Free music - so what's new?

'Music industry finds the solution to its pirate troubles - give everything away' - screams a Guardian headline. Sorry folks, but the classical sector has been giving away music for years. Here from my current Visa bill are the prices I paid for CDs online recently including delivery: Messiaen Des canyons aux étoiles (2CDs) - £4.00, Dallapiccola choral works - £3.41, Stockhausen piano works - £4.22, Elgar Dream of Gerontius (2CDs) - £5.67.

It actually gets worse in the stores. Just last week I bought 10CDs of Thomas Tallis' complete works in recordings made as recently as 2004 for £3 a CD, and that wasn't discounted. In HMV stores you can currently pick up 14CDs of the complete Mahler symphonies by classical music's premium brands, Simon Rattle and the Berlin Philharmonic, for £1.79 a disc. That means a Mahler CD from our industry's most prestigous band now costs less than a cappuccino, and it's not expanding the market for classical music or filling concert halls at all.

So with prices already at rock-bottom what will be the impact of free downloads from Qtrax and others? Classical music will become just another disposable commodity. Download it, give it a quick listen, it doesn't appeal on first hearing? No problem, delete it and try again. Contemporary composers had better start thinking catchy, and record companies (if any survive) had better start thinking instant gratification.

Benjamin Britten had it nailed when he wrote 'Music demands more from a listener than simply the possession of a tape-machine or a transistor radio. It demands some preparation, some effort, a journey to a special place, saving up for a ticket, some homework on the programme perhaps, some clarification of the ears and sharpening of the instincts. It demands as much effort on the listener's part as the other two corners of the triangle, this holy composer, performer and listener'

So what does a dead composer (European to boot) know about today's market with its MP3s and iTunes? The answer is a lot. Britten wasn't just a composer, he was a musical polymath whose vision created one of the few successful, and growing, classical music communities in the world. Last year Aldeburgh Music sold 91,000 tickets. I wonder how many bargain basement Berlin Philharmonic Mahler boxes EMI has sold in the UK - 5000 perhaps? The solution for the music industry isn't to give everything away. It's the opposite. Think added value, think Glossa, think Soli deo Gloria, but above all think Alia Vox.

Now playing is Jordi Savall's newly released Francisco Javier 1506-1553, the Route to the Orient on Alia Vox. Yes, it comes with 2CDs of lovingly researched and performed music, but there is much more in the form of a 273 page colour book (cover above) which is a work of art in itself. In it there are fascinating and scholarly articles ranging from early music performance, to Erasmus of Rotterdam, Niccolo Machiavelli, Thomas More, and Martin Luther, as well as Francisco Xavier, who was an early Jesuit missionary, himself. And the whole package is worth far more than the sum of the parts. I paid £30 for it in Prelude Records in Norwich, and that is the best £30 I have spent on recorded music for a long time. I didn't get two CDs for my money, I got a unique musical experience. And that is what will rejuvenate the market, not giveaways.

Britten would have approved. The Route to the Orient is about as far from instant gratification as you can go. It demands preparation by reading the book, and it also demands effort to understand the non-Western music that it explores. You must leave your computer and take a journey to a special place called an independent record store to buy it, and you will also need to save up as it is not available online at a discount or as a download. The thoughtfully planned multi-cultural programme needs to be understood, and clarification of the ears and sharpening of the instincts are definitely needed for close encounters with instruments such as the shinobue, nokan, sarod and shakuhachi.

Are added value projects like Francisco Javier, the Route to the Orient and Christopher Columbus, Lost Paradises (below) the future of classical music? Or are they just small ripples in a big pond? Only time will tell. But I haven't heard Alia Vox talking about mass redundancies, and their 2008 release schedule looks pretty healthy. Which is more than can be said for EMI.


It was Philip Glass who said world music is the new classical.
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MP3 downloads are a real windup

Here is the perfect Christmas present to compliment those downloads from the DG Web Shop. A windup media player for MP3 files and much more.

