Parallel paths of Philippa Schuyler


A synopsis of BBC Radio 3's Philippa Schuyler profile Colour of genius is now available. As recounted earlier the BBC had told me they were developing this programme following my August articles. But despite this the similarities in wording are..... striking.

Also on Facebook and Twitter. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Comments

Post a Comment

Recent popular posts

Those are my principles....

Image
Norman Lebrecht: Slipped Disc and   Lebrecht Weekly, 12/05/2023   "Why I cannot, in good conscience, review this record I cannot, in all conscience, give this recording a star rating, or even a detailed review. The soloist is Elisabeth Leonskaja, a legendary pianist whose introspections are perhaps the strongest living reminder of her late friend Sviatoslav Richter....Christian Thielemann, in the recent film ‘Music under the Swastika’, claimed that Wilhelm Furtwängler’s complicity in the Third Reich was justified by his legacy of extraordinary recordings.  Leonskaya’s presence in Putin’s Russia is not dissimilar. What are we to make of them?... The performances, per se, have nothing to do with the present situation. And yet, everything.I cannot review them". . ..and if you don't like my principles... well, I have others . Norman Lebrecht: Slipped Disc , 19/11/2025 "The Muziekgebouw in Eindhoven has cancelled a December 4 concert by the Russian-Georgian Jewish pia...
Read more

David Munrow - more than early music

Image
'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
Read more

Things change but remain the same

Image
To be governed is to be watched, inspected, spied upon, directed, law-driven, numbered, regulated, enrolled, indoctrinated, preached at, controlled, checked, estimated, valued, censured, commanded, by creatures who have neither the right nor the wisdom nor the virtue to do so. To be governed is to be at every operation, at every transaction noted, registered, counted, taxed, stamped, measured, numbered, assessed, licensed, authorized, admonished, prevented, forbidden, reformed, corrected, punished. It is, under pretext of public utility, and in the name of the general interest, to be placed under contribution, drilled, fleeced, exploited, monopolized, extorted from, squeezed, hoaxed, robbed; then, at the slightest resistance, the first word of complaint, to be repressed, fined, vilified, harassed, hunted down, abused, clubbed, disarmed, bound, choked, imprisoned, judged, condemned, shot, deported, sacrificed, sold, betrayed; and to crown all, mocked, ridiculed, derided, outraged, dish...
Read more

This LP is dedicated to Richard Wagner

Image
Composer Klaus Schulze has said 'I still love my Richard Wagner, who influenced me heavily. The way Wagner’s music introduced me to the use of dynamics, subtlety, drama, and the possible magnitudes of music in general remains unparalleled to me. There can’t be any doubt about it'. Schulze's 1975 release Timewind seen above* carries the message 'This LP is dedicated to Richard Wagner', and the two tracks of truly Wagnerian proportions on the original vinyl release were titled Bayreuth Return and Wahnfried . So why doesn't the name Klaus Schulze mean anything to the vast majority of classical listeners? The answer is because Klaus Schulze, who also uses the the alias Richard Wahnfried, is a creative maverick who was a leading figure in the development of the kosmische musik  known popularly as Krautrock, which he then morphed into the proto-ambient Berlin School of electronica, and is today best known as the Godfather of Techno and the Pope of Electronic...
Read more

When the BBC edited another speech

Image
In 1972 The Great Learning: Paragraphs 1 and 2 by Cornelius Cardew was scheduled for performance at a BBC Prom . The work, which sets translations of Confucius by Ezra Pound , generated genuine controversy before its performance. Because what the BBC management did not know was that Cardew - seen above in proselytising mode - had revised the work in line with his hardening Maoist views .  This meant the revised version came complete with his politically motivated programme note and banners for display in the Albert Hall with the message "Apply Marxism-Leninism-Mao Tse-tung thought in a living way to the problems of the present".  A typically unsatisfactory British compromise was eventually struck between BBC controller of music William Glock who had bravely programmed the work and Cardew. This resulted in an emasculated twelve minute excerpt from The Great Learning: Paragraph 1 being performed without slogans or polemical programme note.  Cornelius Cardew or Donald...
Read more

