Man in the Holocene

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Graphic by M C Escher


Birds that feed on fish; their excrement will form the beginning of an oasis in which human beings can live, until the next stream of lava smothers it all.


Max Frisch - Man in the Holocene

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A Brief History of Time

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Philip Glass is sometimes wrongly credited with composing the soundtrack for the 2014 biopic of physicist Stephen Hawking The Theory of Everything . This is because the theatrical trailer for the movie used the track Runaway Horses from his score for another movie, Mishima , whereas Jóhann Jóhannsson actually composed the soundtrack . But Philip Glass did provide the soundtrack for the earlier Hawking documentary A Brief History of Time . I was reminded of Philip Glass' soundtrack when reading Graham Farmelo 's newly published biography Hawking: His Life and Work . When reading non-fiction books, one of the first things I do is to turn to the 'Acknowledgements'; because this puts the provenance of the book and therefore the possible agenda of the author into context. So I was somewhat concerned to read that Farmelo's biography was commissioned by Stephen Hawking's Estate . Fortunately my concerns were almost unfounded. This new and meticulously-researched bio...
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Travels beyond TripAdvisor

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These photos were taken on my recent spirit quest in Morocco to the Sufi shrine of Sidi Chamharouch, which is seen above. A 75 minutes drive from Marrakech brought me to Imlil where the road ends and the mountains begin. The hamlet of Sidi Chamharouch - which is one of those blessed places which returns a blank in a Trip Advisor search - is at an altitude of 2350 metres and is reached by a tough and potentially dangerous two hour climb up a rocky path. Access is impossible for wheeled vehicles and supplies are brought in by the mules seen in my photos. Beyond Sidi Chamharouch is Jebel Toubkal, which at 4,167 metres is the highest mountain in North Africa. During my trek I was struck by the similarity between the High Atlas and Ladakh on the border of India and Tibet . Film director Martin Scorsese was also struck by the similarity. With Tibet a no-go zone he used this region for location shooting of his 1997 movie Kundun ; this depicts the Dalai Lama 's flight into exile fro...
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Variations on an Ukrainian Folksong

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Who am I?

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While researching another post I came across, completely by chance, a perceptive appreciation of Leonard Bernstein's Mass. The following was written by a well-known musical figure. But who was it? Answers please to be added as using the comments feature at the foot of the post. I'm interested to see if anyone can correctly identify the author as the tone of the piece is quite surprising once you know who wrote it. On Friday I'll add the next section that the mystery author wrote, which should make the answer clearer. "Kennedy Centre opened on September 8th 1971. The opening of the Opera House preceeded that of the Concert Hall by one day with Leonard Bernstein's Mass, written for the occassion. The work made a deep impact upon the emotionally pre-charged audience, not least because of the re-emergenceof the Kennedy name and the Kennedy tragedy. This worked-up state of mind of the public was, perhaps, detrimental to a true appreciation of the work, and the fixed da...
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Classical music's biggest problem is that no one cares

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The purpose of puffery and closed-mindedness

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The concert would not be worth presenting

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Are we ready for an Islamic interpretation of Wagner?

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And so, the Grail was nothing other than the Black Stone of the Ka'aba, the central shrine of the world's last religion, purified judaeo-christianity, Islam. Makkah is named in the Qur'an as the Mother of Cities, and thus the 'birthplace of all nations' and the Ka'aba is named the 'primal shrine of all mankind'. Embedded in one corner of the Ka'aba stands the Black Stone which every muslim raises his lips to and kisses when he arrive dusty and exhausted as a pilgrim, kisses as if quenching his thirst. This is the extraordinary tale that Wagner has, partly despite himself, and partly aware, chosen to tell the world in his farewell revolutionary message. Both the Bey of Tunis and Abd al-Hamid II , Caliph of Islam, contributed to the foundation of Bayreuth, they had not yet heard Parsifal , but their hearts drew them to this most spiritual of men among men in an age of darkness. When Parsifal ends in its vast serenity, 'One of the most beautiful ...
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While classical music debates nothing changes

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'This magic comes only with the sounding of the music, with the turning of the written note into sound - and it only comes (or comes most intensely) when the listener is one with the composer, either as a performer himself, or as a listener in active sympathy' - Benjamin Britten Recent articles here about whether classical music responds to mass marketing and social media have generated considerable interest. So I thought it worthwhile to create a straw model which summarises the thrust of the articles and that is the purpose of this post. The straw model is remarkably simple and is built around the following four propositions. 1. Classical music engages new audiences most effectively by direct transmission to what Britten describes as as "a listener in active sympathy". 2. Despite this classical music today is characterised by hypermediation, meaning there are more and more intermediary layers appearing between performer and audience. 3. These intermediary la...
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