Showing posts with label ukraine. Show all posts
Showing posts with label ukraine. Show all posts

Wednesday, May 28, 2008

Listen to the music of a metallic nightmare


"This is music of a metallic nightmare" wrote a reviewer of the music of Alexander Mosolov. Born in Kiev in 1900 Mosolov wrote "socialist realist" music in the USSR during the 1920s including the work recorded on the shellac 78 above which is variously described as coming from A Symphony of Machines or a ballet called Steel. More information from the excellent webrarian.co.uk or listen online to the record here.


The "B-side" of the disc features a work evocatively titles "the Dnieper Water Power Station". This is scored mainly for percussion and celebrates the building in 1932 of what was the largest single hydro-electric plant in Europe on the Dnieper River in Ukraine. The composer is Yuli Meytus who was born in 1903 in Elisavetgrad. Again more at webrarian.co.uk and listen online to the music of a water power station here.


Many thanks to prolific 'path finder' Walt Santner for uncovering the musical gems, enjoy more of Walt's research here.
Images from Davno.ru. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Thursday, May 24, 2007

Glenn Gould's love affair with the microphone


One Sunday morning in December 1950, I wandered into a living-room-sized radio-studio, placed my services at the disposal of a single microphone belonging to the Canadian Broadcasting Corporation, and proceeded to broadcast "live" - tape was already a fact of life in the recording industry but, in those days, radio broadcasting still observed the first-note-to-last-and-damn-the-consequences synodrome of the concert-hall - two sonatas, one by Mozart [K.281], one by Hindemith [No. 3]. It was my first network broadcast...a memorable one...that moment in my life when I first caught a vague impression of the direction it would take, when I realised that the collected wisdom of my peers and elders to the effect that technology represented a compromising, dehumanising intrusion into art was nonsense, when my love affair with the microphone began.

Glenn Gould describes the start of his love affair with the microphone. My source is Kevin Bazzana's highly recommended Wondrous Strange, The Life and Art of Glenn Gould (Yale University Press ISBN 0300103743). The header image shows a page from Gould's score of Hindemith's song cycle Das Marienlebenwhich he recorded with the Ukrainian born soprano Roxolana Roslak in 1977. As is usual for Gould there are very few interpretive markings, but the page is covered in editing notes - left click on the images to enlarge them.

The graphic below is very interesting, and it is not a score for a contemporary music composition. It shows CBC technician Lorne Tulk's plan for the epilogue of Gould's radio documentary The Latecomers (1969). The documentary was commissioned to promote CBC's new FM stereo service, and the central line shows the movement of the narrator from right to left of the soundstage. Much attention has been given to Gould's work in the music studio, but his pioneering and innovative "contrapuntal radio documentaries" are sadly neglected. Time for reconsideration perhaps?


Gould was in love with the microphone, now read about the best damn record he ever made, and follow this link for audio recordings from the official Glenn Gould archive.
Both images from Glenn Gould Estate with full acknowledgements. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

Sunday, January 21, 2007

Let's celebrate the good news from Kiev

Why are we so fixated on bad news from the former Soviet Union? When we are not replaying yesterday's revelations about Shostakovich, Stalin's purges and communist black-lists we are broadcasting today's news about gas prices and murder by plutonium. It is all rather sad, and baffling, because there is so much to celebrate in this vibrant region. So today, let's counterbalance the awful religous persecution, that lasted from the revolution of 1917 to the millenium of the Russian Church in 1988, with the good news of a new cathedral that is nearing completion in Kiev in Ukraine, and then follow that story with a download of music from one of the region's monasteries.

The new patriarchal Cathedral of the Resurrection of Jesus Christ in Kiev, which can be seen in my photo above, is a five-domed church 49 meters wide, 56 meters long and 61 meters high. It combines traditional design with contemporary features. Four of the gilded domes, representing the four evangelists, surround a larger, central dome, representing the figure of Christ. There is capacity for some 1,500 faithful to worship. When the new cathedral is completed the spiritual centre of the Ukrainian Greek Catholic Church will move from St. George’s Cathedral in Lviv to the capital of Ukraine, where currently the Greek Catholics only have two small churches.

The Cathedral of the Resurrection of Jesus Christ is sited on a channel of the Dnipro River, and there is a special alleyway to allow for processions to the banks of the Rusanivka Channel for Epiphany celebrations. Noted Ukrainian architect Mykola Levchuk designed the structure, which took the top prize for contemporary building designs for religious structures at a recent architectural design contest in Moscow.Mykola Levchuk, 62, from Kiev, is the director of the renown local architectural practice Kyivproyekt.

