I couldn't agree more strongly with Théo . As Colin Davis said when he took over at the LSO, what the orchestra needed was to play a great deal of Mozart and Haydn, string tone often having been the Achilles heel of London orchestras. Davis has also said that, of works he would most still like to record he would most like to record, he would choose the St Matthew Passion, but noted that, alas, the 'specialists' would never allow that. As our good host points out, the present situation would have been incomprehensible to great conductors of the past, whether Walter, Klemperer, Mengelberg, or Furtwängler. How is one to hear the Bach in Mahler, let alone the Mahler in Bach, if one does not know Bach - and know him intimately? Even if one were to take the ayatollah-like view that Bach and Handel were and could only be chamber music, it would be necessary to play them for that reason alone. Those would confine Bach, Mozart, Monteverdi, or anyone else, to a (generally grossly mis...
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(sorry if this is a repeat - not sure the first attempt made it, I run my default browser with extremely restricted settings and occasionally get bitten :-) )
(bobregular)
Hi Bob:
More like “Guessing the Score” but would it be Elgar’s “The Apostles”?
Carol
… Elgar’s Apostles which includes a Shofar …
Antoine
Interesting trivia ... of the first five readers who correctly identified Elgar's The Apostles one lives in England, one in Estonia, one in France (just) and two in the States. Which gives the lie to Elgar only appealing to the English.
More trivia, the first two correct answers came from current or former librarians on both sides of the Atlantic and two of the first three came from ladies, the eternal feminine clearly know their Elgar.
I was going to head the post Shofar so good but thought that would give the game away.
What a wonderful work The Apostles is. It is so different to the 'smells and bells' of Gerontius and is almost contemporary in its ecumenical message.
If you don't know the work Boult's classic recording from EMI is currently available for the price of two Starbuck lattes - no contest.
Many thanks to everyone who joined in the fun.
Actually, the question is as much whether Elgar finds appeal beyond the UK (I love Falstaff and the end of the Dream is worthy of Brahms’s German Requiem) as much as how many who responded correctly are Jewish (disclosure: I am).
AL
Actually, I live in Lithuania, not Estonia.
One of my friends, Anatolijus Senderovas, had composed a piece involving the shofar, Shmaa Israel
http://www.mic.lt/en/classical/persons/works/senderovas/36?ref=%2Fen%2Fclassical%2Fpersons%2F41
It involves a shofar...you can listen to bits of it. After that it was easy to find it....
Doesn't mean I appreciate Elgar, though ;-)
-- Beate
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