Now check out another ethical and musical Christmas present.
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Death of the record labels - updated

* How Radiohead killed the record labels - the announcement in the early hours of this morning of the imminent arrival of In Rainbows, the seventh Radiohead album, is hugely exciting for the band's millions of fans.

Potentially though it's even bigger news for the music industry. Released in ten days time, the album is available as a digital download for whatever price you want to pay. Radiohead may have done irreparable damage to the industry's traditional business model - Telegraph.co.uk October 1, 2007.


* Hello Everyone, The download area that is “In Rainbows” will be shutting its doors on the 10th December 2007. A big thank you to everyone who came and downloaded the music. It’s been the most positive thing we’ve done and we hope you shared the experience with others. The discbox will still be available from the w.a.s.t.e store here until they have all gone. We then have no plans to make further stock.

For those of you who wish to buy In Rainbows in the usual way, it will be available on CD/Vinyl and download from traditional outlets from the 31st December 2007. The record will be released by TBD Records in North America and XL Recordings for the rest of the world.

Thanks for everything - from official Radiohead website


* XL Recordings is an independent record label which was launched by Tim Palmer, Nick Halkes and Richard Russell with Beggars Banquet Records in 1989 to release its rave and dance music ... In October 2007, Radiohead completed negotiations to sign with XL for a proper studio release of their seventh studio album, In Rainbows - from Wikipedia.


More free Radiohead here.
1976 poster by E. Shakhtakhtinskaya is from the former USSR Lenin Library in Moscow, now part of the Russian State Library. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

LPs were like the force of gravity

'Folksingers, jazz artists and classical musicians made LPs, long-playing records with heaps of songs in the grooves - they forged identities and tipped the scales, gave more of the big picture. LPs were like the force of gravity. They had covers front and back, that you could stare at for hours.' - Bob Dylan writes in his Chronicles Volume One.

'Hi, I wanted to let you know some exciting news today from Deutsche Grammophon (DG), a division of Universal Music Group, who will become the first major classical record label to make the majority of its huge catalogue available online for download with the launch of its new DG Web Shop. (http://www.dgwebshop.com/

As the world’s leading classical music recording company, Deutsche Grammophon will launch its DG Web Shop on Wednesday, November 28th, enabling consumers in 42 countries to download music at the highest technical and artistic standards. This global penetration includes markets where the major e-business retailers, such as iTunes, are not yet available: Southeast Asia including China, India, Latin America, South Africa, and Central and Eastern Europe including Russia. Almost 2,400 DG albums will be available for download in maximum MP3 quality.

Best, Kristina Weise at Cohn & Wolfe' - who are "a strategic marketing public relations firm dedicated to creating, building and protecting the world's most prolific brands."

Call me old fashioned. I like the tangible. You could certainly stare at the LP sleeve above. or the record label here, for hours. Which is more than can be said for the new DG Web Shop logo. The photographer of the Hanson LP sleeve is Christian Steiner, who has photographed many of the world's great musicians. Steiner is an accomplished performer himself as his biography recounts:

'Steiner, after graduating from the Berlin Hochschule fur Musik, won several national competitions in Germany and it was one of these awards which first brought him to New York to further his piano studies. He comes from a long line of musicians. His father was a member of the Deutsche Oper Berlin, and his brothers were members of the Berlin Philharmonic.

Steiner made piano recording with RCA-Reader’s Digest, and was a guest soloist with orchestras in Berlin and New York; more recent engagements at the keyboard include performances with the Berkeley Symphony under Kent Nagano, and with the National Symphony or Mexico. He also performed chamber music with members of the Berlin Philharmonic Octet and recitals with his late brother Peter in Europe and the USA.

Among the singers he has collaborated in recital are Jessye Norman and Carol Vaness. In addition, Steiner is the artistic director of The Tannery Pond Concerts, a summer chamber music festival in the Berkshires.'

