The music blogs go round and round


Nice to see On An Overgrown Path, and several other fine music blogs, mentioned in the Gramophone's November e-newsletter. This is written by the magazine's editor James Jolly, who is also a BBC Radio 3 presenter. A warm welcome to new readers arriving at this "provocative and informed" blog from the Gramophone. You can check today's top stories in the right side-bar.

See the rest of my header photo here, and take a look at the Chinese equivalent of the Gramophone here.
Photo (c) On An Overgrown Path 2007. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Comments

Jay said…
wow congrats on the mention!
2:05 am
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David Munrow - more than early music

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'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities.
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Master musician who experienced the pain of genius

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On that sleeve for his 1985 recording of the Goldberg Variations , Scott Ross is seen standing in the grounds of Château d'Assas in Languedoc. It was here that many of the harpsichordist's great recordings were made. Then, as today, the château dwelt in the twilight zone between grandeur and dereliction, and thirty years ago the recording sessions were regularly interrupted by the sound of rats scurrying across the floor. Scott Ross was born in Pittsburgh in 1951, and moved to France with his mother following the death of his father in 1964. He studied at the conservatoires in Nice and Paris, and first came to Château d'Assas in 1969 to give music lessons to the grandson of its owner Mme. Simone Demangel . When an early music academy was established at the Château d'Assas, Scott Ross gave masterclasses and became a frequent visitor. At first he stayed in a room in one of the towers, but from 1983 he rented a small house across the road from the château. The photos b
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Soundtrack for a porn movie

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"No, you have not landed on Slipped Disc by mistake. Respected electronic music pioneer Klaus Schulze tells the story himself.  The origins of " Body Love " are quite funny. I received a call from a movie producer named Manfred Menz and I wound up becoming his principal composer for a period of time. Amongst others, I composed the "Barracuda" soundtrack for him [1978, previously unreleased on album]. This led to a friendship which lasts till today. Menz now lives in Malibu, California where I visited him a couple of years ago. Anyway, this guy calls me and asks if I would compose the score to a porn movie. I said: "Porn? Nah, I don't do that kind of thing".  As it turned out, the director of the movie, Lasse Braun, had already shot it and had used my albums " Timewind " [1975] and " Moondawn " [1976] as a kind of "working soundtrack". This was obvious because the couples in the film were moving in time to my gro
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Classical music has a lot to learn

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In June and July 1945 Yehudi Menuhin performed at camps for “displaced persons” – Holocaust survivors – including outside where the demolished Bergen-Belsen concentration camp had stood. He was deeply shocked by what he saw; yet in 1947 he returned to Germany to perform with the Berlin Philharmonic conducted by the recently de-Nazified Wilhelm Furtwängler. Menuhin was the first Jewish musician to perform in post-World War II Germany, explaining that he did so in order to support the rehabilitation of German music and to help heal the spirit of the German people.  My header photo shows Menuhin playing Mozart's Violin Concerto No. 5 in 1966 with the Vienna Philharmonic conducted by the  now fashionably-reviled Herbert von Karan. The Jerusalem Cinematheque - Israel Film Archive describes that collaboration as an example of how "how music can still contribute to reconciliation today". Coincidentally, or possibly not, both Menuhin and Karajan were yoga practitioners. Menu
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All aboard the Martinu bandwagon

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Is syncretic music the future?

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Albert Baez, scientist, pacifist and parent

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Albert Baez (left) has died age 94. A remarkable scientist and pacifist, he was also father of folk singers Joan Baez and Mimi Fariña . Follow this link to the San Francisco Chronicle for an excellent celebration of a remarkable life. Now read why we aren't marching in the streets anymore. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk
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Classical music's biggest problem is that no one cares

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Classical music should exploit its healing power

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Classical music cannot stand still; so that means it must find new audiences. Western classical music has evolved into a highly dualist art form with clearly demarcated boundaries around its core offering of the orchestral and operatic repertoire. There is little debate that this repertoire must - and will - remain central to the art form. But it can be argued that to open up new markets the current watertight boundaries around that core offering must become porous. An example of a blurring of these boundaries would be an entry into the mind, body and spirit market; a market which a post here in 2011 pointed out was then worth around $11 billion annually in the US, compared with $200 million for classical album sales. It is tempting to dismiss the mind, body and spirit market opportunity as no more than 'Mozart for meditation' and 'Gregorian Chant for the soul', but that would be a mistake. As my earlier post noted , the spiritual dimension is found in many of cl
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The Berlin Philharmonic's darkest hour

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