Thursday, December 18, 2008
The end of innocence
In 1963 an English teacher, who considered passion more important than protocol, smuggled me and a few of his other 14 year old students into a cinema to see a '16' rated film. The newly-released Lord of the Flies was directed by Peter Brook and filmed on a very low budget. It brilliantly transferred William Golding's novel, which we were studying for 'O' Level English, to the screen, and went on to become a classic of the cinema. The DVD of Lord of the Flies, which restores Tom Hollyman's stunning black and white photography to its original glory (images above and below), is essential viewing.
A bonus on the DVD is the optional commentary by Peter Brook and his production team, which was recorded in 2000. But in the 90 minute commentary there is not one single mention of the music score which, with its repetition of the Kyrie Eleison motif, is an integral part of the film. The music for Lord of the Flies was written by Raymond Leppard. It is his best known score, but his other film credits include the music for Laughter in the Dark, and Hotel New Hampshire.
Leppard, who is now 81, was a central figure in the 1960s revival of baroque music, and in particular baroque opera. His approach was musical and scholarly but it avoided the 'brown rice and sandals' approach that infused early music of the time. His 1973 recording of Bach's harpsichord concertos plays as I write. The non-period instrument English Chamber Orchestra accompany Andrew Davis, Philip Ledger, Blandine Verlet and Leppard himself at the harpsichords. Raymond Leppard's repertoire is wide-ranging, and also includes Britten and Nicholas Maw.
In the 1980s Raymond Leppard became disillusioned with musical life in Britain and developed his career elsewhere, including 14 years as music director of the Indianapolis Symphony Orchestra. But sadly the second part of his career has never quite matched his achievements of the 1960s. The DVD of Lord of the Flies is well worth seeking out. Not just as a masterpiece of cinematic direction, but also as a unique document celebrating a prodigous musical talent.
A journey through that 1960s revival of Baroque music here.
The DVD of Lord of the Flies was borrowed from Norwich Library Services, who, thankfully, still just manage to keep passion ahead of protocol. The Philips CD of the Bach harpsichord concertos dates back to the early days of the compact disc and was, I recall, bought in Edinburgh in the late 1980s - it now seems to be deleted. Images are from the DVD sleeve. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk