Shortly after it was released I bought the young Finn Klaus Mäkelä's new complete cycle of Sibelius symphonies recorded for Decca. Sibelius symphonies are very well represented in my large CD collection , in fact I have more Sibelius symphony cycles than for any other composer. Yet I have returned to Mäkelä's interpretations a surprising number of times. No, they will not replace the accounts of Sanderling , Colin Davis, Barbirolli , and others. But they are not worse or better: because subjective dualist judgements of better or worse, like or dislike, good and bad, definitive or otherwise, etc etc no longer mean anything to me . There is no concrete reality in a music performance, only what we individually perceive as reality. A performance is an endless flow of constantly changing conditions. The score is not the performance, and the performance is not the score. Between score and performance lie an infinite number of overlapping variables - tempi, dynamics, performanc
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"It is a sign of cultural defeat when you have to keep on assuring your audience that what they are listening to is wonderful."
Amen. In recent years, CBC Radio 2 (in Canada) increasingly exhibits the same tendency. They've pretty well lost my wife and I (and our daughter is probably more negative than we are).
Yet the Spectator's Charles Moore describes himself as "a musical ignoramus" and thinks "Radio 3 is becoming stupid".
The classical stations have lost knowledgable listeners like you and me. But they are not attracting new listeners, as is confirmed by RAJAR data here in the UK.
http://www.overgrownpath.com/2011/10/bbc-shows-world-how-not-to-do-classical.html
Yet still the dumbing out continues....