Less happy images here, from another celebrated photographer.
Again thanks to our son for the 'joiner' on the record sleeve. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Czech out free Bach downloads

Hello Mr Pliable, Here's something that I think you and your blog readers will enjoy.

To continue your treasure trove of music downloads series, here's Czech Radio's recent musical offering - http://www.rozhlas.cz/d-dur/download_eng

It's JS Bach's complete Brandenburg Concertos with the early music ensemble Musica Florea (photo above), freely available for download. A very worthy effort, especially since visitors have the option of downloading in lossless FLAC format.

Cheers from the Philippines - Joshua A

Many thanks Joshua, but let's hear both sides of the argument.
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Juror faces the music

A Muslim woman juror who was arrested for apparently listening to an MP3 player under her hijab during a murder trial is facing jail for contempt of court. She is said to have used the traditional headscarf to hide headphones while ignoring vital evidence from a retired businessman who bludgeoned his disabled wife to death.

Last Wednesday a defence lawyer thought she caught a glimpse of a wire under the woman's head covering. On several occasions the judge had thought he could hear the faintest "tinny music", but dismissed it as his imagination. Finally, a woman juror sent him a note, claiming her colleague had been listening to her MP3 player during the defendant's evidence ~ reports today's Guardian.

And here is a link to some great MP3 downloads, but please don't listen to them in court.
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Classical music and a wider audience

I've uploaded the full text of Nicholas Kenyon's 2007 Hesse Lecture today. It's a very long read, and there are some gems hidden in it, particularly for a download doomsayer like me. Here is the condensed read:

"The cosmopolitan world will challenge every idea of a musical canon as never before, but it has huge potential. What we have now is: 1.4 million downloads of Beethoven symphonies from the BBC website, a free offer taking the message of classical music to a wider audience some of whom had never encountered it before, stimulating the market and encouraging listeners to buy CDs. In fact Radio 3’s initiative was so successful, that the new BBC Trust, the successor to the BBC Governors, has prevented it happening again. In a recent ruling it has forbidden the BBC to include classical music in any of its free downloads, even short extracts of works, on the grounds that it is distorting the marketplace --thus at a stroke undermining the BBC’s historic commitment to use every enlightened means to make great music available to all. (As the Director General of the BBC has disagreed with that ruling publicly, I reckon I can do so too.)"

Pliable's note - just so everyone is enlightened this is what the BBC Trust actually said: "There is a potential negative market impact if the BBC allows listeners to build an extensive library of classical music that will serve as a close substitute for commercially available downloads or CDs."

Photo of a wider audience by Pliable at 2006 Proms. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

Glenn Gould - the ultimate download

My personal overgrown path is leading back to the radio studio, and that has set me thinking recently about how to create programmes that are distinctive, inclusive and personal.

Over in Holland the creator of Big Brother, Endemol, has its own formula for distinctive broadcasting, and this week launches De Grote Donorshow (The Big Donor Show) which gives three dialysis patients the chance to win a dying woman's kidney - or not.

Back in 1969 Glenn Gould took a different approach to producing great broadcasting when he created his 'contrapuntal radio documentary' The Latecomers. The main subject was the new Canadian province of Newfoundland, but there was a second subject of solitude, isolation and non-conformity seen from a cultural perspective.

The Latecomers, with its basso continuo of the ocean, is both a land-mark in twentieth-century broadcasting and a seriously neglected aspect of Gould's work. Now, thanks to reader Walt Santner, you can hear the whole documentary via an MP3 download. Walt contributed to previous features here locating downloads of historic, Stokowski and recording history MP3 files. He is now back surfing the net after some health problems, welcome back Walt.

Genn Gould's The Latecomers runs for 53 minutes, you can download it from this website, note copyright health warnings may apply.

