Death on an unimaginable scale

Dreadful though it would have been if 12 passenger jets had been blown up over American cities, how can this be described as death on an "unimaginable" or "unprecedented" scale? The daily kill rate over the first two months of the Rwandan genocide averaged 11,500. Is that more imaginable because the people were African?

Letter from Rev Jenny Dyer, Coventry, in today's Guardian

Image credit - BBC News: Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk
If you enjoyed this post take An Overgrown Path to The act of killing from 20,000 feet

Comments

Steve Hayes said…
Indeed, it's not only imaginable, it's been happening in the Near East for the last 6 weeks.
12:38 pm
Post a Comment

Recent popular posts

Classical musician's brave journey from Mozart to Morisco

Image
In the 1950s a number of prominent jazz musicians converted to Islam, including - to use their adopted names - Ahmad Jamal , and Sahib Shihab , Yusef Lateef . One of the most notable converts was the drummer Art Blakey , while the very personal heterodox cosmology of the most celebrated jazz musician of that period John Coltrane was influenced by the beliefs of his first wife Naima, who was a Muslim convert . Many of the musicians who converted were African Americans endeavouring to escape from the shadow of Western colonialism ; they saw Islam as an attractive alternative to Christianity within the Abrahamic tradition, and jazz at that time was heavily influenced by music from cultures beyond the Judeo-Christian world. These circumstances were unique to the 1950s, and fewer jazz musicians have taken the path to Islam since. But those who have include the bass player Danny Thompson who converted in 1990; he has played with many great musicians, including Nick Drake on the legendary...
Read more

A vintage year for blasphemy and heresy

Image
2010 was a vintage year for blasphemy and heresy. A post on Salvador Dali drew attention to his forgotten audiovisual opera-poem Être Dieu inspired by the Cathar heresy, Jonathan Harvey stirred things up on my Chance Music programme by saying "the future must bring things which are considered blasphemous like amplifying classical music", while yet another path took me to new heights of heresy. In fact the path reached 2400 feet, which, as the photo above shows, is a serious challenge for anyone who, like me, who has a vertigo problem. I took the photo from the fortress of Quéribus in Languedoc, France and the view is towards Mont Canigou, the holy mountain beloved of Pablo Casals and Thomas Merton . Quéribus castle was the last Cathar stronghold to surrender in 1255 and Jordi Savall's The Forgotten Kingdom had led me to Languedoc and Catharism and on to Gnosticism. The Cathar heresy has its roots in the "dualist" religions in the Indus basin which origina...
Read more

Some music should be as boring as posible

Image
Éliane Radigue - seen above - has died at the age of 94. Writing in 2014 I explained how her Trilogie de la Mort is an intense exploration of the ragged edge of classical music that questions spatial conventions with its immersive sound, and which reaches beyond music into infrasound. At almost three hours duration and with extended periods of virtual stasis,  Trilogie de la Mort  challenges accepted concepts of musical development.  The huge influence of Éliane Radigue is shown by the breadth of the tributes, from DJ Mag , through the Guardian , to the usual lazy and accentless  Slipped Disc acknowledgement . Éliane Radigue's transcendent, unique and fearless music means a lot to me. So, as my tribute, I am republishing some of the Overgrown Path posts that over the years featured this fearless music innovator.                                     Some music should ...
Read more

Those are my principles....

Image
Norman Lebrecht: Slipped Disc and   Lebrecht Weekly, 12/05/2023   "Why I cannot, in good conscience, review this record I cannot, in all conscience, give this recording a star rating, or even a detailed review. The soloist is Elisabeth Leonskaja, a legendary pianist whose introspections are perhaps the strongest living reminder of her late friend Sviatoslav Richter....Christian Thielemann, in the recent film ‘Music under the Swastika’, claimed that Wilhelm Furtwängler’s complicity in the Third Reich was justified by his legacy of extraordinary recordings.  Leonskaya’s presence in Putin’s Russia is not dissimilar. What are we to make of them?... The performances, per se, have nothing to do with the present situation. And yet, everything.I cannot review them". . ..and if you don't like my principles... well, I have others . Norman Lebrecht: Slipped Disc , 19/11/2025 "The Muziekgebouw in Eindhoven has cancelled a December 4 concert by the Russian-Georgian Jewish pia...
Read more

