The pilgrim enters the celestial city

The sad news comes from America of the death of the baritone John Noble after a long illness. He was born in 1931 and studied mathematics at Cambridge University. While still a student at Cambridge in 1954 he sung the part of Pilgrim in Ralph Vaughan William's The Pilgrim's Progress and went on to a professional career which included singing the role in the EMI recording under Sir Adrian Boult in 1970/71.

The header photo above was taken in the Kingsway Hall control room during the recording and John Noble is in the centre foreground with, from left to right, Ursula Vaughan Williams, Christopher Bishop (producer), Sir Adrian Boult, Ian Partridge, Gloria Jennings, Christopher Parker (balance engineer), in front John Alldis (chorus master) and Sheila Armstrong.

John Noble's other recordings included Britten's Albert Herring for Decca, Verdi's Macbeth and Don Carlos for HMV, and Finzi's In Terra Pax for Lyrita. He also frequently sung the role of the Christus in the Matthew Passion and movingly passed away on Good Friday. His funeral is on April 8, which quite appropriately is Sir Adrian Boult's birthday.

Lead me, Lord, make my ways straight before my face.
And let all men that put their trust in Thee rejoice.
From Act 3 Scene 2 of Ralph Vaughan Williams' The Pilgrims Progress

With thanks to Mr. J. Vaughan. Photo credits Godfrey McDominic/EMI. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

BBC wants Vaughan Williams premiere

"One of television's most imaginative film-makers has condemned Mark Thompson's leadership of the BBC as a 'catastrophe' and accused the corporation of undermining its worldwide reputation by insulting the intelligence of viewers.

Tony Palmer, who has won more than 40 awards including Baftas, Emmys and, uniquely, the Prix Italia twice, criticised the director-general after the BBC turned down a documentary of his. The film, about English composer Ralph Vaughan Williams, has been produced by Five instead.

Palmer said he received an extraordinary rejection letter from a BBC commissioning editor explaining that, 'having looked at our own activity via the lens of find, play & share', it had been decided the film did not fit with 'the new vision for [BBC] Vision'.

Bizarrely, Palmer said, the letter concluded: 'But good luck with the project, and do let me know if Mr. V. Williams has an important premiere in the future as this findability might allow us to reconsider.' Vaughan Williams died in 1958."

This story in today's Observer may help explain why I, and many others, are so critical of today's BBC.

The fiftieth anniversary of the death of Ralph Vaughan Williams falls on August 26, 2008. I will be starting the celebrations on my Future Radio programme on Sunday January 6. Unlike the BBC I haven't looked for an important premiere by Mr. V. Williams. Instead, I'm making do with his overture The Wasps and 'Glorious John' Barbirolli's blazing account of RVW's magnificent Fifth Symphony - for me not just one of the composer's greatest works, but also one of the masterpieces of twentieth century music.

Header photo was taken in better times at the BBC, when Michael Tippett's Second Symphony was being rehearsed at their Maida Vale studios. From left Sir Adrian Boult, Michael Tippett, RVW, Ursula VW and John Minchinton. More Vaughan Williams here.
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Norfolk Rhapsody by Ralph Vaughan Williams

Winter sky over North Norfolk this afternoon.

Now playing - Norfolk Rhapsody No. 1 by Ralph Vaughan Williams, Sir Adrian Boult conducts the London Philharmonic Orchestra on EMI LP ASD 2847. The Norfolk Rhapsody No. 1 was based on tunes collected from King's Lynn fisherfolk. The town is about 20 miles from where I took this photograph today. In the sleeve notes for the LP Michael Kennedy writes that the Rhapsody "begins and ends with a musical description of the Fens landscape, misty and mysterious ..."

