Man in the Holocene

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Graphic by M C Escher


Birds that feed on fish; their excrement will form the beginning of an oasis in which human beings can live, until the next stream of lava smothers it all.


Max Frisch - Man in the Holocene

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Good enough for Toscanini, Ormandy and Stokowski

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Edmund Rubbra's Brahms Variations And Fugue On A Theme By Handel Op. 24 was performed in the 1940s and 50s by Arturo Toscanini and Eugene Ormandy, and his Rubbra's Fifth Symphony was recorded by Sir John Barbirolli and programmed by Leopold Stokowski. Yet today Rubbra's music is rarely if ever heard in the concert hall. So we are fortunate that it has been better served in the recording studio. Notable recordings include Richard Hickox's indispensable survey of all the symphonies for Chandos , supplemented by compelling interpretations by Norman del Mar, Tod Handley, Sir Adrian Boult, and the composer. (But strangely, Rubbra's Brahms Variations is missing from the current CD catalogue.) But why has Rubbra failed to gain traction in the concert hall? Why, for example, in an age when accessible trumps challenging , is Rubbra's Fourth Symphony virtually unknown? Why is his music so neglected when the Lark Ascending consistently tops popularity polls, and Robert L...
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Musician's dissent dismissed as "sanctimonious shit"

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Violinist, conductor, composer, and improviser Pekka Kuusisto recently announced he would pausing his professional engagements in the United States in the following message: I’ve decided to stop working in the United States for the time being.  I want no pressure placed on any of my colleagues to come to the same conclusion.  Love and solidarity Predictability his decision was greeted by an outpouring of bile on the classical music industry's online resource of choice Slipped Disc . Just as the decision of respected American composer John Luther Adams to relocate to Australia  was greeted with similar bile . Here is just one comment posted in response to Pekka Kuusisto's decision: Sanctimonious piece of shit. Never going to another one of his concerts. The US didn’t kill Iranian school girls for performative violence. This false accusation is disrespectful to the US military which gives Pekka his freedoms. Online forums always attract nutjobs. But this thread is a conti...
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Early musician who could have become a great conductor

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Hopefully at least a little of the content from eleven years of On An Overgrown Path transcends the virtual noise that is the staple fare of online music journalism today . For me the most rewarding projects have been the Philippa Schuyler and Master Musician of Jajouka doubleheaders, the profile of Guyanese conductor Rudolph Dunbar , the exploration of contemporary modal music , and interviews with Jonathan Harvey , Jordi Savall , Ali Keeler , and with David Munrow's recording producer Christopher Bishop. Although the latter interview has been available as a sound file it has not to date been transcribed as text. So while tidying up loose ends I have transcribed the interview below. (The photo at the foot of the article was taken during the radio interview and shows me with Christopher Bishop). Although David Munrow is best known as an early music authority the interview ranges widely. Christopher Bishop mentored both Riccardo Muti and Andre Previn early in their careers...
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Master musician who experienced the pain of genius

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On that sleeve for his 1985 recording of the Goldberg Variations , Scott Ross is seen standing in the grounds of Château d'Assas in Languedoc. It was here that many of the harpsichordist's great recordings were made. Then, as today, the château dwelt in the twilight zone between grandeur and dereliction, and thirty years ago the recording sessions were regularly interrupted by the sound of rats scurrying across the floor. Scott Ross was born in Pittsburgh in 1951, and moved to France with his mother following the death of his father in 1964. He studied at the conservatoires in Nice and Paris, and first came to Château d'Assas in 1969 to give music lessons to the grandson of its owner Mme. Simone Demangel . When an early music academy was established at the Château d'Assas, Scott Ross gave masterclasses and became a frequent visitor. At first he stayed in a room in one of the towers, but from 1983 he rented a small house across the road from the château. The photos b...
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Soundtrack for a porn movie

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The purpose of puffery and closed-mindedness

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How classical music became a pseudo-event

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