Sunday, January 10, 2016
CDs that should be in every medicine cabinet
Being rather ill has been a strange experience. Beethoven Quartets and Schubert Masses are meant to figure prominently in the listening of those who have wobbled slightly on the perch. But not in mine; instead I have been relishing the healing power of a composer whose music does not usually feature in my playlists or On An Overgrown Path. Antonín Dvořák's reputation as a symphonist is both enhanced and distorted by the popular success of his ninth essay in the medium, the New World Symphony. The other late symphonies, Nos 7 and 8, appear occasionally in the concert hall and No 5 turns up once in a blue moon. Which completely ignores five other symphonies, works that are genuinely, to use an overworked and much abused term, life-affirming. Clear first choice for a survey of the complete Dvořák symphonies is István Kertész with the London Symphony Orchestra on Decca. Another reviewer has remarked how their "orchestral sound pulses with life", and that sums up this definitive set perfectly. István Kertész was born into a Hungarian Jewish family in Budapest in 1923 and many of his extended family died in Auschwitz during the Holocaust. He survived the war and after completing his musical studies quickly built a reputation conducting leading ensembles including the Cologne Opera, and Berlin and Israel Philharmonic Orchestras.
Kertész, seen below, was principal conductor of the London Symphony Orchestra from 1965 to 1968 and his classic accounts of the Dvořák Symphonies date from 1963 to 1968 when the orchestra was at the top of its game. Tragically, Kertész died in a drowning accident in the Mediterranean off the coast of Israel in 1973. (In a chilling example of concatenation I had been swimming alone in a remote and inaccessible Mediterranean cove just hours before I was rushed into a French hospital in May. Memo to self, avoid sea interludes).
Due to his tragically early death Kertész's recorded legacy is small but quite remarkable. Do not be put off buying his Dvořák because it was recorded in the 1960s. In fact the opposite applies, you should buy it because of the recording date. All the recordings were made in the much lamented Kingsway Hall by legendary Decca producer Ray Minshull, and they serve as an eloquent reminder that all that is digital is not gold. There is a sense of spontaneity, including occasional quite excusable small lapses of ensemble and intonation, that makes them sound like concert performances. But above all there is a sonic impact and clarity of stereo image that puts them up there with other great recordings of all time, including the iconic Mercury recordings with the London Symphony Orchestra that date from the same period. Ray Minshull provides the excellent sleeve notes for the Decca set, and in them tells how the Dvořák cycle started when plans for Kertész to record Elgar's First Symphony were dropped at the last moment - oh, how I wish we had the Dvořák and his Elgar. But, thankfully, we do have the Dvořák which does such a valuable service in making the little known early symphonies available. The Decca box of six CDs, which includes the nine symphonies plus overtures and tone poems, can currently be bought for around £15. Need I say more?
In the string quartet literature, the merit of Dvořák's little known late quartets mirrors that of his early symphonies. His Quartet No 12 'American' is perhaps too well known. But what of Nos 10, 11, 13 and 14? All are quite wonderful healing music awaiting discovery; for starters try the Panocha Quartets' recently re-released mid-price 3 CD digipak. And while on the path of healing music Naxos' 5 CD box of Dvořák's complete solo piano music, see footer image, should be in every medicine chest. There is more on classical music and the feel good factor here.
* It is my wish that On An Overgrown Path should be remembered as something other than a victim of social media and churnalism. So over the next few days I am burying the blog by repeating some personal favourite posts. This one first appeared in July 2011.
With thanks to musical healer and therapist Lyle Sanford whose recent post on his own blog sparked this article. I am sorry Lyle, but I ran out of space before I really got to grips with my intended subject of the healing power of music. But I promise there will be a second part to this post. All featured CDs were bought at retail. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk. Also on Facebook and Twitter.