Now playing - Orthodox Church Music from Ukraine sung by the monks of The Holy Trinity, St Jonah Monastery, Kiev. This monastery was founded in 1862, but was suppressed in 1934. Following the collapse of communism the monastery once again became a religous foundation centred on the monastic church, which dates from 1871. Services are also held in the Zverinetskoe cave complex nearby which has been a place of worship since the 13th century. This excellent CD of hymns from the All-Night Vigil is from a catalogue of more than 100 recordings of Orthodox music on the Ikon label which is linked to the Diocese of Sourozh in London, part of the Patriarchate of Moscow. If you like Rachmaninov's take on the Orthodox Vespers you are going to like the real thing - listen to this 1' 12" MP3 file of Antiphons of Ascent (Tone 4) from Matins -

* The Ukrainian Greek Catholic Church, which is building the patriarchial cathedral in Kiev, is the largest of the Eastern Catholic Churches, and is a Church of the Byzantine rite which recognises Papal supremacy. The Holy Trinity - St Jonah Monastery is part of the Russian Orthodox Church which recognises the Patriarch of Moscow as its head.

* It is extraordinary that the Eastern Orthodox Church (of which the Russian Church is part) is not better known in English speaking countries. It has 240 million members around the world, making it the second largest Christian congregation after the Catholics. The Orthodox Church is the original Christian Church founded by the followers of Jesus, from which the Catholics and Anglicans split. St Stephen's Press, the publishing house of the Russian Orthodox Patriarchal Diocese of Sourozh, has an excellent slim introduction to the church. The title is The Orthodox Church, the author is Sergei Hackel (that link is to a biography well worth reading), the ISBN is 0951903721, the cover is shown here, and it is available from Amazon. Readers interested in liturgical music and the visual arts are urged to explore the riches of the Orthodox faith.

* Recommended web resources include Ukrainian Greek Catholic Church - Religous information service of Ukraine - History of the Ukrainian Orthodox Church - Orthodox links - Encyclopedia of Ukraine. IOCC is the official humanitarian aid agency of Orthodox Christians worldwide. It was founded in the US in 1992, and has field offices in Russia, Georgia, Greece, Yugoslavia, Bosnia Herzogovina, Romania and Jerusalem.

For more inspirational new cathedrals and monasteries with musical connections take An Overgrown Path to Evry Cathedral, and La Tourette in France, and Prinknash Abbey in England.
With many thanks to the French langauage newsletter of my spiritual home in France, the Benedictine L'Abbaye Sainte-Madeleine du Barroux, for the heads-up on this story. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

Wednesday, April 19, 2006

Mahler songs mark Chernobyl anniversary

Early in the morning of 26th April 1986 two explosions destroyed reactor no. 4 at the Soviet nuclear power station at Chernobyl in Ukraine, and started the chain of events that led to the world's worst nuclear power accident. There will be many events next week to mark the twentieth anniversary of this terrible disaster, but few will be as courageous, or as deserving, as the Benefizkonzert zum 20. Jahrestag der Reaktorkatastrophe in Tschernobyl concert in Berlin on 24th April.

The sheer audacity of IPPNW Concerts is breathtaking. In partnership with the Berlin Philharmonic Society they have booked the famous Philharmonie Hall in Berlin, and have persuaded a distinguished line-up of musicians including Grammy winning baritone Thomas Quasthoff, and the orchestra of the Hanns Eisler Academy to donate their services. The programme is movingly appropriate, Gustav Mahler's lament for dead children Kindertotenlieder, and Franz Schubert's Octet D803 played by the Scharoun Ensemble of Berlin. Preceeding these will be a reading from the best-selling book by Belarus author Swetlana Alexijewitsch titled Tschernobyl - Eine Chronik der Zukunft (Chernobyl - a chronicle of the future).


The concert is a fundraiser for two totally appropriate causes. The Lower Saxony Fund for the Children of Chernobyl (Kinder von Tschernobyl-Stiftung des Landes Niedersachsen) funds early recognition and treatment of thyroid illness among Chernobyl survivors, while Homeland Chernobyl (Heimstatt Tschernobyl e.V) helps resettle displaced families in environmentally friendly housing in the Chernobyl area.


Among the guests at the concert will be twenty young people from the Belarus town of Gomel which was badly affected by the radioactive fallout from nearby Chernobyl. Also attending will be a lady from Kiev whose technician husband died in the disaster. This guest had arranged to bring her young son to Berlin, but last week he was diagnosed with a brain tumour, probably as a consequence of radiation from the accident.

