Hubert Parry’s inspired setting of William Blake includes the famous lines ‘Till we have built Jerusalem, In England’s green and pleasant land’. Over the years Parry's Jerusalem has become associated with rabid nationalism , and racism disguised as patriotism is dominating the current political agenda both in Britain and the US . However the album artwork above is not there to illustrate the danger of nuanced racism, but rather to explode the beguiling myth surrounding Parry's Jerusalem. Because far from being the product of ethnic nationalism, Jerusalem started life as a rallying cry for a spiritual movement formed, to quote its founder, to appeal "to the whole of humanity... Hindus, Mohammedans, Buddhists... " And that is only the start of a long but remarkable story, because Sir Francis Younghusband, who commissioned Jerusalem in 1916, was an evangelical Christian Colonel who led colonial forces in a bloody invasion of Tibet. But in his mature years he became ...
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This is patently tangential, but I have just to observe that as a piece of music journalism it was vastly best than that ludicrous tosh about "Jennens' Messiah" in the Telegraph yesterday. Mind you, I think there was a crossover there with another current topic, for I suspect the PR/Promotions dunderheads at the Handel Museum were behind it. And a right embarrassing hash they made of it.