What exactly is a contemporary classic?
'Peter Sellars doesn't think the age of genius - of great classical music - is dead. At all. When I last met him, wandering the streets of Vienna, he was raving about John Adams's latest opera A Flowering Tree - 'You can put his recent pieces up against anything of Verdi' - and the new Kaija Saariaho oratorio La Passion De Simone , which he called 'breathtaking'. Sellars could be right. This is the most interesting time in classical music for at least a generation. It's safe to get back in the water after the chilly era of the over-intellectual avant-garde (the legacy of Arnold Schoenberg's 12-tone technique) or the initially exciting but occasionally facile repetitions of the Philip Glass and Steve Reich generation (cited as an influence by pop acts as different as Giorgio Moroder and Sonic Youth ). Some of the most inspiring, moving and challenging - and also some of the most daft and insane - music of this century has been written by contem...