Benefizkonzert zum 20. Jahrestag der Reaktorkatastrophe in Tschernobyl is the latest fundraising project in the twenty-two year history of IPPNW Concerts. International Physicians for the Prevention of Nuclear War (IPPNW) is a non-partisan international grouping of medical organisations dedicated to the abolition of the nuclear threat. They work with the long-term victims of nuclear explosions and accidents from Hiroshima to Chernobyl. Their work has been recognised with the 1984 UNESCO Peace Prize, and 1985 Nobel Peace Prize. Their concert in Berlin is an extraordinarily appropriate way to mark this terrible anniversary. I know all the readers On An Overgrown Path will join me in sending best wishes for a successful, and financially beneficial, evening.

* Your donation matters. All funds sent through IPPNW Concerts' donation account will be tranferred to the two benefiting charities. To make a donation contact IPPNW via this link.

* Full details (in German) of the concert at 8.00pm in the Philharmonie Hall in Berlin via this link, and tickets can be booked online here. German resorces can be translated by Babel Fish Translation.

* The concert is being recorded by the European Broadcasting Union for transmission on Deutschlandradio Kultur and other international stations on 27th April.

* Watch a video podcast (29.4MB) of an interview (in German) with IPPNW Concerts founder Dr Peter Strauber from the Berlin Philharmonic website via this link.

Images from Kinder von Tschernobyl - Stiftung des Landes Niedersachsen. Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk
If this post struck a chord take An Overgrown Path to Terry Riley - Requiem for Adam

Tuesday, January 03, 2006

The Winter's Tale

“Heck, I reckon you wouldn’t even be human beings if ya didn’t have some pretty strong feelings about nuclear combat.But I want ya to remember one thing, tha folks back home is a countin’ on ya, and by golly, we ain’t about to let ‘em down” Major Kong (Slim Pickens) to his B-52 aircrew when told to attack the Soviet Union. From the movie Doctor Strangelove.

In January 1968 the fears of a catastrophic nuclear accident that had haunted the scientists working on the wartime Manhattan Project were almost realised when an American B-52 bomber carrying four thermonuclear weapons with a reported combined yield of 4.4 megatons of TNT crashed in Greenland. The US Air Force base at Thule in Greenland was a strategically important early-warning station monitoring Soviet missile activity. Because of its importance and location the US government decided in the late '60s that the base was too vulnerable to Russian attack. So at least one US bomber armed with nuclear weapons was kept in the air all the time within radio range of the base. If Thule was attacked this bomber would be able to strike back against Russia, and the picture below shows one of the bombers, armed with nuclear weapons, at the base.


On 21st January 1968 a B-52 Stratofortress carrying seven crew members and four nuclear weapons was circling near Thule on such a mission when a fire started in the cabin heater. The captain tried to land the crippled bomber at the base, but the fire cut all power and the landing was abandoned. Six crew members baled out safely using their ejector seats, and the stricken bomber with one crew member on board (he could not escape as he did not have an ejector seat) flew over the base and crashed onto the sea ice seven miles west of the base. The bomber exploded on impact killing the remaining crew member, and the force of the explosion scattered the burning wreckage over a wide area. The crashing plane is reported to have severed the hot line telecommunications link from the base, triggering a false nuclear attack alert, and causing the Strategic Air Command to think for a short time that the Thule base had been attacked.

A complex sequence of actions was required to set off the nuclear bombs, and these safeguards thankfully meant that there was not a full nuclear explosion. But the deadly weapons are triggered by high explosives, and these did explode in all four bombs. The resulting explosion spread uranium, tritium and plutonium over a 700 meter radius. The heat from the burning plane caused the ice to melt, and debris, including the thermonuclear assembly from one of the bombs, fell through to the seabed.

The ensuing clean-up operation involved 3000 personnel, 38 naval ships, and the removal of 10,000 tons of snow and ice. But controversy continues as to how successful it was. A U.S. State Department document dated August 1968 said all the nuclear weapons had been ‘accounted for’, but failed to spell-out whether this actually meant they had been recovered. The Danish media claims that one of the thermonuclear weapons (picture right) was never recovered, and still lies on the seabed. A Pentagon spokesman is reputed to have made the following statement about the missing weapon, “I don’t know of any missing bomb, but we have not positively identified what I think you are looking for”.

