Classical music is the new classical

... says Philip Glass in conversation with Nico Muhly. But back in the early 1960s ‘the world of new concert music had reached a virtual dead end'. Joanna McGregor on Harrison Birtwistle is worth reading as well. Birtwistle's spirit of space below and here.


And Harry's cheesy private passions are here.
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David Munrow - more than early music

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'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
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Classical music's biggest problem is that no one cares

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Third rate music on Naxos' American Classics?

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