Wednesday, January 18, 2017
Classical music moves towards a single market
The London Symphony Orchestra is one of Classic FM's partner orchestras. There has been much media spin linked to Simon Rattle's 2017 Barbican concerts as the LSO's incoming music director. The spin includes a shower of anti-Brexit and pro-new London concert hall tweets from Classic FM quoting him, and a news story that "Simon Rattle launches first LSO season with swipe at Brexit". Both the Barbican Hall and proposed new London Hall are in the City of London, and the financial community in the City of London has been one of the most vocal critics of Brexit. In another Classic FM news item critical of Brexit, policy chairman of the City of London Corporation Mark Boleat is quoted as saying: "Britain has long been a magnet for global talent. To continue the sector's success, with 12% of City workers made up of European staff, it is important the flow of leading talent to the UK continues".
As pointed out in a 2015 Overgrown Path post Mark Boleat is in favour of the new £278 million+ London concert hall. He is a member of the City of London Culture, Heritage and Libraries Committee, and with Michael Cassidy sits on the City of London Property Investment Board. From 2000-2003 Michael Cassidy was chairman of the Barbican Arts Centre, and is currently non-executive chairman of Askonas Holt; which is the agency that manages Rattle and represents the LSO. The recently announced £2.5 million of funding for preparing a detailed business case aimed at keeping plans for the new London concert hall advocated by Rattle alive was approved by the City of London Corporation’s Court of Common Council of which Michael Cassidy is a member.
As well being a member of the City of London Corporation’s Court of Common Council and Property Investment Board, Askonas Holt non-executive chairman Michael Cassidy also sits on the City of London Investment Committee and Markets Committee, and is a non-executive director of Swiss global financial services company UBS which is a vocal critic of Brexit. Among the many sponsors of the London Symphony Orchestra is UBS.
Simon Rattle argues that he has not met anyone who has said Brexit is going to make life easier for the arts. Which may well be true. But it can also be argued that with or without Brexit, the hegemony over classical music that he is party to will not make life easier for the very many fine musicians who are not fortunate enough to share with him membership of a disturbingly powerful and privileged London-centric club.
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