Most music is only meant for a certain group of people

Back in 2016 I recounted how I was impressed and moved by Anna Thorvaldsdottir's In the Light of Air. Recently I have been similarly impressed and moved by her Archora and Aion performed by the Iceland Symphony Orchestra, conducted by Eva Ollikainen. Anna Thorvaldsdottir's music combines the two essential of being both accessible and challenging. And, sadly, it is that challenge that probably explains why her music has failed to gain the traction it deserves in todays comfort zone-delimited culture.   

Today it is perfectly acceptable, no praiseworthy - for classical music and other great art to be tailored to the needs of the lowest common denominator. It is less acceptable - no politically incorrect - to echo Benjamin Britten's credo that "Music demands ... some preparation, some effort". So, at the risk of once again being politically incorrect, I reprise the words of another great under-appreciated woman musician, Alice Coltrane. This quote comes from an interview with her in the Detroit Free Press in May 1980, It is so relevant not just to Anna Thorvaldsdottir's music, but to the whole lost art of challenging the listener. 

Most music is only meant for a certain group of people. It depends on your development. Not just musically but in everyway. When your mind and soul express a need for higher things - more challenging things - then you will be able to get out of any musical experience everything the artist is trying to convey.

Comments

Post a Comment

Recent popular posts

Travels beyond TripAdvisor

Image
These photos were taken on my recent spirit quest in Morocco to the Sufi shrine of Sidi Chamharouch, which is seen above. A 75 minutes drive from Marrakech brought me to Imlil where the road ends and the mountains begin. The hamlet of Sidi Chamharouch - which is one of those blessed places which returns a blank in a Trip Advisor search - is at an altitude of 2350 metres and is reached by a tough and potentially dangerous two hour climb up a rocky path. Access is impossible for wheeled vehicles and supplies are brought in by the mules seen in my photos. Beyond Sidi Chamharouch is Jebel Toubkal, which at 4,167 metres is the highest mountain in North Africa. During my trek I was struck by the similarity between the High Atlas and Ladakh on the border of India and Tibet . Film director Martin Scorsese was also struck by the similarity. With Tibet a no-go zone he used this region for location shooting of his 1997 movie Kundun ; this depicts the Dalai Lama 's flight into exile fro...
Read more

I am a camera - St Tropez 1967

Image
'Those long lecture-free days in France were tailor-made for Nick to practice his guitar. That's what people remember about him during those months leading up to what became known as the Summer of Love . Jeremy Mason recalls going to a bookshop with Nick and buying a copy of Baudelaire's poems Les Fleurs Du Mal ( Flowers of Evil ). They read Dostoevsky and Rimbaud . And they had a cheap old gramophone for which Nick bought a copy of Bach's Brandenburg Concertos , a work which he was always keen to have around and which may have just been the last piece of music he heard before he died seven years later. His earliest outings with the guitar were as a busker. Simon Crocker joined him on harmonica a few times in the streets of Aix and even, on a couple of occasions, near the chic harbour area of fashionable St Tropez.' The words above are from Trevor Dann's superb new biography of singer-songwriter Nick Drake who died in 1974, aged just 26. Nick Drake was in St ...
Read more

The purpose of puffery and closed-mindedness

Image
Two contrasting responses from America to my post Third rate music on Naxos' American classics? Flinging merde - ' Granted some of the stuff that Naxos has packaged in that series has been less than distinguished but operating in a cultural establishment where critics treat every cow patty ever dropped by the likes of Alwyn (above) and Bax and Finzi and Michael Tippitt (sic) as if it were fois gras, Clements is hardly in a position to fling merde' - from Sequenza21 , and I'm sure Norman Lebrecht would approve of that misspelling of Tippett. The true beauty of the effort - ' Personally speaking I expect listener reaction to concert music is heavily dependent on emotional mood and cultural/historical context . The concept of "ratings" and "tiers" for composers is pretty much an over-rated specialization of critics, which serves the purpose of puffery and closed-mindedness. My father is the American composer George Frederick McKay (photo be...
Read more

