"Their style is early cunnilingual, late patricidal, lunchtime in the Everglades, Black Forest blood sausage on electrified bread, Jean Genet up a totem pole, artists at the barricades, Edgar Allan Poe drowning in his birdbath, Massacre of the Innocents, tarantella of the satyrs, L.A. pagans drawing down the moon... Jim Morrison [seen above] is an electrifying combination of angel in grace and dog in heat... The Doors are musical carnivores in a land of musical vegetarians... The Doors scream into the darkened auditorium what all of us in the underground are whispering more softly in our hearts: We want the world and we want it... NOW!" Young music critic of the year contender Andrew Mellor would do well to study that purple prose by Tom Robbins , which describes a 1967 Doors concert in Seattle. Robbins was writing for the underground paper Helix , and his plea of “We want the world and we want it… NOW!" chimes with Mellor’s recent musings in the New Statesman about cl
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My stat counter tells me those Norman Lebrecht articles get an awful lot of hits.
And I'm tired of that story as well.