Showing posts with label roger sessions. Show all posts
Showing posts with label roger sessions. Show all posts

Monday, July 30, 2007

Complete Stravinsky at a crazy price


Columbia have released a new compilation of the Works of Stravinsky conducted by the composer and Robert Craft. I paid £29.95 ($60) at Prelude Records for the box, you may find it cheaper online. The twenty-two CD's comprise all the stereo recordings made for Columbia with the composer conducting, one CD with Robert Craft conducting and Stravinsky in attendance, and several older recordings of works not remade in stereo by the composer. The remastering and sound is excellent, far better than earlier issues of these recordings.

When Eugene Gossens conducted Les Noces in its London premiere with the Ballet Russe in 1926, the four pianists were composers Vittorio Rieti, Georges Auric, Francis Poulenc and Vladimir Dukelsky (Vernon Duke). Stravinsky wanted to replicate this for the 1961 recording included in this set, and the pianists were the composers Samuel Barber, Aaron Copland, Lukas Foss and Roger Sessions. When invited, Lukas Foss accepted on the condition that he played Piano Number One, while Roger Sessions insisted on the easiest part. For the record (literally) Pianos One and Three were played by Lukas Foss and Samuel Barber, Two and Four by Aaron Copland and Roger Sessions.

This starry line-up was bettered by a 1966 New York performance of The Soldier's Tale which Stravinsky conducted with the speaking parts of the Narrator, the Devil, and the Soldier taken by Aaron Copland, John Cage and Elliott Carter respectively. Sadly this performance isn't in the Stravinsky box.

I'll be dipping into this set on the Overgrown Path radio programme in the autumn, Requiem Canticles (or 'Requicles' as Robert Craft called them) will be top of the list. The Works of Stravinsky are a delight from start to finish. Buy it before Sony realise they made a mistake with the price.

Now follow this path for another unmissable bargain box of CDs.
Anectdotal information from the controversial And Music at the Close: Stravinsky's Last Years by Lillian Libman (Macmillan ISBN 333143043). Photo (c) On An Overgrown Path, taken on the living room carpet a few minutes ago! Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

Sunday, February 11, 2007

Leonard Bernstein - the hoarse whisperer

There are currently lots of exciting things happening on the English contemporary music scene, although you wouldn't think so from the lugubrious article in today's New York Times. It just goes to show that, despite George W Bush and Tony Blairs 'special relationship', there is still a yawning gap between England and America. It is all summed up in this priceless anectdote from John Drummond's very English autobiography:

I met Bernstein occasionally over the years, especially after I became friendly with the management of the New York Philharmonic. I would go to their concerts in New York, and several times my visits coincided with Bernstein's appearances. One evening he conducted a whole programme of music by living composers, all of whom were present: Roger Sessions, Ned Rorem and William Schuman. Halfway through Rorem's piece - a song cycle - Bernstein started coughing and left the platform. We sat in embarrrassed silence while his hacking could be heard off-stage. Afterwards I went round to see him and found a huge group in the Green Room, most of whom were in tears of emotional commiseration. Bernstein wept his way slowly through the crowd, kissing, sobbing and acknowledging the cries of 'You're the greatest', led by the unlikely pairing of Billy Rose, the band leader, and Isaac Stern. It was America at its most flesh-crawling.

Now read about my own encounter with a naked Lennie.
John Drummond's Tainted by Experience is published by Faber, ISBN 0571200540. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk