Musicircus

Another blog that has appeared on the radar, and is definite worth visiting, is Musicircus.

Tasty morsels on offer there include news that Uri Caine (photo right) is coming to the London Jazz Festival in November. One feature I particularly applaud is a Book of the Month Club. This month it's Richard Powers' novel A Time of Singing. Music blogs, including mine, should give more space to literature and the other arts. My slightly random The bookless Mrs Beckham got a huge response.

Musicircus has some acts from outside the 'serious music' arena, it's worth visiting.

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The Berlin Philharmonic's darkest hour

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Wilhelm Furtwängler was born on 25th January 1886. He was Music Director of the Berlin Philharmonic from 1923 to his death in 1954, and held this position for the twelve years that Hitler was in power. In January 1945 he was conducting in Vienna, and fled from there to Switzerland where he remained until the Battle of Berlin ended in the defeat of the Nazis. The musicians of his orchestra remained in Berlin during its darkest hour. Here is their story: On 28th March 1945 the Russian forces commanded by Marshal Georgy Zhukov were just twenty miles to the east of Berlin. A month previously Albert Speer had been replaced as Nazi armaments minister after trying to persuade Hitler that defeat was inevitable. Speer now turned his energies to preventing the musicians of his adored Berlin Philharmonic from perishing in the inevitable final battle. Reich Commisioner Dr Joseph Goebells, who was in charge of the defence of Berlin, had ordered the entire orchestra to be drafted into the Vol...
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David Munrow - more than early music

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'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
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Listen to music that matters

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In his Lebrecht Weekly column Norman Lebrecht declared that: ' Too much Mozart makes you sick .  M ozart is a menace to musical progress, a relic of rituals that were losing relevance in his own time and are meaningless to ours. Beyond a superficial beauty and structural certainty, Mozart has nothing to give to mind or spirit in the 21st century. Let him rest. Ignore the commercial onslaught. Play the Leningrad Symphony. Listen to music that matters'. Most readers will recognise this outburst as typical self-serving Lebrecht click bait . But those who have any doubt should listen to the five CD reissue of Sir Charles Mackerras conducting the Scottish Chamber Orchestra in nine Mozart symphonies and the Requiem. These are arguably the finest Mozart interpretations  since Bruno Walter's .   Ignore Lebrecht's meaningless onslaught. Mozart's music matters today and has never been more relevant. Because it is music of truth at a time when the truth is being devalued...
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Which is the best is not important

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A recent post highlighted Jazz Raga , a John Coltrane and Ravi Shankar tribute, as one of the few notable new albums in 2025. Another standout among too many dreary derivative new releases is CPO's 16 CD box  Michael Haydn: Complete Symphonies; Wind Concertos .  Michael Haydn's music is overlooked because of meaningless comparisons of 'greatness' with his older brother of Joseph and his contemporary and friend Mozart. As Ajahn Sumedho has explained : "...which is the best is not important. 'The best' is merely a condition we create with thought. When we think about which is the best, we are going into opinions, preferences, conditioning and attachment". Just like the music of Joseph Haydn and Mozart, Michael Haydn's music 'is' and should simply be appreciated for its 'isness'.  
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Research identifies classical music’s unique selling point

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Classical music's biggest problem is that no one cares

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Male American pioneers

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As the credit crunches who is going to pass up the opportunity to explore lots of composers for less cash? Budget-priced CDs receive a lot of attention , but budget books are also well worth investigating. 20th-Century Composers is an excellent series from innovative publisher Phaidon . They were originally published in the 1990s and are now reappearing at bargain price. The twenty-five titles range from Bernstein and the Beatles through Minimalists to Hindemith, Hartmann and Henze and György Ligeti , and on to Erich Wolfgang Korngold portrayed by our own Jessica Duchen . Seen above is American Pioneers by Alan Rich which I picked up for £6.95 in Blackwells in Edinburgh (egregious strap-line 'The Knowledge Retailer' ). The book is, as you would expect from a leading art publisher, a visual as well as textual delight, with art direction by New Yorker cover contributor Jean-Jaques Sempé . The main profiles are of Charles Ives , Edgar Varèse , Henry Cowell John Cage ...
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Third rate music on Naxos' American Classics?

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I'll be interested in American readers' reactions to the start of this review by the Guardian's Andrew Clements - ' Considering how much third-rate music has been included in Naxos's American Classics series, Elliott Carter has so far been poorly served by the budget-price label. But in the year of the composer's 100th birthday, this - the first of two discs that will include all five of Carter's string quartets - could be the start of a major addition to his discography.' Andrew Clements then goes on to write a glowing five-star review of Naxos' new CD of Elliott Carter's String Quartets Nos 1 and 5 performed by the Pacifica Quartet . I'll agree whole-heartedly with his verdict on the Carter Quartets, I bought them last week and they are superb performances of superb music. But I am not so sure about his other views. That judgement of 'third-rate music' raises the interesting point of should a critic focus primarily on the interpr...
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The purpose of puffery and closed-mindedness

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Two contrasting responses from America to my post Third rate music on Naxos' American classics? Flinging merde - ' Granted some of the stuff that Naxos has packaged in that series has been less than distinguished but operating in a cultural establishment where critics treat every cow patty ever dropped by the likes of Alwyn (above) and Bax and Finzi and Michael Tippitt (sic) as if it were fois gras, Clements is hardly in a position to fling merde' - from Sequenza21 , and I'm sure Norman Lebrecht would approve of that misspelling of Tippett. The true beauty of the effort - ' Personally speaking I expect listener reaction to concert music is heavily dependent on emotional mood and cultural/historical context . The concept of "ratings" and "tiers" for composers is pretty much an over-rated specialization of critics, which serves the purpose of puffery and closed-mindedness. My father is the American composer George Frederick McKay (photo be...
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The composer without a shadow?

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If you want to start a fascinating thread write about Leonard Bernstein's Mass . Here are some comments from my most recent Mass post : Movie commented - It's not a dishonest piece and I think it still works today . I commented - But what are examples of dishonest pieces of music? Pentimento commented - I'd say much of Strauss's oeuvre is dishonest. I couldn't live without Metamorphosen , Capriccio or the wind concertos, and one of my most memorable, and disturbing, evenings in the opera house was Hildegard Behrens singing the title role in Salome with Karajan and the Vienna Philharmonic at the 1977 Salzburg Festival . But, despite that, you may be right Pentimento. Which leaves me with only one possible back link - Herbert von Karajan Ein Heldenleben Sorry I cannot credit the lovely portrait of Richard Strauss (I do hope you meant Richard and not Johann, Pentimento), but I do not know who it is by. It comes from Ferdinand Von Galitzien's blog . Help with ...
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