Two hands clap and there is a sound


Today's Koan.
Now playing - music by an American composer, James Tenney's 1971 Koan for violin and piano.
Photo is one of a sequence by me which you can view here, (c) On An Overgrown Path 2007. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

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Those who we lost

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That is harpsichord legend Scott Ross in the photo above, and Saville Rowe legend Tommy Nutter in the photo below. A post here years ago recounted how in 1984 rumours that Scott Ross had contracted Aids were spreading, and, tragically, both he and Tommy Nutter became Aids victims. Since the start of the epidemic more than 44 million people have died of Aids related illnesses. To put those deaths into perspective, around 16 million combatants and civilians died in World War 1 , approximately 6 million Jews and Romany died in the Holocaust , and   14.9 million deaths were linked to COVID-19 pandemic  in 2020 and 2021.   Tommy Nutter and his photographer brother David were both gay and lived in New York at the peak of the Aids epidemic. The creative community was particularly badly hit by the deadly virus, and Tommy died in 1992. His brother lived through that tragic time, and in the Epilogue to his moving biography of the Nutter brothers , its author Lan...
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Great composer who comes with a parental advisory

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Enfant terrible Claude Vivier 's transcendent but overlooked Siddhartha  for orchestra in eight groups is probably the outstanding achievement  - listen  here  - of his too short life, and was inspired by Herman Hesse's eponymous novel . In 1983 Claude Vivier, who is seen above , was murdered in Paris by a male prostitute he had met in a bar; he died aged 34.  Musicologist and performer Bob Gilmore  wrote the definitive biography of Vivier . Here, unedited, without apology but with a parental advisory, is Bob Gilmore on Vivier's life in Paris. Indeed, he was more sexually active now than ever. "Claude would boast about fucking nine guys in a sauna, but you never knew where his deep feelings were," says [Walter] Boudreau . "He drew a line that none of us managed to cross, and we can only cross it now listening to his music".  A quote from Herman Hesse's Steppenwolf provides an appropriate epitaph for Claude Vivier: The way to innoc...
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Those are my principles....

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Norman Lebrecht: Slipped Disc and   Lebrecht Weekly, 12/05/2023   "Why I cannot, in good conscience, review this record I cannot, in all conscience, give this recording a star rating, or even a detailed review. The soloist is Elisabeth Leonskaja, a legendary pianist whose introspections are perhaps the strongest living reminder of her late friend Sviatoslav Richter....Christian Thielemann, in the recent film ‘Music under the Swastika’, claimed that Wilhelm Furtwängler’s complicity in the Third Reich was justified by his legacy of extraordinary recordings.  Leonskaya’s presence in Putin’s Russia is not dissimilar. What are we to make of them?... The performances, per se, have nothing to do with the present situation. And yet, everything.I cannot review them". . ..and if you don't like my principles... well, I have others . Norman Lebrecht: Slipped Disc , 19/11/2025 "The Muziekgebouw in Eindhoven has cancelled a December 4 concert by the Russian-Georgian Jewish pia...
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A vintage year for blasphemy and heresy

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2010 was a vintage year for blasphemy and heresy. A post on Salvador Dali drew attention to his forgotten audiovisual opera-poem Être Dieu inspired by the Cathar heresy, Jonathan Harvey stirred things up on my Chance Music programme by saying "the future must bring things which are considered blasphemous like amplifying classical music", while yet another path took me to new heights of heresy. In fact the path reached 2400 feet, which, as the photo above shows, is a serious challenge for anyone who, like me, who has a vertigo problem. I took the photo from the fortress of Quéribus in Languedoc, France and the view is towards Mont Canigou, the holy mountain beloved of Pablo Casals and Thomas Merton . Quéribus castle was the last Cathar stronghold to surrender in 1255 and Jordi Savall's The Forgotten Kingdom had led me to Languedoc and Catharism and on to Gnosticism. The Cathar heresy has its roots in the "dualist" religions in the Indus basin which origina...
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Classical musician's brave journey from Mozart to Morisco

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In the 1950s a number of prominent jazz musicians converted to Islam, including - to use their adopted names - Ahmad Jamal , and Sahib Shihab , Yusef Lateef . One of the most notable converts was the drummer Art Blakey , while the very personal heterodox cosmology of the most celebrated jazz musician of that period John Coltrane was influenced by the beliefs of his first wife Naima, who was a Muslim convert . Many of the musicians who converted were African Americans endeavouring to escape from the shadow of Western colonialism ; they saw Islam as an attractive alternative to Christianity within the Abrahamic tradition, and jazz at that time was heavily influenced by music from cultures beyond the Judeo-Christian world. These circumstances were unique to the 1950s, and fewer jazz musicians have taken the path to Islam since. But those who have include the bass player Danny Thompson who converted in 1990; he has played with many great musicians, including Nick Drake on the legendary...
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Music for four accordions

