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Those are my principles....

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Norman Lebrecht: Slipped Disc and   Lebrecht Weekly, 12/05/2023   "Why I cannot, in good conscience, review this record I cannot, in all conscience, give this recording a star rating, or even a detailed review. The soloist is Elisabeth Leonskaja, a legendary pianist whose introspections are perhaps the strongest living reminder of her late friend Sviatoslav Richter....Christian Thielemann, in the recent film ‘Music under the Swastika’, claimed that Wilhelm Furtwängler’s complicity in the Third Reich was justified by his legacy of extraordinary recordings.  Leonskaya’s presence in Putin’s Russia is not dissimilar. What are we to make of them?... The performances, per se, have nothing to do with the present situation. And yet, everything.I cannot review them". . ..and if you don't like my principles... well, I have others . Norman Lebrecht: Slipped Disc , 19/11/2025 "The Muziekgebouw in Eindhoven has cancelled a December 4 concert by the Russian-Georgian Jewish pia...

When the BBC edited another speech

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In 1972 The Great Learning: Paragraphs 1 and 2 by Cornelius Cardew was scheduled for performance at a BBC Prom . The work, which sets translations of Confucius by Ezra Pound , generated genuine controversy before its performance. Because what the BBC management did not know was that Cardew - seen above in proselytising mode - had revised the work in line with his hardening Maoist views .  This meant the revised version came complete with his politically motivated programme note and banners for display in the Albert Hall with the message "Apply Marxism-Leninism-Mao Tse-tung thought in a living way to the problems of the present".  A typically unsatisfactory British compromise was eventually struck between BBC controller of music William Glock who had bravely programmed the work and Cardew. This resulted in an emasculated twelve minute excerpt from The Great Learning: Paragraph 1 being performed without slogans or polemical programme note.  Cornelius Cardew or Donald...

Things change but remain the same

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To be governed is to be watched, inspected, spied upon, directed, law-driven, numbered, regulated, enrolled, indoctrinated, preached at, controlled, checked, estimated, valued, censured, commanded, by creatures who have neither the right nor the wisdom nor the virtue to do so. To be governed is to be at every operation, at every transaction noted, registered, counted, taxed, stamped, measured, numbered, assessed, licensed, authorized, admonished, prevented, forbidden, reformed, corrected, punished. It is, under pretext of public utility, and in the name of the general interest, to be placed under contribution, drilled, fleeced, exploited, monopolized, extorted from, squeezed, hoaxed, robbed; then, at the slightest resistance, the first word of complaint, to be repressed, fined, vilified, harassed, hunted down, abused, clubbed, disarmed, bound, choked, imprisoned, judged, condemned, shot, deported, sacrificed, sold, betrayed; and to crown all, mocked, ridiculed, derided, outraged, dish...

Classical music is a right-brainer

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Whichever way you look at it classical music is not in good health. Concert attendances are down, arts funding is drying up , classical venues are increasingly dark, recording release schedules get thinner and thinner, orchestras are being downsized or disbanded , and mainstream media coverage is disappearing. Yet the classical fraternity remains in denial of an irreversible cultural change that looks increasingly likely to leave the classical genre as no more than an anachronism . Why? In 1932 the German-born Swiss philosopher Jean Gebser identified that a change was taking place in Western consciousness, and that this change was impacting on science, art, literature, philosophy and other disciplines. His thesis was that human consciousness is in transition, and these transitions are abrupt but overlapping mutations, rather than smooth transitions, and these transitions involve cerebral and physical changes. Jean Geber's thesis is developed by Dr Iain McGilchrist with his theor...

Outsourcing is the new normal

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In coverage of the current furore at the BBC  there is surprisingly little mention that the Panorama programme at the heart of the controversy was made by independent production company October Films . Although described on the company's website as "one of the most dynamic, imaginative and respected brands in the documentary sector" their show reel is entertainment oriented - Netflix Channel 5, etc. Similarly, another controversial BBC programme Gaza: How to Survive a Warzone was made by an independent production company,  Hoyo Films . Outsourcing is the new normal, not just in the broadcast sector but across the whole world of commerce : the global business process outsourcing market was valued at $261.9 billion in 2022. When I joined the BBC from university many, many years ago content was king, with the added value - in the BBC's case audience numbers - coming from content creation. A similar focus on adding value from content creation was found in t...

It ended in tears

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Visitor logs for On An Overgrown Path show significant traffic from ChatGPT and other AI bots. This current obsession with all things AI reminds me of the Gnostic creation myth. In this the demiurge, or craftsman, employed by the "true God" to create the world, comes to believe that it is really in control, that it is the supreme deity, and enacts a coup d'état, with disastrous consequences. These musings were triggered by Ian McGilchrist's The Master and His Emissary , Gary Lachman's The Secret Teachers of the Western World , and Jordi Savall's The Forgotten Kingdom . The latter is an epic musical depiction of the Catholic Albigensian Crusade against the Gnostic beliefs of the Cathars, which resulted in the massacre of 20,000 inhabitants of Béziers in Languedoc. A powerful example of a fashionable creation myth that ended in tears.

Bach for a Buddhist

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Classical music has many Buddhist tendencies . In his  recently published memoir  Tibetan Buddhist monk, author and "the world's happiest man" Matthieu Ricard  attributes his love of Bach's music to hearing recordings by Helmut Walcha . The photo above shows Matthieu Ricard participating in a filmed Concert-méditation which included Preludes and Fugues from J.S. Bach’s Well-tempered Clavier, and in an RTS podcast he included excerpts from recordings by Helmut Walcha of the English Suite no 2 and the French Suite no 2. Helmut Walcha (1907-1991), who lost his sight as a teenager, was a professor at the  Hochschule für Musik  in Frankfurt 1938 to 1972. His Bach inspired an older generation, just as more historically informed interpretations inspire a younger cohort today. Tastes and fashion have moved on and to contemporary ears the sound of Walcha's factory-made leather-quilled Ammer harpsichord with its piano action may sound anachronistic. But his abilit...