Benjamin Britten slated


It is worth reading the review in Slate of Neil Powell's Benjamin Britten: A Life for Music, and not just because it links to and quotes from my related post.

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ECM in focus

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Just as Decca is known as the label that lost the Beatles , ECM could have been known as the label that lost John Adams. But, other than triggering Adams' defection to Nonesuch , Manfred Eicher's decision not to travel to San Francisco for ECM's pioneering 1984 recording of Harmonium seems to have done his fiercely independent label very little harm. While other record companies are cutting staff , orchestras are cutting pay , and radio stations are cutting quality , ECM remains in rude health; despite not a single appearance of the highly fashionable word download on its website , and despite not a single appearance by a young female (or male) violinst clad in a wet T-shirt on its sleeve artwork. While others flounder ECM sticks to the knitting, and this autumn the label celebrates its 40th birthday with a range of releases that stand head and shoulders above the musical equivalent of airport fiction that is now the bread and butter of the corporate classical labels. Kei...
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Classical music's biggest problem is that no one cares

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These photos were taken by me in 2008 at independent record retailer Prelude Records in Norwich. Jordi Savall's impromptu viol recital and signing session preceeded two performances at the Norfolk and Norwich Festival. One was a solo recital by Jordi in Peter Mancroft Church ; the other was an immensely moving performance of his visionary Jerusalem multicultural project at the Theatre Royal*. As reported here Prelude Records closed earlier this year; it was a victim of predatory online retailing, and today its premises stand empty awaiting occupation by a mobile phone or E-cigarette retailer. The Norfolk and Norwich Festival has been the victim of savage funding cuts , but continues in a more modest form due to the dedicated work of its small management team. A few days ago I wrote about a two-thirds empty Snape Maltings concert and proposed that classical music's heartland is facing a perfect storm caused by the convergence of the shifts in consumer tastes and the r...
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Come to the edge!

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Twenty-one years ago I wrote about an article on NewMusicBox  that forecast the age of music streaming, and included the following quote from the article: A world where music is available via the latest technologies for a single monthly subscription charge. A world with unlimited access to a huge range of music. A world where the music business will explode and reinvent itself. A world where listeners are empowered, and the reach of new music is limited only by your own imagination. A world where the major record companies aren’t invited to the party. A world where music becomes a utility on tap, just like gas and electricity. A world where music is like water.  It can be argued that streaming has empowered consumers by offering instant gratification. But two decades ago, in my post I expressed concerns about the advent of 'music like water' with these words: "Music-like-water won’t bring a utopia where every recording, of every work, by every composer from Evaristo Abaco ...
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Exclusive - David Munrow on the record

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My Future Radio programme on Sunday December 30th takes an exclusive look at David Munrow on the record . In the early 1970s the scores for the BBC TV series The Six Wives of Henry VIII and Elisabeth R brought David Munrow’s music to millions. His Pied Piper radio programme was broadcast four times a week for five years, he presented a successful TV series, and wrote the scores for several major feature films including Ken Russell’s The Devils and the film version of HenryVIII (sleeve below). David Munrow's interest in early music started when he taught in Peru before going up to Cambridge. He combined reading English at Pembroke College with independent studies of Renaissance and medieval music, and went on to form his famous Early Music Consort of London. Under his leadership the Early Music Consort became best-selling recording artists, and David Munrow’s records were considered so important that copies of them were sent to Saturn on board two NASA spacecraft in 1976. ...
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A Philippa Schuyler moment

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An earlier post painted a word portrait of child prodigy, pianist and composer Philippa Schuyler. Her music is rarely heard today and difficult to find. So we are very fortunate that John McLaughlin Williams agreed to record her Nine Little Pieces for piano specially for On An Overgrown Path . His recording can be heard via the YouTube video above, and in the article below he analyses her music Philippa Schuyler. Just hearing the name takes me back to a place in my childhood I have not revisited in memory more than a couple of times in decades. Philippa Schuyler’s name was but one of dozens lodged in my parent’s large sheet music library, occupying shelf space alongside the giants and talented lesser lights of our canonic music literature. Even among those lesser lights Schuyler seemed to me an odd duck a the time, for here peering at me from the cover of the sole piece of music by her in our possession was a picture of a seven year old girl of mixed race, rather than an aged, w...
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Classical music shoots itself in the baton

