How to future-proof your music library


This streaming service is guaranteed never to go into receivership.

Also on Facebook and Twitter. Any copyrighted material is included as "fair use" for critical analysis only, and will be removed at the request of copyright owner(s).

Comments

Scott said…
Excellent item ... thank you.

I agree with just about everything you say. This is undoubtedly conditioned by my own experience, having started collecting at university in about 1964, when your choice was LPs ... or LPs. I've never viewed streaming as anything other than a substitute for listening to FM, with 2 modes - listening to a particular program which interested me (a broadcast of unfamiliar material, for example) or something for casual listening (there are a couple of internet radio stations which play excellent jazz playlists ideal for late evening listening).

I still listen to LP's, and buy a few out of curiosity. I have enough CDs that convenient storage space for LPs and CDs is becoming a problem. This leads to my one differing perspective from your post. I find that downloads have an increasing part to play, with mobility not being a necessary component. Disclaimer - I speak only for myself, of course, and if I started buying LPs in 1964, I'm clearly not in what you'd call a growth demographic.

Downloads don't replace the well-designed and elegant packages you mention (Jordi Savall et al). However, in a lot of cases, I find myself buying downloads rather than CD's. I'm talking particularly about companies who provide the same documentation with each (Hyperion and Linn, to mention only 2). I've even succumbed to the lure of a digital streamer which includes a CD player, and so all sources other than LP's are played through the same unit.

Downloads have some other (minority) advantages. Example - my downloaded music sits on a network-attached drive, and I can give a friend access to muic which they'd particularly like to hear. I can also access it from outside the home ("mobility", if you will), but that's a very minor item for me.

An aside - as I'm sure you know, the elegantly packaged "theme" set of CDs is not all that new. I'm looking at my copy of the slipcased 2000 Columbia/Legacy issue titled "Louis Armstrong: The Complete Hot Five and Hot Seven Recordings." Four CDs, an extensive photo gallery, excellent essays, production credits - this is certainly not something where a download would be an adequate substitute.

And other more recent examples would include the DGG Bach Passion sets.

Collectable? Absolutely. I'd just put a bit more emphasis on downloads than I think you would. But why agree on everything? That would be dull ...



5:03 pm
Pliable said…
Thanks for that Scott. In fairness, Qobuz is/was both a streaming and download service, and it does tick the box of offering hi-res file formats. But the concerns that you and I share remain valid.

My big concern is that as the peripheral players such as Qobuz fall by the wayside, a few corporate giants such as Amazon and Apple will not only dominate the distribution of classical music, but also invest in content ownership. Which means that when Len Blavatnik grows bored with playing at being a record company mogul the EMI catalogue - and much more - could well end up being owned by Amazon - http://www.overgrownpath.com/2010/02/do-we-need-international-cultural.html
8:40 pm
Post a Comment

Recent popular posts

The Berlin Philharmonic's darkest hour

Image
Wilhelm Furtwängler was born on 25th January 1886. He was Music Director of the Berlin Philharmonic from 1923 to his death in 1954, and held this position for the twelve years that Hitler was in power. In January 1945 he was conducting in Vienna, and fled from there to Switzerland where he remained until the Battle of Berlin ended in the defeat of the Nazis. The musicians of his orchestra remained in Berlin during its darkest hour. Here is their story: On 28th March 1945 the Russian forces commanded by Marshal Georgy Zhukov were just twenty miles to the east of Berlin. A month previously Albert Speer had been replaced as Nazi armaments minister after trying to persuade Hitler that defeat was inevitable. Speer now turned his energies to preventing the musicians of his adored Berlin Philharmonic from perishing in the inevitable final battle. Reich Commisioner Dr Joseph Goebells, who was in charge of the defence of Berlin, had ordered the entire orchestra to be drafted into the Vol
Read more

Towards infinite potential

Image
The Copenhagen interpretation of quantum mechanics postulates that "atoms form a world of potentials and possibilities, rather than of things and facts". Following a parallel path Ajahn Sumedho , a teacher from the Thai Forest Buddhist tradition , has proposed that: We do not know the future. But we do not need to know. We can let the future be the mysterious unknown, the infinite potential - the possibility for pleasure, the possibility for pain, the possibility for peace. As we let go of the fear of the unknown, we find peace. My photo of a stormy sky over Colombo in Sri Lanka hints at that infinite potential. There are many ways to experience it, and music is one of them. For me two examples particularly relevant to this post are Claude Vivier's Siddhartha and Jonathan Harvey's Body Mandala . It is now time for me to defy my advancing years and travel into the mysterious unknown of the future. Which means On An Overgrown Path  will fall silent, When, or indeed i
Read more

When classical musicians fought against tuxedo fascism

Image
In the late 1960s artist Tom Philips was also known for his music activities. These included compositions performed by pianist John Tilbury , and he also played in the Portsmouth Sinfonia and Cornelius Cardew's Scratch Orchestra . The Portsmouth Sinfonia was inspired by Cardew's Scratch Orchestra. It was formed in 1970 by a mischievous  Gavin Bryars  from staff and students at Portsmouth College of Art as a one-off ensemble to participate in a talent competition. But the Sinfonia took on a life of its own as a reaction against what its members termed 'tuxedo fascism'.  Ability and experience were not a criteria for playing in the Portsmouth Sinfonia, however attendance at rehearsals was mandatory and intentionally bad playing was not allowed. Early repertoire comprised classical warhorses such as The Blue Danube and Also Sprach Zarathustra . The Sinfonia went on to play at the Purcell Room, Festival Hall, and Albert Hall, and was rewarded with a recording contract; y
Read more

