Classical music needs to make its diversity more diverse
Back in 2014 after attending a work-in-progress outing for the realisation of Ravi Shankar's opera Sukanya I wrote that "Sukanya, with its trans-cultural pedigree and message that there is life beyond Western materialism, may be just the opera to show that Anna Nicole is not the only way to attract new audiences". Now, after semi-staged performances of the completed opera comes an admirable double CD release on the London Philharmonic's own label captured at a 2017 performance. It is pleasing to see Sukanya growing in stature over the years while Mark-Anthony Turnage’s click bait opera Anna Nicole fades from memory. But it is sad to see so little attention paid by the classical twitterati to David Murphy and the LPO's brave advocacy of Pandit Shankar's opera. Classical music resounds with self-congratulation about its embrace of diversity. But in reality that diversity is no more than a cosmetic dash of box office-friendly colour painted on a resolutely monochrome establishment. As was confirmed by the Amazon algorithm that recommended Sheku Kanneh-Mason's Elgar album based on my interest in Sukanya.
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Comments
Purists will probably loathe it, but this is a massive public relations WIN for the DSO! And yes, it's bringing new audiences into the concert hall!
https://www.metrotimes.com/city-slang/archives/2020/02/13/detroit-symphony-orchestra-to-team-with-wu-tang-clan-for-a-special-concert