tag:blogger.com,1999:blog-8060605.post113388620629692975..comments2024-03-26T15:57:13.443+00:00Comments on On An Overgrown Path: If you only buy thirty-four CDs this year - buy these .....Unknownnoreply@blogger.comBlogger12125tag:blogger.com,1999:blog-8060605.post-9121062246048728932009-12-30T08:58:16.123+00:002009-12-30T08:58:16.123+00:00Vineeth, you are, of course, quite right - my typo...Vineeth, you are, of course, quite right - my typo.<br /><br />At least I got the number of CDs in the box right ....Pliablehttps://www.blogger.com/profile/10616598845886342325noreply@blogger.comtag:blogger.com,1999:blog-8060605.post-5855563184259426252009-12-30T08:31:54.172+00:002009-12-30T08:31:54.172+00:00Thank you for the lovely article
Just a quibble o...Thank you for the lovely article<br /><br />Just a quibble on when the recordings were completed, should not this "Ninety-eight sessions were required, and the last take was completed on 10th September 1885" be "Ninety-eight sessions were required, and the last take was completed on 10th September 1985".Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-8060605.post-76431801777402983432009-10-20T12:53:33.199+01:002009-10-20T12:53:33.199+01:00Thank you for the fine recommendation, and thanks ...Thank you for the fine recommendation, and thanks once again for your informative and entertaining blog writing.<br /><br />I just wanted to point out that MDC has a web site solely for boxed set bargains and the Scott Ross Scarlatti set is currently selling there for £59.99.<br /><br />http://www.bigboxset.co.uk/product/294169/SCARLATTI_KEYBOARD_SONATAS_CPTE_SCOTT_ROSSMess Noonehttps://www.blogger.com/profile/11019765870887581577noreply@blogger.comtag:blogger.com,1999:blog-8060605.post-1150060137420639852006-06-11T22:08:00.000+01:002006-06-11T22:08:00.000+01:00By the way, those who enjoy Scarlatti may also enj...By the way, those who enjoy Scarlatti may also enjoy P. Antonio Soler, who, it seems to me, deserves to be much better known. The recordings by Rafael Puyana and Marie-Luisa Hinrichs stand out.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-8060605.post-1135150669364051272005-12-21T07:37:00.000+00:002005-12-21T07:37:00.000+00:00ah... as it so happens, this just made my best re-...ah... as it so happens, this just made my best re-issue of 2005 list on ionarts. (http://ionarts.blogspot.com/2005/12/best-recordings-of-2005.html) <BR/>It really _is_ a wonderful achievement... not just because it is an *achievement* but because of the way he plays them. Still one of the finest accounts of Scarlatti on the harpsichord. I knew that the Overgrown Path had excellent taste somewhere beneath the rootwork and shrubberies. :)<BR/><BR/>jfljflhttps://www.blogger.com/profile/03017753357752263113noreply@blogger.comtag:blogger.com,1999:blog-8060605.post-1135031440547182182005-12-19T22:30:00.000+00:002005-12-19T22:30:00.000+00:00Great discussion. To respond as well as I can to s...Great discussion. To respond as well as I can to some of your points:<BR/><BR/>Re: the Gramophone guide, I'm both an owner and a fan of the 2005 Classical CD & DVD Guide, with scattered reservations. To clarify what may have been a slight miscommunication on my part, my fondness is less for the "Suggested Basic Library" *repertory* lists that you mentioned, and more for the list of "100 Essential Recordings" (or *performances*, or whatever their preferred nomenclature is--the book is regrettably not in front of me at the moment). That is, I'm less interested in hearing whether someone thinks the Beethoven piano sonatas should be part of someone's library (of course they should!) than whether that person prefers the interpretation of Schnabel, Pollini, Fischer, Kempff, et al. (An example of which, incidentally, I've found the "Third Ear" guide to be most interesting to read.)<BR/><BR/>Re: your two major problems with this type of list. I disagree not at all that such exercises are inevitably personal or subjective reflections of the person compiling that list--after all, what else could they be?--nor with your unhappiness regarding certain aesthetic or nationalistic prejudices on the part of the Gramophone (Penguin, etc) writers.<BR/><BR/>Where I do take issue, however--respectfully and cheerfully, of course--is with your second assertion, that there are not many people for whom a love of classical music "has either been sparked, or enhanced, by these 'essential recording' lists," to which I would say that if you haven't met one of those people before, you've met one today! Without going into the boring and no doubt idiosyncratic biographical details, I can tell you it was *precisely* the existence of several persons' introductory "essential recording" lists (those persons being Allan Kozinn of the NY Times and Alex Ross of the New Yorker) that first sparked my passion for classical music. Not that my own individual case is representative of anything other than myself, but still..<BR/><BR/>Further along these lines, when you say that "the riches of classical music can only be uncovered by exploration, and finding out what you don't like, as well as being told what you should like" -- with which, again, I completely agree -- I would merely add that, to a music lover who happened not to have had parents who played much classical music in the house, or someone not blessed with a background in music, such a guide can be not only invaluable but also revelatory (as they were, and continue to be, for me). Speaking strictly for myself -- as someone who only began listening to classical music in earnest two or three years ago -- it was precisely the problem of thousands upon thousands of recordings that made the world of classical music seem so forbidding and intimidating to a neophyte. (I don't imagine I'm alone in such a sentiment.) While it's all well and good to say "dive right in" -- which of course is the only way to go about it -- I wouldn't discount the help that a ready-made list of 25, 50, or 100 time-honored recordings provides toward this end.