Eno is enough

There is contemporary music, there is challenging music, and there is bad music. I hate to be negative about new music, but in my humble view the Brian Eno choral works in last night's Radio 3 broadcast from the Bath Festival fell into the latter category. I have considerable admiration for the innovative approach of the Festival's new director Joanna MacGregor (left). But her decision to segue Eno's new work August 1914 into Tallis' Spem in alium at the end of the concert made as much sense as mixing Glenfiddich single malt whisky with Pepsi-Cola.

Any copyrighted material on these pages is included in "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk
If you enjoyed this post take An Overgrown Path to The latest avant-garde tricks ...

Comments

Recent popular posts

The Berlin Philharmonic's darkest hour

Does it have integrity and relevance?

The Perfect Wagnerite

Why new audiences are deaf to classical music

Master musician who experienced the pain of genius

I am not from east or west

The paradox of the Dalai Lama

Classical music has many Buddhist tendencies

Elgar and the occult

Why cats hate Mahler symphonies