I have seen the future and it is cardboard

Image
This striking structure is the work of the Japanese architect Shigeru Ban. It houses one of the electric powered tugs that worked on the Burgundy Canal until the 1930s, and is part of the Cap Canal museum at Pouilly-en-Auxois in France which we visited recently. By any criteria this is a remarkable work of art, but it becomes quite exceptional when it is explained that this is one of Shigeru Ban's famous paper tube structures. Shigeru Ban is famous for his innovative work using paper and cardboard tubing as a material for building construction, and he is particularly known for using recycled cardboard paper tubes to quickly and efficiently house disaster victims . His designs are influenced by the pioneering geodesic domes created by Buckminster Fuller, who made a guest appearance in Karlheinz Stockhausen - part of a dream . Free thinking chamber music ensemble Domus used a geodesic dome when they performed outside the comfort zone , while maverick architect Louis Kahn's
Read more

What the composer found in his orgone box

Image
In his review of Leopold Stokowski and the Houston Symphony's 1955 premiere of Alan Hovhaness' Mysterious Mountain the critic Hubert Roussel remarked that "The real mystery of Mysterious Mountain is that it should be so simply, sweetly, innocently lovely in an age that has tried so terribly hard to avoid those impressions in music". To that I would add it is also a mystery that music which is so accessible yet avoids all stylistic platitudes remains so neglected in 2021 when a continuing anti-Boulez backlash mediates concert programmes. Fritz Reiner conducting  Mysterious Mountain  with his Chicago Symphony Orchestra is one of the glories of recorded sound. Reiner was notorious for using his baton to whip orchestras - if you haven't heard his 1960 Scherezade you haven't lived - yet in the sublime opening of Mysterious Mountain his interpretation is patiently majestic. On the CD reissue , which couples the work with Prokofiev's Lieutenant Kijé S
Read more

Have all the really great musicians come and gone?

Image
Bernard Haitink's 2016 recording of Mahler's Third Symphony is arguably the greatest interpretation of that towering work committed to record. It is also one of the last testaments from a conductor who together with Georg Solti, Herbert von Karajan, Sir Adrian Boult, Colin Davis and others defined a golden age of classical music. In response to my post ' Classical music's biggest problem is that no one cares ' reader David has posted a comment that starts by asking "...have all the really great performances, recordings indeed all the greatest musicians come and gone?" He then goes on to observe that  "I haven't heard anything in the last twenty or more years that compares with previous generations". The classical industry has spent much time agonising over its failed attempts to reach a new audience. But an even bigger problem has received little attention. Not only is the new young audience remaining elusive, but the older lon
Read more

Virtue signalling does not sell concert tickets

Image
This article is unique among the 4554 posts uploaded to On An Overgrown Path since August 2004. Because it agrees with a Slipped Disc post. Last week Norman uploaded a Slipped Disc reader's contribution headlined ' Why I won't be going back to concerts '. The thrust of the contribution was not the reader's fear of COVID, but how for him concerts had become "just a bit too often ordinary... a bit of a ritual". Which resonates with my recent post 'Where has all the musical adventurousness gone?'  lamenting the demise of musicians who is transcend conventions and pursue their own unique musical visions. David Munrow is talking to Peter Maxwell Davies in that photo. In the early 1970s David Munrow’s Pied Piper radio programme was broadcast four times a week for five years and introduced a new audience to early music. He presented a successful TV series, and wrote scores for the BBC TV series The Six Wives of Henry VIII and Elisabeth R , and
Read more

Fruitcakes do provide food for thought

Image
Timothy Leary was reputedly branded 'the most dangerous man in America' by Richard Nixon, although that attribution now seems apocryphal . Many will consider LSD guru Leary a fruitcake; but, like many brilliant mavericks, he provided much food for thought. During his time as a clinical psychologist at Harvard Leary proposed that behavourial change was not triggered by extended exposure to subliminal influences such as therapy, but to a single revelatory experience which he termed the 'vitalizing transaction'. It was the search for a consciousness-raising vitalizing transaction that led to Leary's love affair with LSD.  Past Overgrown Path posts have explained how my 50 year passion for classical music  was sparked by vitalizing transactions. These included 1950s performances by the  Bournemouth Symphony of the Pathetique and of  Holst's Planets  by a local amateur orchestra ,  Emerson, Lake and Palmer's heretical take on Pictures At An Exhibition , and
Read more

Breaking news - music blogging is not quite dead

Image
A comment added by Lukas Fierz in answer to my question Where has all the musical adventurousness gone? set me questioning once again whether music blogging, and that includes On An Overgrown Path , now serves any useful purpose. When OAOP first posted back in 2004 music blogging was driven by sharing discoveries and sharing experiences. Today that sense of revelation has been exorcised by a toxic mix of self-interest and couch activism, all driven by a paranoid pursuit of social approval. Readership numbers and egos have been boosted , but the music has suffered terminally. My recent post asked where has all the musical adventurousness gone? Who is transcending conventions and pursuing their own unique musical vision? In one of the most useful contributions to music blogging since the advent of social media, Lukas Fierz answered my question by listing a five contemporary musicians who are pushing the socially-defined classical comfort zone.  Slipped Disc's leadership  of the
Read more