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-8060605.post-1135026443934344862005-12-19T21:07:00.000+00:002005-12-19T21:07:00.000+00:00Wonderful to see my article on Scott Ross and the ...Wonderful to see my article on Scott Ross and the Scarlatti Sonatas getting coverage over on the <A HREF="http://www.topix.net/who/john-lennon" REL="nofollow">John Lennon News</A> site.<BR/><BR/>Now that is what I mean by encouraging John Lennon fans to explore the catalogue ......Pliablehttps://www.blogger.com/profile/10616598845886342325noreply@blogger.comtag:blogger.com,1999:blog-8060605.post-1135023573425771242005-12-19T20:19:00.000+00:002005-12-19T20:19:00.000+00:00ITC, I turn now to your question about a list of e...ITC, I turn now to your question about a list of essential recordings. The best stab at this in my view is the annual Gramophone <I>The Classical CD & DVD Guide, </I> which contains a 'Suggested Basic Library' of around 325 recordings. But I'm afraid this isn't available online, you will need to shell out for the book.<BR/><BR/>But I have two major problems with this type of list. First, they are inevitably the personal view of whoever draws up the list. For instance the Gramophone list omits what, for me, are two of the pinnacles of Western music, Wagner's <I>Die Meistersingers</I> and <I>Parsifal</I>. There is no Scarlatti, and no Flemish polyphonists etc etc ....<BR/><BR/>My second reservation is simply that I have never met anyone whose love of classical music has either been sparked, or enhanced, by these 'essential recording' lists. The riches of classical music can only be uncovered by exploration, and finding out what you <B>don't</B> like, as well as being told what you <B>should</B> like.<BR/><BR/>I have a section in my study of densely packed CDs which are my 'rarely listened' to collection. I don't regret buying them, and sometimes one will move from it to the main collection as my tastes develop. But without music by Frederic Rzewski, Franz Schmidt or Nicholas Maw, to name three selected at random, I wouldn't have developed my love of Maxwell Davies and Guillaume de Machaut, to name two of my 'essential composers'.<BR/><BR/>So my personal view is that it is very important to explore the 'non-basic library', and that's really what <I>An Overgrown Path</I> is all about.Pliablehttps://www.blogger.com/profile/10616598845886342325noreply@blogger.comtag:blogger.com,1999:blog-8060605.post-1135020220884936902005-12-19T19:23:00.000+00:002005-12-19T19:23:00.000+00:00Many thanks to you both. Pliable, I look forward t...Many thanks to you both. Pliable, I look forward to your follow-up on this question. <BR/><BR/>(I figured I should give myself a name as well!) <BR/><BR/>Being a non-musician (and, additionally, an employee at a New York classical music organization) I find lists of suggested recordings to be perpetually interesting reading, both for the recordings that everyone seems to mention (the above-mentioned Kleiber and Giulini recordings come to mind) and for the outliers. It also contributes nicely to a long-held theory of mine concerning the similarities between lovers of classical and rock and/or jazz music, namely, the cult of certain recordings over others. <BR/><BR/>At any rate, I would love to see more discussion on this question, especially as concerns recordings of chamber and solo instrumental music, which I find tend to have less overlap than those of symphonic and operatic music.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-8060605.post-1135015360760749082005-12-19T18:02:00.000+00:002005-12-19T18:02:00.000+00:00This comment has been removed by the author.Konrad von Swalwagnerhttps://www.blogger.com/profile/10555220408386604184noreply@blogger.comtag:blogger.com,1999:blog-8060605.post-1135010382182372392005-12-19T16:39:00.000+00:002005-12-19T16:39:00.000+00:00Anon, thanks for visiting On An Overgrown Path.BBC...Anon, thanks for visiting <I>On An Overgrown Path</I>.<BR/><BR/>BBC Radio 3's <I>CD Review</I> programme ran the poll. The winner was Decca's classic recording of the Ring Cycle conducted by Sir Georg Solti.The runners up were Carlos Klieber's versions of Beethoven's Fifth and Seventh symphonies, the <BR/><A HREF="http://theovergrownpath.blogspot.com/2005/09/music-will-rise-from-wreckage.html " REL="nofollow">War Requiem conducted by Britten </A> and the recording of English String Music,conducted by <A HREF="http://theovergrownpath.blogspot.com/2005/11/glorious-john-in-new-york.html" REL="nofollow"> Sir John Barbirolli</A>,which includes Vaughan Williams' Fantasia on a Theme by Thomas Tallis. <BR/><BR/>There is some more information <A HREF="http://www.bclub.co.uk/feature.do?p=1008489" REL="nofollow">via this link. </A><BR/><BR/>Thanks for asking for this list, I have also added it to the main post.<BR/><BR/>That selection should start an interesting debate!<BR/><BR/>I'll be back on your second question after a spot of Christmas shopping. But suggestions on lists of essential recordings very welcome from other readers.Pliablehttps://www.blogger.com/profile/10616598845886342325noreply@blogger.comtag:blogger.com,1999:blog-8060605.post-1135007170781438052005-12-19T15:46:00.000+00:002005-12-19T15:46:00.000+00:00Terrific post, thank you. 2 questions:1. Do you ha...Terrific post, thank you. 2 questions:<BR/><BR/>1. Do you have a link of the other recordings nominated/mentioned in the BBC poll you mention at the top? and<BR/><BR/>2. Is there another list of essential recordings of the sort discussed here on this site? I would love to see one. <BR/><BR/>Many thanks again for the great site.Anonymousnoreply@blogger.com