Music critic deplores dumpy sound at Aldeburgh Festival

The following night’s choral event took us back to the juvenile excesses of the Sixties, as the a cappella group Exaudi sang Antoine Brumel’s sublime ‘Earthquake Mass’ with progressively deafening electronic accompaniment representing an aural simulation of a quake. The earplugs handed out at the door seemed to suggest that even the management had belatedly realised this was not a frightfully clever idea.
That is Michael Church - of dumpy soprano fame - resisting paradigm shifts in the Independent.

Also on Facebook and Twitter. Photo via Russell Haswell. Any copyrighted material is included as "fair use", for the purpose of critical analysis only, and will be removed at the request of copyright owner(s).

Comments

Recent popular posts

The Berlin Philharmonic's darkest hour

Swamped by a tsunami of classical populism.

David Munrow - more than early music

Listen to music that matters

Classical music's biggest problem is that no one cares

Male American pioneers

Third rate music on Naxos' American Classics?

Classical musician's brave journey from Mozart to Morisco

Classical music and the feel good factor

While classical music debates nothing changes