A study in 1987 by a Danish medical institute showed that workers at the Thule base were 50% more likely to develop cancers than other Danish military personnel. 200 of the workers subsequently unsuccessfully sued the U.S. government, but the discovery process for the court case identified anomalies in health monitoring procedures.

Missing bomb, or no missing bomb, the Thule B-52 crash graphically confirmed the stanza from the Bhagavad Gita quoted by ‘Doctor Atomic’ Robert Oppenheimer before the very first atomic test, and quoted in my article about the Manhattan Project.

If the radiance of a thousand suns
Were to burst at once into the sky,
That would be like the splendor of the Mighty One...
I am become Death,
The shatterer of Worlds


Eighteen years after the Thule accident fears of a full nuclear disaster were realised at Chernobyl in the former USSR (now Ukraine). Important safety procedures were disregarded while testing one of the reactors in the Chernobyl nuclear power plant located 80 miles north of Kiev. In the early morning of 25th April 1986 the chain reaction in one reactor escalated out of control. The subsequent explosion blew off the reactor's heavy steel and concrete lid (right), releasing a fireball with 'the radiance of a thousand suns'. As well as those killed in the blast 28 people died within four months from radiation burns. 19 more died subsequently, and there have been a further nine deaths from thyroid cancer apparently due to the accident, bringing the total fatalities to 56. As a result of the high radiation levels in the surrounding area 135,00 people had to be evacuated

Nuclear energy is never far from the headlines. On the day I wrote this article Russia cut Ukraine's gas supplies, and triggered a knock-on gas shortage in other European countries. Concern over the stability of energy supplies triggered new calls for the development of further nuclear power stations. Among those who worked with the victims of the disaster at the Chernobyl nuclear plant were International Physicians for the Prevention of Nuclear War (IPPNW), a non-partisan international grouping of medical organisations dedicated to the abolition of nuclear weapons. They work with the long-term victims of nuclear explosions and accidents in locations ranging from Hiroshima to Chernobyl, and their work has been recognised with the 1984 UNESCO Peace Prize, and 1985 Nobel Peace Prize. For the last 21 years IPPNW-Concerts has been working from its Berlin office with top musicians world-wide to raise funds for their work.

As well as being a fantastic cause there is some music well worth exploring available on
IPPNW-Concerts' own CD label, and in co-productions with Swedish label BIS. These are all live recordings of concerts promoted by IPPNW over the years. There are forty-nine CDs in the catalogue with composers ranging from Monteverdi to Elliot Carter. The nuggets worth mining include Furtwängler's Te Deum (right) coupled with Brahms and Hindemith (CD40).

Wort und Musik - 60 Jahre nach Hiroshima is a live recording made at the March 2005 'Nuclear Weapons Inheritance Project' which mixes readings in German from a range of authors including Robert Oppenheimer, Enrico Fermi, Albert Einstein and Sadako Kurihara with relevent music including the aria from Bach’s Goldberg Variations, Shostakovich's String Quartet No 8 and Schubert’s Quartettsatz. On the lighter side there are also a number of jazz recordings worth exploring, including the Berlin Philharmonic Jazz Group playing live in 2004 in the Philharmonie in Berlin with the world-famous baritone Thomas Quasthoff.

IPPNW co-productions with BIS also contain some real gems. My own favourite is a live Missa Solemnis from the Philharmonie in Berlin with Antal Doráti conducting the European Symphony Orchestra, University of Maryland Chorus, and a distinguished group of soloists. Another BIS co-production recorded at the Philharmonie with the New Berlin Chamber Orchestra and members of the Czech Philharmonic and HdK-Chamber Choir conducted by Martin Fischer-Dieskau includes two of Doráti’s own compositions (his Pater Noster, Prayer for Mixed Choir and Jesus oder Barabbas? a melodrama after a story by Karinthy Frigyes for Speaker, Orchestra and Choir) alongside works from Bartok and Martinu. Finally among the BIS co-productions a live Mahler Symphony No 9 with Rudolf Barshai conducting the Moscow Radio Symphony Orchestra is a rarity well worth investigating. All proceeds from the sale of these CDs benefit those in dire need as a result of war, industrial and natural catastrophe. Need I say more?

Picture credits: Header - Amazon, B-52 and nuclear bomb - Thule Forum, Chernobyl - BBC News, Image owners - if you do not want your picture used in this article please contact me and it will be removed.
Report broken links, missing images, and other errors to - overgrownpath at hotmail dot co dot uk
If you enjoyed this post take an overgrown path to The radiance of a thousand suns