In 1968, the year I wrote Slaughterhouse Five, I finally became grown up enough to write about the bombing of Dresden. It was the largest massacre in European history. I, of course, know about Auschwitz, but a massacre is something that happens suddenly, the killing of a whole lot of people in a very short time. In Dresden, on February 13, 1945, about 135,000 people were killed by British firebombing in one night. It was pure nonsense, pointless destruction. The whole city was burned down, and it was a British atrocity, not ours. They sent in night bombers, and they came in and set the whole town on fire with a new kind of incendiary bomb. And so everything organic, except my little PoW group, was consumed by fire. It was a military experiment to find out if you could burn down a whole city by scattering incendiaries over it. Kurt Vonnegut's 1968 novel Slaughter-house Five is an essential part of the literature of the bombing of Dresden. In his new book A Man Without a Country: A...
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(sorry if this is a repeat - not sure the first attempt made it, I run my default browser with extremely restricted settings and occasionally get bitten :-) )
(bobregular)
Hi Bob:
More like “Guessing the Score” but would it be Elgar’s “The Apostles”?
Carol
… Elgar’s Apostles which includes a Shofar …
Antoine
Interesting trivia ... of the first five readers who correctly identified Elgar's The Apostles one lives in England, one in Estonia, one in France (just) and two in the States. Which gives the lie to Elgar only appealing to the English.
More trivia, the first two correct answers came from current or former librarians on both sides of the Atlantic and two of the first three came from ladies, the eternal feminine clearly know their Elgar.
I was going to head the post Shofar so good but thought that would give the game away.
What a wonderful work The Apostles is. It is so different to the 'smells and bells' of Gerontius and is almost contemporary in its ecumenical message.
If you don't know the work Boult's classic recording from EMI is currently available for the price of two Starbuck lattes - no contest.
Many thanks to everyone who joined in the fun.
Actually, the question is as much whether Elgar finds appeal beyond the UK (I love Falstaff and the end of the Dream is worthy of Brahms’s German Requiem) as much as how many who responded correctly are Jewish (disclosure: I am).
AL
Actually, I live in Lithuania, not Estonia.
One of my friends, Anatolijus Senderovas, had composed a piece involving the shofar, Shmaa Israel
http://www.mic.lt/en/classical/persons/works/senderovas/36?ref=%2Fen%2Fclassical%2Fpersons%2F41
It involves a shofar...you can listen to bits of it. After that it was easy to find it....
Doesn't mean I appreciate Elgar, though ;-)
-- Beate
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