Now read about November woods from a brazen romantic.
Photograph (c) On An Overgrown Path 2007. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

A big day for Britten and America

Today is the big one. America is celebrating Thanksgiving, and we are all remembering the assassination of President John F. Kennedy on November 22, 1963. And in the musical world not only is today the nameday of St. Cecilia, the patron saint of musicians. It is also the day when Jacob Obrecht was born in 1450, Wilhelm Friedmann Bach in 1710, Joaquin Rodrigo in 1901, and Benjamin Britten in 1913. Follow the links for related articles.

Now playing - Gerald Finzi's For St. Cecilia on the 1979 Argo LP ZRG 896 seen above. Finzi's Ode for tenor, chorus and orchestra also has a birthday today. It was first performed exactly sixty years ago, on November 22, 1947, by René Soames, the Luton Choral Society and BBC Symphony Orchestra conducted by Sir Adrian Boult. Another fine choral work that deserves to be heard more often.

Do you mind if I leave you now with these birthday links? You see, I'm off to celebrate my own birthday.
Header image (c) On An Overgrown Path 2007. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

The Pilgrim's Progress on internet radio

My two photos were taken at the sessions in November 1970 and January 1971 for Sir Adrian Boult's classic EMI recording of Ralph Vaughan Williams morality The Pilgrims Progress, which is based on John Bunyan's allegory of the same name. The recording was made in the Kingsway Hall, and Sir Adrian can be seen conducting the soloists, and London Philharmonic Orchestra and Choir above.

The lower photo was taken in the control room during a playback, and shows from left to right, Ursula Vaughan Williams, Christopher Bishop (producer), Sir Adrian Boult, John Noble (The Pilgrim), Ian Partridge, Gloria Jennings, Christopher Parker (balance engineer), in front John Alldis (chorus master) and Sheila Armstrong. Photo credits Godfrey McDominic/EMI.


The theme of my Overgrown Path radio programme at 5.00pm UK time this Sunday (Oct 7) will be Pilgrims of the Soul, and I will be playing the Prologue and Act 1 of this recording of The Pilgrim's Progress in the second part of the programme. (Which means two Pliable will be taking part, with the singing role taken by the tenor Wynford Evans). Act 1 contains several of the themes that Vaughan Williams used in his Fifth Symphony, including the Romanza that begins the symphony's lyrical slow movement.

Preceeding The Pilgrim's Progress will be a sequence from the concert of medieval and traditional pilgrim songs by Sarband and the Osnabrück Youth Choir that I featured here recently. This should be a fascinating programme. The music I'll be playing is below. More details at the foot of the post, or listen in real-time only by clicking on this image:



From Pilgrims of the Soul - Jaro 4248-2

Dum pater familias Codex Calixtinus
Laudemus virginem Llibre Vermell de Montserrat
Salve virgo regia (instrumental) Codex Ripoll (Paris, BN lat. 5312)
Splendens ceptigera Llibre Vernell

Ya rai'i z-ziba Traditional: Al-Andalus
Salve Regina Codex Las Huelgas

Nani nani Traditional Sephardic
O successores fortissimi leonis Hildegard von Bingen - 21' 55"

From The Pilgrim's Progress by Ralph Vaughan Williams - EMI CMS 7642122

Prologue
Act 1 - Scene 1: The Pilgrim Meets Evangelist
Scene 2 - The House Beautiful - 26' 44"

More on The Pilgrim's Progress here.
Listen to the Future Radio audio stream here. Convert Overgrown Path radio on-air times to your local time zone using this link. Windows Media Player doesn't like the audio stream very much and takes ages to buffer. WinAmp or iTunes handle it best. Unfortunately the royalty license doesn't permit on-demand replay, so you have to listen in real time. If you are in the Norwich, UK area tune to 96.9FM. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

My reputation is safe in your hands

Today's Lebrecht-style attack by Sakari Oramo - or was it his orchestra's spin-doctor? - on Sir Adrian Boult cannot pass unremarked. In the Guardian Oramo writes about the 'stoic stodginess' of Boult's Elgar. This is a surprising comment from the current principal conductor of the City of Birmingham Symphony Orchestra as Sir Adrian Boult was both chief conductor of the orchestra from 1924 to 1930 and an acclaimed interpreter of Elgar's music. After a 1920 performance of the Second Symphony conducted by Boult the composer wrote to him saying: 'I feel that my reputation in the future is safe in your hands. It was a wonderful series of sounds. Bless you!'