New music for old instruments

Image
There is a neat inversion of yesterday's theme of modern orchestras being influenced by baroque performance practices in the double CD above. About Baroque features the unusual combination of contemporary music and period instruments. It was the product of an innovative funding initiative by the Siemens Arts Program that brought together the Freiburg Baroque Orchestra and five leading young composers in a series of workshops and rehearsals that allowed the composers to understand the sonic potential of period instruments. The output from the programme was five new works from Michel van der Aa , Juliane Klein , Rebecca Saunders , Benjamin Schweitzer and Nadir Vassena written specifically for the Freiburg Baroque Orchestra. These were captured in concert performances and released on About Baroque in 2006. Let's make one thing clear, About Baroque is not ersatz early music. It is very contemporary music written for a leading period instrument ensemble. And how well it wo...
Read more

BBC Proms and the tyranny of the children’s encyclopedia

Image
As the annual administrative behemoth known as the BBC Proms lumbers into motion, filling the national ether with its familiar blend of civic piety and corporate branding, one is forced to confront a recurring fatigue.To listen to BBC Radio 3’s broadcasts of these mammoth London concerts is to witness a curious ritual of cultural containment. Before a note of Vaughan Williams or a forgotten rarity by Jonathan Harvey can safely enter the acoustic space, it must first be sanitized. The listener is subjected to presenters topping and tailing each masterwork with breathless, patronizing trivia, as if lifting entries straight from an illustrated children’s encyclopedia of classical music. One hears the familiar, smug cadence—that unmistakable institutional voice which assumes that the public cannot possibly encounter sound unmediated by narrative hand-holding.  The star system versus the art  The modern Proms season operates less as a sanctuary for deep listening and more as an e...
Read more

Classical music's biggest problem is that no one cares

Image
These photos were taken by me in 2008 at independent record retailer Prelude Records in Norwich. Jordi Savall's impromptu viol recital and signing session preceeded two performances at the Norfolk and Norwich Festival. One was a solo recital by Jordi in Peter Mancroft Church ; the other was an immensely moving performance of his visionary Jerusalem multicultural project at the Theatre Royal*. As reported here Prelude Records closed earlier this year; it was a victim of predatory online retailing, and today its premises stand empty awaiting occupation by a mobile phone or E-cigarette retailer. The Norfolk and Norwich Festival has been the victim of savage funding cuts , but continues in a more modest form due to the dedicated work of its small management team. A few days ago I wrote about a two-thirds empty Snape Maltings concert and proposed that classical music's heartland is facing a perfect storm caused by the convergence of the shifts in consumer tastes and the r...
Read more

Critical Mass

Image
I'm a big fan of Marin Alsop . But last night her BBC Prom performance with the Bournemouth Symphony Orchestra playing her own sequence of the suites from Prokofiev's Romeo and Juliet was strangely unsatisfying. Tempi were pulled around, and rather than adding to the tension the wayward performance weakened it. When it finished I wanted some 'in your face' music making that was over the top, but which really worked. So as Marin Alsop was a pupil of Bernstein's I put on his 1971 recording of his own Mass , a work I don't listen to very often. Is Mass Bernstein's unrecognised masterpeice? Or is it a failed experiment in using the vernacular and exploiting street chic? (But wasn't the 'parody mass' a legitimate renaissance musical form which exploited contemporary music such as L'homme arme ?) My view used to be that Mass was simply a failed experiment, but I have to confess I am slowly moving towards the view that it may be a misunderstood m...
Read more

Becoming a great conductor is the ultimate trap

Image
Attention focused by the #MeToo movement on high profile conductors including Daniele Gatti and Charles Dutoit has once again raised the question of whether alleged activities away from the podium should negate the value of what a musician achieves on the podium. This is certainly not a new question; but in the past it was ideology rather than intimacy that blighted musical legacies ; with Wilhelm Furtwängler, Herbert von Karajan, Hans Knappertsbusch, Karl Böhm and Clemens Krauss among those whose reputation suffered due to ill-advised political dalliances . Classical music is a transcendent art, so it is no surprise it shares with spiritual teachers a history of debunked leaders. Among the many spiritual leaders who have been found to have toes, if not feet, of clay are Cardinal Donald Wuerl , Bhagwan Shree Rajneesh , Chögyam Trungpa and Shimano Roshi . But in a memoir touching on the life of the controversial mystic and Sufi teacher Reshad Feild , author Bruce Miller makes th...
Read more