What I learned in 2014

I am less interested in Truth with a capital T and more interested in truths, plural.
That quote actually comes from Kevin Kelly (b. 1952), who was founding executive editor of Wired magazine, and an editor/publisher of the Whole Earth Review. It is taken from his contribution to How is the Internet Changing the Way You Think? I took the photo of Ladakhi women at the Thiksey Tibetan Buddhist Monastery in Ladakh during my trip to the Dalai Lama's Kalachakra teachings this summer; one of many highlights of a year during which I uncovered plural truths. Photo is (c) On An Overgrown Path 2014. Any other copyrighted material is included as "fair use" for the purpose of critical analysis only, and will be removed at the request of copyright owner(s). Also on Facebook and Twitter.

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David Munrow - more than early music

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'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
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Happy birthday to the paradoxical Dalai Lama

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Soundtrack for a porn movie

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Composer with very mixed feelings about the digital world

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No big bearded imam was going to tell me music was haram

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The Accidental Pilgrim

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In the shadow of Chopin

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