Here is beautiful music - straightforward, deeply felt, expertly made yet far removed from deliberate cleverness, serene, affirmative, even holy. Harrison and Hovhaness complement one another with rare energy, and one suspects that this album will find new admirers for both men.That is the concluding paragraph from a sleeve note by Tim Page - who knows a thing or two about these things. It was written for the original Music Masters CD seen above of Lou Harrison's Symphony No 2, Elegiac and Alan Hovhaness' Symphony No 2, Mysterious Mountain and Lousadzak, with Keith Jarrett as soloist in the latter work, and Tim Page's note is also used in the praiseworthy Nimbus re-release of the recording. Hovhaness' Mysterious Mountain is the least-neglected of the three works on the disc, but Lou Harrison's Elegiac is the real gem. If Harrison has any profile at all today it is through his gamelan influenced works; but he was also an accomplished symphonist and in a perceptive essay about the Elegiac WGBH's James David Jacobs writes:
The long oboe melody spinning out over the descending line of the Koussevitsky-inspired double basses and the modal intervals of the horns weave all the elements of the symphony together into a tapestry that I will go out on a limb and declare is the most beautiful movement of American symphonic music yet written.This post started out as a review of the impact of the three big 2013 composer anniversaries as measured by Google Trends. But the graph below of Google internet searches for Richard Wagner, Giuseppe Verdi and Benjamin Britten below simply confirms what has been obvious for a long time, namely that the anniversaries create a substantial short-term blip but no real lasting impact.
So I will not bore everyone by pointing out yet again that composer anniversaries achieve very little. Instead I will build on my recent hypothesis that classical music's big opportunity is its current audience, a hypothesis, incidentally, that received widespread support. So now I am suggesting that just as the existing audience is one big opportunity, so neglected music from composers such as Alan Hovhaness and Lou Harrison - to name just two - is another big opportunity. Classical music is making three fundamental mistakes: one is thinking that dumbing-down makes great art more appealing, another is thinking that there is a big new untapped market among young people, and the final mistake is believing that giving prominent composers even more prominence somehow expands the market - did someone mention Richard Strauss? Google Trends shows that classical music is banging at the wrong door with composer anniversaries. So why not give the most beautiful American symphonic movement and a lot of other very good neglected music a chance instead?
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