I have not had the pleasure of hearing Sakari Oramo's performances of Elgar, but I am sure they are very fine. But I can assure him that I heard many live performances of Elgar conducted by Boult and 'stoic stodginess' are the last words I would use to describe them. But then I don't think Oramo would know about his live performances. The last time Sir Adrian conducted in the concert hall was on October 12 1977, when Oramo was 12.

After his last concert appearance in London Sir Adrian conducted several more ballet performances of Elgar's music (The Sanguine Fan and Enigma Variations). He also continued to record, and on December 20 1978 completed the sessions at EMI's Abbey Road Studios for an LP of Sir Hubert Parry's Symphonic Variations, Fifth Symphony and Lament for Brahms. We knew this was to be the last ever recording session for the 89 year-old conductor, and he kindly signed and dated my copy of his autobiography, seen above, after the session on that historic day.

Sir Adrian Boult was both a wonderful musican and one of the greatest-ever interpreters of Elgar's music. He was a conductor who built his reputation in the concert hall and on record, not by making silly comments in newspaper articles.

Now read an exclusive on the mystery of Elgar's Violin Concerto.
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The rest is downhill

Good to see fellow blogger Alex Ross' forthcoming book listed on Amazon. Good also to report that my much more modest volume (left) is still selling well on Amazon.com after quite a few years. Yes, it is a cycling book, but one with a difference. I bet it is the only cycling guide that recommends, among other things, a Naxos CD of E.J. Moeran's chamber music.

Moeran grew up here in East Anglia where his father was Rector at the Parish Church in Bacton, a village now overwhelmed by a massive natural gas terminal. The composer's 1937 Symphony in G minor is well worth exploring. Which allows me to turn what could have been been a gratuitous plug for my own somewhat tangentical book into a topical CD recommendation. Just this week Lyrita has re-issued Sir Adrian Boult's classic recording of Moeran's Symphony on CD. I haven't heard the CD release, but as I write my original LP pressing from 1975 plays on the trusty Thorens TD125, and if the remastered CD sounds half as good it would still be a strong recommendation. Pity thought that the gorgeous LP sleeve with Turner's 'Storm Clouds: Sunset' didn't make it onto the CD.

Boult was a true gentleman, and a great conductor. His repertoire was wide-ranging, including the first British performance of Schoenberg's Variations in 1931. He was unflagging in his commitment to new music, but I can't help but end with this description by Constant Lambert of Boult's interpretation of Schoenberg's Five Orchestral Pieces - 'played with the touch of embarassment and circumspection shown by a really polite Protestant who has found himself involved in a religous ceremony of some totally different creed.'

Now read why the rest is downhill.
And yes, those are my daughter and son on the book cover. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

Exclusive - a little piece of recording history

© C. Bishop & On An Overgrown Path
2006 brings the thirtieth anniversary of the death of early music legend David Munrow. Above, in advance of the article I'm running next week, is an exclusive piece of recording history. The image is scanned from the recording diary of Christopher Bishop who signed Munrow to EMI and produced many of his classic recordings. The second entry down is for the sessions for the Art of Courtly Love in November and December 1972, and December 1973. These resulted in the three LP set that catapulted David Munrow to prominence.

The pencil diary entries haven't reproduced too clearly, but the artists in the other sessions make interesting reading - Perlman, Giulini (including the Missa Solemnis which I wrote about recently), King's College Choir and Sir David Willcocks, Oistrakh, Boult, Evelyn Barbirolli and Menuhin.

Those were the days, now the best EMI can offer us is Wild.

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Image credit - © C. Bishop & On An Overgrown Path
If you enjoyed this post take An Overgrown Path to David Munrow and the Voyager golden record