The art of the bad review

Long Road Out Of Eden
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David Munrow - more than early music

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'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
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Classical music must be doing something wrong

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Classical music's website of choice Slipped Disc  today runs a story on the latest RAJAR UK radio listening figures . This story states that a "...record number of individual hours was spent listening to [BBC Radio 3]. They must be doing something right". Which is good news; but only for those who believe that facts should never stand in the way of a good story. Because simple arithmetic shows that BBC Radio 3 is not doing very much right, while UK classical radio in its entirety is doing something wrong.   In the quarter ended September 2024, BBC Radio 3 and Classic FM audiences were 2.039m and 4.416m respectively. Which gives a total audience for the two classical stations of 6.455m. For the same quarter in September 2023 the audiences were 2.002m and 4.467m, giving a total classical radio audience 12 months previously of 6.469m.  So BBC Radio 3's "something right" turns out to be a fractional increase in its audience year on year, and a contribution ...
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Does Facebook really have to be this dire?

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Social media and its inherent dangers are forensically analysed by Jacob Silverman in Terms of Service . This book should be required reading for all social media users; even for those who already understand how Facebook manipulates news feed and sells their personal data to all and sundry to boost its $523 million profit. It makes for very frightening reading, but the fact remains that there are 1.5 billion Facebook users. Which means social media offers a powerful free (if the cost of losing control of personal data is ignored) communication platform for classical music, an artform that is struggling to widen its reach. So why is classical music's use of Facebook and other social media so dire? Classical music's Facebook users fall into two categories: those who need to sell themselves and those who don't. Those who don't need to sell themselves conform to the social media convention of circulating stories from the Guardian, BBC and New York Times that everyone...
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Soundtrack for a porn movie

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"No, you have not landed on Slipped Disc by mistake. Respected electronic music pioneer Klaus Schulze tells the story himself.  The origins of " Body Love " are quite funny. I received a call from a movie producer named Manfred Menz and I wound up becoming his principal composer for a period of time. Amongst others, I composed the "Barracuda" soundtrack for him [1978, previously unreleased on album]. This led to a friendship which lasts till today. Menz now lives in Malibu, California where I visited him a couple of years ago. Anyway, this guy calls me and asks if I would compose the score to a porn movie. I said: "Porn? Nah, I don't do that kind of thing".  As it turned out, the director of the movie, Lasse Braun, had already shot it and had used my albums " Timewind " [1975] and " Moondawn " [1976] as a kind of "working soundtrack". This was obvious because the couples in the film were moving in time to my gro...
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The act of killing from 20,000 feet

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Today's Guardian reports the attempted suicide bombings at UK airports under the headline ' A plot to commit murder on an unimaginable scale' . Any attempt to take human life is abhorrent, and thank heavens the alleged plot was foiled. But let us not forget that killing on an unimaginable scale by aircraft is not the monopoly of any one ideoology. ' As German fuel supplies dwindled in the autumn of 1944 and into the final months of the war, aircraft were grounded, tanks halted, training for replacement pilots could not be maintained, and most of the new and highly effective Messerschmitt 262 jet-fighter aircraft (photo above), of which over 1,200 had been produced by the end of 1944 and which might have considerably prolonged the war, had neither fuel to fly nor trained pilots to fly them. The ME 262s were anyway extremely fuel-hungry aircraft, and those that went into action had to be towed to their end of their runways to conserve fuel, cows were used to do the towin...
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The Accidental Pilgrim

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There are an awful lot of books around about the journey to Santiago de Compostela in particular, and pilgrimages in general; and let’s be quite truthful a lot of them are rather average. But one that stood out from the crowd for me was David Moore’s The Accidental Pilgrim which was published in 2004 as a paperback by Hodder Headline Ireland, and is available in both the UK and US. The serendipitous path that links these posts meant that I bought this book in the departures lounge at Stansted Airport en route to the Danish Thread Subtitled 'Travels with a Celtic Saint', The Accidental Pilgrim is the story of a 1500 mile bike ride by the author from Bangor in Northern Ireland to Bobbio in northern Italy via France and Switzerland. The journey follows in the footsteps of the Irish missionary Saint Columbanus who made the journey in the 6th Century. (Which coincidentally, and linked to other threads , was around the time that Gregorian Chant was emerging as the official musi...
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The Berlin Philharmonic's darkest hour

