High-earning conductors 2010: James Levine, Metropolitan Opera & Boston Symphony - $3.27 million, Michael Tilson Thomas, San Francisco Symphony - $2.41 million, Alan Gilbert, New York Philharmonic - $1.56 million, Charles Dutoit, Philadelphia Orchestra - $1.47 million ~ Los Angeles TimesAs the quite justified anger over externally imposed cuts in classical music funding continues, remember Commodore Perry's words: “We have met the enemy and they are ours”.
In making this analysis Fritz [Schumacher] did not exclude the additional pressures to put up prices, which came from the struggle over limited resources… but he insisted that both sources of pressure could only be contained through ‘justice’, and ‘justice’ involved setting a limit, knowing when enough was enough. In practical terms Fritz suggested that meant a limit to salaries and had strong words to say to those who argued that limits to pay make it difficult to attract the ‘best’ people into the most important jobs. "This argument misses the point. Those who cannot accept that enough is enough are not the best people; they are dangerous people who make our problems insoluble and we cannot have them as top civil servants, industrialists, judges, generals, etc." ~ A Life of Fritz Schumacher by Barbara Wood.
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