That photo was taken by me today on the seafront at Lowestoft . Here is the opening section of Young Britten in Alex Ross' acclaimed book The Rest Is Nois e. Homosexual men, who make up approximately 3 to 5 per cent of the general population, have played a disproportionately large role in composition of the last hundred years. Somewhat around half of the major American composers of the twentieth century seem to have been homosexual or bisexual: Copland, Bernstein, Barber, Blitzstein, Cage, Harry Partsch, Henry Cowell, Lou Harrison, Gian Carlo Menotti, David Diamond, and Ned Rorem. In Britain, too, the art of composition skewed gay. The two young composers who seized the spotlight in the early postwar era were Britten and Michael Tippett, neither of whom made an effort to hide their homosexuality. Alex's book provides a salutary reminder of what we have lost in the era of lowest common denominator music writing . As does his long-running The Rest Is Noise website ;...
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Does the answer lie here?
One of the pieces that I'm doing is the Schoenberg/Marx brother's tennis match. Who was the person who always wanted to be Schoenberg's student? I can never remember.
Adolf Weiss?
No. No. No. The populist. Gershwin! Gershwin, Harpo, Oscar Levant, and Schoenberg used to play tennis every Wednesday. If not Harpo, then Groucho and sometimes Chaplin...blah blah blah. That was the standard foursome. I always understood that John Cage was the ball boy. Is it possible that it's him. Yes, but then I suspect Schoenberg's finger is in the pie there somewhere.
Schoenberg used to apparently carry around, I didn't know this either, he used to travel round with a violin case. People would actually query him, "Arnie, I didn't know you were a fiddler." He was not a fiddler. He had table tennis paddles and a net in the violin case. He was a maniac table tennis player.
Whatever, I bet it wasn't Toscanini.