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Wilhelm Furtwängler was born on 25th January 1886. He was Music Director of the Berlin Philharmonic from 1923 to his death in 1954, and held this position for the twelve years that Hitler was in power. In January 1945 he was conducting in Vienna, and fled from there to Switzerland where he remained until the Battle of Berlin ended in the defeat of the Nazis. The musicians of his orchestra remained in Berlin during its darkest hour. Here is their story: On 28th March 1945 the Russian forces commanded by Marshal Georgy Zhukov were just twenty miles to the east of Berlin. A month previously Albert Speer had been replaced as Nazi armaments minister after trying to persuade Hitler that defeat was inevitable. Speer now turned his energies to preventing the musicians of his adored Berlin Philharmonic from perishing in the inevitable final battle. Reich Commisioner Dr Joseph Goebells, who was in charge of the defence of Berlin, had ordered the entire orchestra to be drafted into the Vol...
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Bring forth new life - Chernobyl 26th April 1986

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It was a night spent in the basement of a burnt out building. People injured by the atomic bomb took shelter in this room, filling it. They passed the night in darkness, not even a single candle among them. The raw smell of blood, the stench of death. Body heat and the reek of sweat. Moaning. Miraculously, out of the darkness, a voice sounded: "The baby's coming!" In that basement room, in those lower reaches of hell, A young woman was now going into labor. What were they to do, Without even a single match to light the darkness? People forgot their own suffering to do what they could. A seriously injured woman who had been moaning but a moments before, Spoke out: "I'm a midwife. Let me help with the birth." And now life was born There in the deep, dark depths of hell. Her work done, the midwife did not even wait for the break of day. She died, still covered with the blood. Bring forth new life! Even should it cost me my own, Bring forth new life! by Sadako K...
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The art of the march

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Why are marches the poor relation of classical music? Writing my earlier post about the cuts at the BBC World Service reminded me that during my time at Bush House the march Lilliburlero was used as the World Service identity signal . The tune of Lilliburlero (also spelt Lillibullero ) is usually attributed to Henry Purcell but probably orginated as an Irish folk melody. Lilliburlero is one of the marches on the LP seen above which was recorded in 1967 for the World Record Club division of EMI by Sir Adrian Boult and the London Philharmonic Orchestra. Other marches on it include John Philip Sousa's Stars and Stripes and Liberty Bell , the Battle Hymn of the Republic and Eric Coates' Dam Busters . For reasons that totally escape me it appears the only CD transfer was as a Sony release in 1999 . Despite the unlikely repertoire this disc is prized by Boult afficionados for its superb performances and sound and is well overdue for re-release. The unlikely combination of Sir...
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Brilliant Russian sacred choral music

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A wonderful concert by the Hermitage Ensemble of Russian singing sacred hymns and folk songs in the beautiful little Sibton Church of St Peter in Suffolk (the ruins of a Cistercian Abbey can be seen close to the church) took me down the overg rown path of Russian sacred choral music. Two outstanding recent releases from the innovative Dutch super-budget label Brilliant Classics are highly recommended. The Alexander Nevsky Cathedral in Paris is famous for its tradition of Russian Orthodox chant. In 1967, under their director Evgeni Ivanovitz Evetz, they recorded an anthology of Russian Orthodox Church Music. Evetz was born in Poland of Russian parents, and his status as a Russian 'displaced person,' meant that he made his reputation as a refugee building and conducting choirs, first in Morocco and then in Paris. The anthology features composers ranging from Rachmaninov and Arensky to many lesser-known figures, and has now been released as a double CD . The sound isn't dem...
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