A bit more Mann and a little less boy, please


Whenever the words "twitter storm" appear I run a mile. But I thought it worth offering a link to a 2007 post, both becase it is a reminder that there is nothing new under the sun and because it quotes that Guardian headline to die for.

My header image is the right Mann novella but wrong treatment; it comes, of course from Luchino Visconti's film of Death in Venice and was used in my 2009 post See the music. Also on Facebook and Twitter. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

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Classical musician's brave journey from Mozart to Morisco

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In the 1950s a number of prominent jazz musicians converted to Islam, including - to use their adopted names - Ahmad Jamal , and Sahib Shihab , Yusef Lateef . One of the most notable converts was the drummer Art Blakey , while the very personal heterodox cosmology of the most celebrated jazz musician of that period John Coltrane was influenced by the beliefs of his first wife Naima, who was a Muslim convert . Many of the musicians who converted were African Americans endeavouring to escape from the shadow of Western colonialism ; they saw Islam as an attractive alternative to Christianity within the Abrahamic tradition, and jazz at that time was heavily influenced by music from cultures beyond the Judeo-Christian world. These circumstances were unique to the 1950s, and fewer jazz musicians have taken the path to Islam since. But those who have include the bass player Danny Thompson who converted in 1990; he has played with many great musicians, including Nick Drake on the legendary...
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Those are my principles....

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Norman Lebrecht: Slipped Disc and   Lebrecht Weekly, 12/05/2023   "Why I cannot, in good conscience, review this record I cannot, in all conscience, give this recording a star rating, or even a detailed review. The soloist is Elisabeth Leonskaja, a legendary pianist whose introspections are perhaps the strongest living reminder of her late friend Sviatoslav Richter....Christian Thielemann, in the recent film ‘Music under the Swastika’, claimed that Wilhelm Furtwängler’s complicity in the Third Reich was justified by his legacy of extraordinary recordings.  Leonskaya’s presence in Putin’s Russia is not dissimilar. What are we to make of them?... The performances, per se, have nothing to do with the present situation. And yet, everything.I cannot review them". . ..and if you don't like my principles... well, I have others . Norman Lebrecht: Slipped Disc , 19/11/2025 "The Muziekgebouw in Eindhoven has cancelled a December 4 concert by the Russian-Georgian Jewish pia...
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Great composer who comes with a parental advisory

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A vintage year for blasphemy and heresy

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2010 was a vintage year for blasphemy and heresy. A post on Salvador Dali drew attention to his forgotten audiovisual opera-poem Être Dieu inspired by the Cathar heresy, Jonathan Harvey stirred things up on my Chance Music programme by saying "the future must bring things which are considered blasphemous like amplifying classical music", while yet another path took me to new heights of heresy. In fact the path reached 2400 feet, which, as the photo above shows, is a serious challenge for anyone who, like me, who has a vertigo problem. I took the photo from the fortress of Quéribus in Languedoc, France and the view is towards Mont Canigou, the holy mountain beloved of Pablo Casals and Thomas Merton . Quéribus castle was the last Cathar stronghold to surrender in 1255 and Jordi Savall's The Forgotten Kingdom had led me to Languedoc and Catharism and on to Gnosticism. The Cathar heresy has its roots in the "dualist" religions in the Indus basin which origina...
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Could LSD have saved Tchaikovsky?

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Music for four accordions

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No big bearded imam was going to tell me music was haram

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'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
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