The music blogs go round and round


Nice to see On An Overgrown Path, and several other fine music blogs, mentioned in the Gramophone's November e-newsletter. This is written by the magazine's editor James Jolly, who is also a BBC Radio 3 presenter. A warm welcome to new readers arriving at this "provocative and informed" blog from the Gramophone. You can check today's top stories in the right side-bar.

See the rest of my header photo here, and take a look at the Chinese equivalent of the Gramophone here.
Photo (c) On An Overgrown Path 2007. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Comments

Jay said…
wow congrats on the mention!
2:05 am
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Does it have integrity and relevance?

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Shortly after it was released I bought the young Finn  Klaus Mäkelä's new complete cycle of Sibelius symphonies recorded for Decca. Sibelius symphonies are very well represented in my large CD collection , in fact I have more Sibelius symphony cycles than for any other composer. Yet I have returned to Mäkelä's interpretations a surprising number of times. No, they will not replace the accounts of Sanderling , Colin Davis,  Barbirolli , and others. But they are not worse or better: because subjective dualist judgements of better or worse, like or dislike, good and bad, definitive or otherwise, etc etc no longer mean anything to me . There is no concrete reality in a music performance, only what we individually perceive as reality. A performance is an endless flow of constantly changing conditions. The score is not the performance, and the performance is not the score. Between score and performance lie an infinite number of overlapping variables - tempi, dynamics, performanc
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Closer to Vaughan Williams than Phil Spector

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This year's BBC Proms season includes ' Nick Drake - An Orchestral Celebration ' with Jules Buckley and the BBC Symphony Orchestra. That is Nick in the photo above; on the night in 1974 he died at the tragically young age of 26 a disc of the Brandenburg Concertos was on the record player in his room , and Black Eyed Dog , one of the last tracks he recorded before he died, has striking similarities to the Preludio of Bach's Lute Suite in E Major. But there is also an important and little-known contemporary connection between Nick Drake and the world of classical music. While at Cambridge University Nick met and worked with fellow student Robert Kirby. When Nick recorded his first album Five Leaves Left he chose Robert Kirby to arrange and conduct the backing for the majority of the tracks using strings, brass and woodwind. It is widely acknowledged that these arrangements were a major contribution to the success of the album and also to Nick's next LP Bryter Late
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Why new audiences are deaf to classical music

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