Hommage à Pierre Boulez

Entre 1952 et 1955, Pierre Boulez composait " le Marteau sans Maître ", une pièce pour voix d'alto et six instruments, sur un poème de René Char, qui allait révolutionner le monde musical. Plus de cinquante ans après sa création, je peux enfin vous prouver que le marteau a bien trouvé son Maître.


Reblogged from Le regard de James. Anyway, what's in a name?
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

Comments

Pliable said…
'... qui allait révolutionner le monde musical'

It's interesting to remember that Le Marteau sans Maître has been recorded five times by Boulez himself, not to mention the other versions.
Henry Holland said…
What a great picture of Boulez.

Hmmm...I have three of those Boulez recordings, plus some of what are charmingly called "pirate" recordings. I love the piece, thanks for the reminder, Pliable, I'll give one of them a listen in the next few days.

Recent popular posts

David Munrow - more than early music

Classical music must be doing something wrong

The Accidental Pilgrim

Soundtrack for a porn movie

The act of killing from 20,000 feet

The Berlin Philharmonic's darkest hour

To listen to classical music you need a good pair of eyes

The purpose of puffery and closed-mindedness

A neglected 20th century masterpiece

What I envied him was his courage