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Charles Ives , Umberto Giordano , Osvaldo Golijov , Paul Hindemith and Alban Berg all wrote music for accordion. So did Piotr Ilyich Tchaikovsky; in fact he wrote a score that calls for four diatonic button accordions. Tchaikovsky's Suite No. 2 for Orchestra is not as well known as the Suite No. 4 'Mozartiana' . Which is surprising: as they say on Amazon, if you like Tchikovsky's ballets you will like his Suite no. 2. Or is it because, as they say in the music director's office today: - if your score needs four accordions don't expect us to programme it? I have Michael Tilson Thomas' recording with the Philharmonia Orchestra; which also includes 'Mozartiana' . The performance is excellent as is the sound. The latter is explained by CBS sub-contracting the recording to EMI. The venue was Abbey Road Studio One in 1981 with EMI's Neville Boyling at the mixing desk. My research indicates that this CD of the two orchestral suites is currently only ...
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Master musician who experienced the pain of genius

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On that sleeve for his 1985 recording of the Goldberg Variations , Scott Ross is seen standing in the grounds of Château d'Assas in Languedoc. It was here that many of the harpsichordist's great recordings were made. Then, as today, the château dwelt in the twilight zone between grandeur and dereliction, and thirty years ago the recording sessions were regularly interrupted by the sound of rats scurrying across the floor. Scott Ross was born in Pittsburgh in 1951, and moved to France with his mother following the death of his father in 1964. He studied at the conservatoires in Nice and Paris, and first came to Château d'Assas in 1969 to give music lessons to the grandson of its owner Mme. Simone Demangel . When an early music academy was established at the Château d'Assas, Scott Ross gave masterclasses and became a frequent visitor. At first he stayed in a room in one of the towers, but from 1983 he rented a small house across the road from the château. The photos b...
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Pushing the classical music envelope

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'In his short life and his art, the French Canadian composer Claude Vivier was a man diving, often recklessly, into the ultimate…. And from the edge of experience, he began to bring back, in the years leading up to his death in 1983, a new sound.' – Paul Griffiths , The New York Times I recently asked Who is pushing the classical envelope? My header photo shows a little-known figure who certainly pushed the classical music envelope and in the process created a new sound world that is ripe for rediscovery. Claude Vivier, was born to unknown parents in Montreal in 1948. After adoption his education prepare him for the priesthood until he was expelled from his seminary for "immature behaviour". But his religious training had awakened another vocation and he went on to study music, first in Montreal and then in Europe where his teachers included Karlheinz Stockhausen . In 1976 Vivier visited Japan, Bali and other Eastern countries and their musical traditions influenc...
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Could LSD have saved Tchaikovsky?

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Classical music and hallucinogens may seem an unlikely combination, but there is a reason why consciousness altering substances have featured in several recent overgrown paths. As was described in my recent post Elgar takes a trip , prior to the global proscription of lysergic acid diethylamide (LSD) in the late 1960s the drug had been used with promising results in experimental psychotherapy. Among those participating in the clinical trials more than fifty years ago were sufferers from severe depression. Statistics show that between 20% and 25% of adults will have an episode of mental illness in any given year and as a journalist who has experienced severe depression explained “…mental illness is a taboo…. few people talk about it or let on – unless they are so ill that they can't help it”. Depression can hit anyone, including musicians. Tchaikovsky was one of classical music’s many depressives, as the final tortured Adagio lamentoso of his Sixth Symphony testifies, and it ha...
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Scott Ross and the paradox of genius

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On that sleeve for his 1985 recording of the Goldberg Variations , Scott Ross is seen standing in the grounds of Château d'Assas in Languedoc. It was here that many of his great recordings were made. Then, as today, the château dwelt in the twilight zone between grandeur and dereliction, and thirty years ago the recording sessions were regularly interrupted by the sound of rats scurrying across the floor. Scott Ross was born in Pittsburgh in 1951, and moved to France with his mother following the death of his father in 1964. He studied at the conservatoires in Nice and Paris, and first came to Château d'Assas in 1969 to give music lessons to the grandson of its owner Mme. Simone Demangel . When an early music academy was established at the château, the harpsichordist gave masterclasses and became a frequent visitor. At first he stayed in a room in one of the towers, but from 1983 he rented a small house across the road from the château. The photos below were taken by me on a ...
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