I read the fake news today, oh boy

Image
In his latest bragfest which is seen above, Norman Lebrecht perpetuates the falsehood that Google Analytics measures people - ie. human readers. What Google Analytics actually measures is website page hits, which is very different to human readers. A page hit is a measure of a connection between any online device and the Slipped Disc server. The online device may or may not be read by a human, and, as a previous post explained , a large proportion - an estimated 50% - of page hits are robots and not human eyeballs. Which means the real Slipped Disc readership is in all probability around half the claimed 164,188. What I find puzzling and sad is that everyone professionally involved with social media - and that includes Norman Lebrecht who is certainly not stupid - knows that Google Analytics does not and cannot measure people. Lebrect could easily have explained in a simple sentence that Google Analytics need to be discounted by an estimated 50% to give a measure of human readers...
Read more

Classical music's biggest problem is that no one cares

Image
These photos were taken by me in 2008 at independent record retailer Prelude Records in Norwich. Jordi Savall's impromptu viol recital and signing session preceeded two performances at the Norfolk and Norwich Festival. One was a solo recital by Jordi in Peter Mancroft Church ; the other was an immensely moving performance of his visionary Jerusalem multicultural project at the Theatre Royal*. As reported here Prelude Records closed earlier this year; it was a victim of predatory online retailing, and today its premises stand empty awaiting occupation by a mobile phone or E-cigarette retailer. The Norfolk and Norwich Festival has been the victim of savage funding cuts , but continues in a more modest form due to the dedicated work of its small management team. A few days ago I wrote about a two-thirds empty Snape Maltings concert and proposed that classical music's heartland is facing a perfect storm caused by the convergence of the shifts in consumer tastes and the r...
Read more

Third rate music on Naxos' American Classics?

Image
I'll be interested in American readers' reactions to the start of this review by the Guardian's Andrew Clements - ' Considering how much third-rate music has been included in Naxos's American Classics series, Elliott Carter has so far been poorly served by the budget-price label. But in the year of the composer's 100th birthday, this - the first of two discs that will include all five of Carter's string quartets - could be the start of a major addition to his discography.' Andrew Clements then goes on to write a glowing five-star review of Naxos' new CD of Elliott Carter's String Quartets Nos 1 and 5 performed by the Pacifica Quartet . I'll agree whole-heartedly with his verdict on the Carter Quartets, I bought them last week and they are superb performances of superb music. But I am not so sure about his other views. That judgement of 'third-rate music' raises the interesting point of should a critic focus primarily on the interpr...
Read more

Label me obsessed

Image
In Scott Fitzgerald's The Great Gatsby , one of the characters, Tom Buchanan, a rich man who's also a well-known polo player, says, "I've heard of making a garage out of a stable, but I'm the first man who ever made a stable out of a garage." Not to brag, but I'm doing the same thing. Whenever I find a quality LP recording of a piece I have on CD, I don't hesitiate to sell the CD and buy the LP. And when I find a better-quality recording, something closer to the original, I don't hesitate to trade in the old LP for a new one. It takes a lot of time to pursue this, not to mention a considerable investement of cash. Most people would, I am pretty sure, label me obsessed. The kindred spirit is Japanese novelist Haruki Murakami writing in his new memoir What I talk about when I talk about running . And talking of the same piece on LP and CD my photo shows three generations of a recording I couldn't possibly live without. The HMV LP of Sir John Bar...
Read more

Classical music must go on a diet to survive

Image
In a comment on my post about orchestras touring China and the United Arab Emirates longtime reader Joe Shelby argues: "Better an orchestra with occasional trips to places we'd rather they not go, then no orchestra at all". I don't want to take Joe's comment out of context, because he quite rightly advocates more activism by musicians. But the view that classical music has to turn to ethically challenged destinations and also to ethically challenged funding to survive needs challenging. During a much reported presentation in 2013, Universal Music ceo Max Hole told orchestras they must change or die. He was right up to that point, but he was woefully wrong when he went on to tell orchestras how to change. The dogma expounded by Max Hole and generally accepted across the classical music establishment is that 'change' involves tinkering with the cosmetics of concert presentation . To date there has been absolutely no recognition of the very obvious ...
Read more