Great composer who comes with a parental advisory

Image
Enfant terrible Claude Vivier 's transcendent but overlooked Siddhartha  for orchestra in eight groups is probably the outstanding achievement  - listen  here  - of his too short life, and was inspired by Herman Hesse's eponymous novel . In 1983 Claude Vivier, who is seen above , was murdered in Paris by a male prostitute he had met in a bar; he died aged 34.  Musicologist and performer Bob Gilmore  wrote the definitive biography of Vivier . Here, unedited, without apology but with a parental advisory, is Bob Gilmore on Vivier's life in Paris. Indeed, he was more sexually active now than ever. "Claude would boast about fucking nine guys in a sauna, but you never knew where his deep feelings were," says [Walter] Boudreau . "He drew a line that none of us managed to cross, and we can only cross it now listening to his music".  A quote from Herman Hesse's Steppenwolf provides an appropriate epitaph for Claude Vivier: The way to innoc...
Read more

Music for four accordions

Image
Charles Ives , Umberto Giordano , Osvaldo Golijov , Paul Hindemith and Alban Berg all wrote music for accordion. So did Piotr Ilyich Tchaikovsky; in fact he wrote a score that calls for four diatonic button accordions. Tchaikovsky's Suite No. 2 for Orchestra is not as well known as the Suite No. 4 'Mozartiana' . Which is surprising: as they say on Amazon, if you like Tchikovsky's ballets you will like his Suite no. 2. Or is it because, as they say in the music director's office today: - if your score needs four accordions don't expect us to programme it? I have Michael Tilson Thomas' recording with the Philharmonia Orchestra; which also includes 'Mozartiana' . The performance is excellent as is the sound. The latter is explained by CBS sub-contracting the recording to EMI. The venue was Abbey Road Studio One in 1981 with EMI's Neville Boyling at the mixing desk. My research indicates that this CD of the two orchestral suites is currently only ...
Read more

Could LSD have saved Tchaikovsky?

Image
Classical music and hallucinogens may seem an unlikely combination, but there is a reason why consciousness altering substances have featured in several recent overgrown paths. As was described in my recent post Elgar takes a trip , prior to the global proscription of lysergic acid diethylamide (LSD) in the late 1960s the drug had been used with promising results in experimental psychotherapy. Among those participating in the clinical trials more than fifty years ago were sufferers from severe depression. Statistics show that between 20% and 25% of adults will have an episode of mental illness in any given year and as a journalist who has experienced severe depression explained “…mental illness is a taboo…. few people talk about it or let on – unless they are so ill that they can't help it”. Depression can hit anyone, including musicians. Tchaikovsky was one of classical music’s many depressives, as the final tortured Adagio lamentoso of his Sixth Symphony testifies, and it ha...
Read more

No big bearded imam was going to tell me music was haram

Image
That header photo shows the British Muslim musician Ali Keeler playing with his Al Firdaus Ensemble. The status of music in Islam - forbidden or permissible - is frequently discussed and almost as frequently misunderstood. So I thought it useful to share an extract from an unpublished memoir by Ian Whiteman who was multi-instrumentalist for the mod band The Action and the Sufi-influenced cult psychedelic folk rock band Mighty Baby in the 1960s. Ian went on to make what is, to use a tired and devalued label , an inexplicably neglected masterpiece, the one-off album If Man But Knew by the Habibiyya. In 1971 Ian converted to Islam and became a member of the celebrated Bristol Gardens/Wood Dalling Sufi zawiya founded by the controversial Abdalqadir as-Sufi who later wrote an Islamic interpretation of Wagner's music . After converting to Islam Ian Whiteman took the name Abdallateef and as Abdallateef Whiteman has established a considerable reputation in the Muslim world as a graph...
Read more

David Munrow - more than early music

Image
'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
Read more

Pushing the classical music envelope

Image
'In his short life and his art, the French Canadian composer Claude Vivier was a man diving, often recklessly, into the ultimate…. And from the edge of experience, he began to bring back, in the years leading up to his death in 1983, a new sound.' – Paul Griffiths , The New York Times I recently asked Who is pushing the classical envelope? My header photo shows a little-known figure who certainly pushed the classical music envelope and in the process created a new sound world that is ripe for rediscovery. Claude Vivier, was born to unknown parents in Montreal in 1948. After adoption his education prepare him for the priesthood until he was expelled from his seminary for "immature behaviour". But his religious training had awakened another vocation and he went on to study music, first in Montreal and then in Europe where his teachers included Karlheinz Stockhausen . In 1976 Vivier visited Japan, Bali and other Eastern countries and their musical traditions influenc...
Read more