'Assas, Scott Ross gave masterclasses and became a frequent visitor. At first he stayed in a room in one of the towers, but from 1983 he rented a small house across the road from the château. The photos b
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Who are the real classical role models?

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Confirmation that geniuses are more often not very good human beings is provided in a highly recommended new book by Matthieu Ricard. Born in France in 1946, Matthieu Ricard's parents were the French philosopher and journalist Jean-François Revel  (1924-2006) and the abstract painter and Tibetan Buddhist nun Yahne Le Toumelin  (1923-2023).  As he describes in his memoir Notebooks of a Wandering Monk Ricard grew up in the company of leading French intellectuals. He received a PhD degree in molecular genetics from the Pasteur Institute in 1972, but then abandoned his scientific career to practice Tibetan Buddhism, living mainly in the Himalayas. He is celebrated for his global advocacy of Buddhism as a science of the mind; all his income from books, photographs and conferences is donated to the humanitarian projects run by the Karuna-Sechel Association which he cofounded twenty-two years ago to alleviate the suffering of the most destitute in India, Nepal and Tibet. The art of
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Great music has no independent existence

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