Baton charge by the eternal feminine

That's Marin Alsop with Leonard Bernstein in the photos I've just added to the right hand side-bar. And the New York Times are thinking Alsop as well. They have an excellent feature on her today.

Cue link to the New York Philharmonic's first woman conductor.
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Does it have integrity and relevance?

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Shortly after it was released I bought the young Finn  Klaus Mäkelä's new complete cycle of Sibelius symphonies recorded for Decca. Sibelius symphonies are very well represented in my large CD collection , in fact I have more Sibelius symphony cycles than for any other composer. Yet I have returned to Mäkelä's interpretations a surprising number of times. No, they will not replace the accounts of Sanderling , Colin Davis,  Barbirolli , and others. But they are not worse or better: because subjective dualist judgements of better or worse, like or dislike, good and bad, definitive or otherwise, etc etc no longer mean anything to me . There is no concrete reality in a music performance, only what we individually perceive as reality. A performance is an endless flow of constantly changing conditions. The score is not the performance, and the performance is not the score. Between score and performance lie an infinite number of overlapping variables - tempi, dynamics, performanc
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Closer to Vaughan Williams than Phil Spector

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This year's BBC Proms season includes ' Nick Drake - An Orchestral Celebration ' with Jules Buckley and the BBC Symphony Orchestra. That is Nick in the photo above; on the night in 1974 he died at the tragically young age of 26 a disc of the Brandenburg Concertos was on the record player in his room , and Black Eyed Dog , one of the last tracks he recorded before he died, has striking similarities to the Preludio of Bach's Lute Suite in E Major. But there is also an important and little-known contemporary connection between Nick Drake and the world of classical music. While at Cambridge University Nick met and worked with fellow student Robert Kirby. When Nick recorded his first album Five Leaves Left he chose Robert Kirby to arrange and conduct the backing for the majority of the tracks using strings, brass and woodwind. It is widely acknowledged that these arrangements were a major contribution to the success of the album and also to Nick's next LP Bryter Late
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The Berlin Philharmonic's darkest hour

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Wilhelm Furtwängler was born on 25th January 1886. He was Music Director of the Berlin Philharmonic from 1923 to his death in 1954, and held this position for the twelve years that Hitler was in power. In January 1945 he was conducting in Vienna, and fled from there to Switzerland where he remained until the Battle of Berlin ended in the defeat of the Nazis. The musicians of his orchestra remained in Berlin during its darkest hour. Here is their story: On 28th March 1945 the Russian forces commanded by Marshal Georgy Zhukov were just twenty miles to the east of Berlin. A month previously Albert Speer had been replaced as Nazi armaments minister after trying to persuade Hitler that defeat was inevitable. Speer now turned his energies to preventing the musicians of his adored Berlin Philharmonic from perishing in the inevitable final battle. Reich Commisioner Dr Joseph Goebells, who was in charge of the defence of Berlin, had ordered the entire orchestra to be drafted into the Vol
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Why new audiences are deaf to classical music

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One important reason why classical music is failing to attract a new young audience is being ignored - today's much sought-after digital natives are fast becoming tomorrow's hearing loss natives. As the Clínic de Barcelona explains , until recently, hearing loss had always been related to age: the older you are, the worse your hearing is. This situation, however, has changed in recent years, as increasingly younger people are suffering from hearing loss. There are many reasons for this widespread hearing loss. There are now high levels of ambient noise - for instance the average daytime ambient noise  without PA announcements inside a US airport terminal is 66 decibels which approaches that of a a washing machine. Then there is the noise from the headphones, earbuds, etc used for long periods with digital devices. In addition the overlooked widespread  use of ototoxic drugs , including macrolide drugs and non-steroidal anti-inflammatory drugs (NSAIDs), contributes to hearin
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Colin McPhee - East collides with West

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Your cat is a music therapist

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Vonnegut gets his Dresden facts wrong

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Master musician who experienced the pain of genius

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