'I notice the kind of background sound which I refer to as the sound of silence, a resonating, vibratory sound. Is it a sound? Whatever it is - "sound" isn't quite accurate - I begin to notice a high-pitched kind of vibration that is always present. Once you recognise this point - at which one is fully open, receptive; when you recognize this sound of silence your thinking process stops - you can rest in this stream. It's like a stream. It isn't like ordinary sound that rises and ceases or begins and ends. The sound of the bell has a beginning and ending, and so does the sound of birds, the sound of my voice. But behind that, behind all other sounds, is this sound of silence. It's not that we create it or that it comes and goes - in my exploraration of this it's always present, it's just there whether I notice it or not. So once I notice it - and it sustains itself, I don't have to create it - then it's just present, pure presence. 'From The Sound of Silence: The Selected Teachings of Ajahn Sumedho. And that mention of resonating vibratory sounds leads to a different Buddhist tradition - Eliane Radigue's electronic masterpiece Trilogie de la Mort inspired by the Tibetan Book of the Dead.
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