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On An Overgrown Path has been preoccupied recently - some would say obsessed - with the absence of black conductors at the BBC Proms , and recently highlighted this Sunday's admirable concert at the Festival Hall by the Chineke! Orchestra, a professional orchestra made up entirely of black and minority ethnic musicians. So a big splash by Tom Service in the Guardian about Sheku Kanneh-Mason, the soloist in Sunday's concert, should be be good news. But instead it simply provides another example of how classical music is shooting itself in the baton. Tom Service is employed by both the Guardian and BBC . (Some would argue that the Guardian and BBC are one and the same ). So in his article Tom Service mentions the BBC in the sub-head seen above, in the opening paragraph, and four more times in the body copy. The immensely talented Sheku Kanneh-Mason is of course a BBC property as he won the 2016 BBC Young Musician competition and is the subject of a BBC Four TV document...
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Vonnegut gets his Dresden facts wrong

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In 1968, the year I wrote Slaughterhouse Five, I finally became grown up enough to write about the bombing of Dresden. It was the largest massacre in European history. I, of course, know about Auschwitz, but a massacre is something that happens suddenly, the killing of a whole lot of people in a very short time. In Dresden, on February 13, 1945, about 135,000 people were killed by British firebombing in one night. It was pure nonsense, pointless destruction. The whole city was burned down, and it was a British atrocity, not ours. They sent in night bombers, and they came in and set the whole town on fire with a new kind of incendiary bomb. And so everything organic, except my little PoW group, was consumed by fire. It was a military experiment to find out if you could burn down a whole city by scattering incendiaries over it. Kurt Vonnegut's 1968 novel Slaughter-house Five is an essential part of the literature of the bombing of Dresden. In his new book A Man Without a Country: A...
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Nada Brahma - Sound is God

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It may be my age, but those moments when a piece of music really hits me in the solar plexus seem to get rarer and rarer. But during my recent extended travels in India I was metaphorically punched time and time again when listening to ECM's Codona recordings on headphones. Recent posts have touched on the potential of virtual concert halls and the fact that no one mixes for speakers these days , and the Manfred Eicher produced Codona sessions from between 1978 and 1982 really demonstrate the impact of the up close and personal sound of headphones . The line up for Codona was African-American trumpeter Don Cherry, Brazilian percussionist Nana Vasconcelos, and Colin Walcott on sitar, tabla, hammered dulcimer, sanza, timpani, and voice. The band took its name from a circus trapeze act of the early 20th century called the Flying Codonas , and the three albums packaged by ECM for CD as The Codona Trilogy capture the peerless musicians-beyond-frontiers performing their creative hig...
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Third rate music on Naxos' American Classics?

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I'll be interested in American readers' reactions to the start of this review by the Guardian's Andrew Clements - ' Considering how much third-rate music has been included in Naxos's American Classics series, Elliott Carter has so far been poorly served by the budget-price label. But in the year of the composer's 100th birthday, this - the first of two discs that will include all five of Carter's string quartets - could be the start of a major addition to his discography.' Andrew Clements then goes on to write a glowing five-star review of Naxos' new CD of Elliott Carter's String Quartets Nos 1 and 5 performed by the Pacifica Quartet . I'll agree whole-heartedly with his verdict on the Carter Quartets, I bought them last week and they are superb performances of superb music. But I am not so sure about his other views. That judgement of 'third-rate music' raises the interesting point of should a critic focus primarily on the interpr...
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New music from the old world

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Interesting article in French over on ConcertoNet.com about twentieth century music in general and Alex Ross' new book in particular. (Flaky machine translation here .) The writer is sometime Overgrown Path contributor Antoine Leboyer who highlights some overlooked contemporary European composers, and particularly recommends exploring Philippe Boesmans (above right), Guillaume Connesson , and Pascal Dusapin . Connesson and Dusapin are both French, but Boesmans is Belgian. Today, Belgium has been without a government for 157 days, and as time ticks by the possibility of a permanent split between the country's Dutch and French speaking communities comes closer. It is a story that has attracted surprisingly little international media coverage, and that is not because Belgium is of little importance. It was the German invasion of the country in 1914 that caused Britain to enter the First World War, a conflict that changed the world political landscape for ever. Since 1831...
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