With a little help from my strings


Someone just raised the bar (or should that be bow?) on Joshua Bell and Tasmin Little. I bet the cellist was truly weak at the knees over this gig.

Pablo was caught in action on the streets in vibrant Nantes, France. Photo (c) On An Overgrown Path 2008. Report broken links and strings to - overgrownpath at hotmail dot co dot uk

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Henry Holland said…
Welcome back, Pliable! I hope you had a nice holiday and that it was in a nice and cool and breezy place (it's a blast furnace here in Los Angeles).
4:11 am
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Different tempo but the music continues

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'The pause is as important as the note' ~ Truman Fisher We start a summer of travelling tomorrow with a flight to Morocco, so the tempo of posting will slow markedly. While I'm away do read other great music blogs here , but why not escape the tyranny of league tables and explore the long tail of music blogs over here ? But don't forget the music continues on my Future Radio programme at 5.00pm UK time every Sunday with a repeat at 12.50am on Monday morning. Here is the forward schedule which starts on April 20 with two modern composers who between them do not have a single note of their music in the 2008 BBC Proms season . April 20 Unique British voices - Peter Maxwell Davies Missa Parvula sung by Choir of Westminster Cathedral; Edmund Rubbra Symphony No 6 played by Philharmonia Orchestra conducted by Norman del Mar. (Nice Max connection as I took the photo of the Japanese garden at Dartington Hall where he was a fixture at the Summer School for many years). A...
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Racism disguised as patriotism must not prevail

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Hubert Parry’s inspired setting of William Blake includes the famous lines ‘Till we have built Jerusalem, In England’s green and pleasant land’. Over the years Parry's Jerusalem has become associated with rabid nationalism , and racism disguised as patriotism is dominating the current political agenda both in Britain and the US . However the album artwork above is not there to illustrate the danger of nuanced racism, but rather to explode the beguiling myth surrounding Parry's Jerusalem. Because far from being the product of ethnic nationalism, Jerusalem started life as a rallying cry for a spiritual movement formed, to quote its founder, to appeal "to the whole of humanity... Hindus, Mohammedans, Buddhists... " And that is only the start of a long but remarkable story, because Sir Francis Younghusband, who commissioned Jerusalem in 1916, was an evangelical Christian Colonel who led colonial forces in a bloody invasion of Tibet. But in his mature years he became ...
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Is Hugo Chavez really music to our ears?

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That tweet saddens me. It was written by Jeremy Pound who identifies himself without disclaimer on his Twitter account - see below - as the deputy editor of BBC Music Magazine . I don't know Jeremy Pound, but presumably he is a very nice guy who holds a senior position in an influential publication which he reached due to his qualifications and experience. Of course all of us have blind spots in our music appreciation. But is it not the role of a writer to report with a reasonable degree of objectivity that a work fails to engage them, fails to move them, or is beyond their comprehension? And is it not also their role to explore why that vital connection has not been made? Karlheinz Stockhausen has been judged by others with far stronger credentials than Jeremy Pound to be an important if controversial figure in late 20th-century music. To publicly dismiss one of his seminal works as "a load of pish" - definition "variation of piss, most usually used in the nort...
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Even more Brilliant Classics

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Classical music cannot stand still; so that means it must find new audiences. Western classical music has evolved into a highly dualist art form with clearly demarcated boundaries around its core offering of the orchestral and operatic repertoire. There is little debate that this repertoire must - and will - remain central to the art form. But it can be argued that to open up new markets the current watertight boundaries around that core offering must become porous. An example of a blurring of these boundaries would be an entry into the mind, body and spirit market; a market which a post here in 2011 pointed out was then worth around $11 billion annually in the US, compared with $200 million for classical album sales. It is tempting to dismiss the mind, body and spirit market opportunity as no more than 'Mozart for meditation' and 'Gregorian Chant for the soul', but that would be a mistake. As my earlier post noted , the spiritual dimension is found in many of cl...
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Britten's passion for the East

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