Now view the 'score' for The Latecomers and read more about Glenn Gould's love affair with the microphone.
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New music for bells

An exciting new audio installation at this year’s Norfolk and Norwich Festival proves, once again, that some really creative things are happening at the summer music festivals if you know where to look. The Norwich Festival has built quite a reputation with its audio installations; two years ago I featured Janet Cardiff’s 40 Part Motet which went on to New York's Museum of Modern Art, and last year Helen Ottoway’s Thin Air featured on the path.

This year’s installation features the work of contemporary composer Terry Mann whose previous post-minimalist compositions include an interlude for gamelan orchestra written for Joanna MacGregor to play in a concert of John Cage’s prepared piano pieces, and No Ordinary Piano Suite for Prepared Piano. Follow this link to hear samples of Terry Mann’s past work.

His new commission, The Bells of Paradise, is a complex hour work score for church bells, with seven scored sections linked by intervals of urban ambient sounds. Bells from twenty-two churches and cathedrals in East Anglia and London were used to give a wide range of voices. The recording is made in 5.1 multi-channel format, and was performed in Norwich in the church of St John Maddermarket during the 2007 Norfolk and Norwich Festival. The installation is a joint commission by Norwich and three other festivals at which it will be performed, Spitalfields London, Bury St Edmunds and Lichfield.

Terry Mann’s new work is the second electronic composition for church bells in recent years. Jonathan Harvey’s 1980 Mortuos Plango, Vivos Voco was commissioned by the Centre George Pompidou in Paris and created at IRCAM by sampling the sound of the great tenor bell at Winchester Cathedral. Appropriately The Bells of Paradise and Mortuos Plango, Vivos Voco are being performed together on June 16 at a Spitalfields Festival concert in London. Also on the programme, which is a celebration of bells, is Chris Dench's work for solo piano passing bells: night. At the Lichfield concert Bells Of Paradise is being previewed before Philip Glass' opening concert of solo piano music.

The Spitalfields concert will be recorded by the BBC for later broadcast, but On An Overgrown Path has scooped Radio 3 for the first opportunity to hear The Bells of Paradise online. Terry Mann has agreed to the complete opening section ‘Birth’ (3’ 18”) being made available on the path, and if your speakers are live you will have heard it, with those gamelan echoes, as you read this post.

And talking of IRCAM and the Norwich Festival …
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Happy Birthday Maestro Toscanini!

Arturo Toscanini was born on 25th March 1867 in Parma, Italy. My photograph shows him celebrating while on tour in the US in May, 1950. The photo was taken at Sun Valley, Idaho, where the maestro conducted an impromptu band of toy guitars, wash-tubs, and a clarinet for a refreshingly multi-cultural audience.

Now listen as the maestro conducts a real orchestra (after a brief Finnish introduction) in the complete Prelude to the third act of Wagner's Die Meistersinger von Nurnberg in November 1951. The orchestra is Toscanini's own NBC Symphony, and the recording was made in Carnegie Hall, where the orchestra and its conductor can be seen in my picture below -


Toscanini's Wagner may have been sublime, but his opposition to fascism was trenchant, read about it here. And for another Toscanini download take An Overgrown Path to Schoenberg on Toscanini Audio file credit YLE Radio 1, NBC Symphony from Wikipedia/NBC TV. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

My friends pictured within

Articles locating MP3 downloads, including historic performances by Dinu Lipatti, Pablo Casals and Arturo Toscanini, by Leopold Stokowski, and of Russian opera, are among the most popular On An Overgrown Path. Regular readers will know that most of these articles originate from web research by retired broadcaster Walt Santner. News has come that Walt has had a few medical problems that have required surgery, but the good news is that he is now recovering back at home in Maplewood, New Jersey. I know everyone who has enjoyed Walt's cyber detective work here will join me in sending our very best wishes for a speedy recovery.

I guess Walt will be spending even more time listening to music via the internet, so here is a timely heads-up from another 'friend pictured within'. Music from Other Minds is a programme of new and unusual music by innovative composers and performers around the world. Produced for KALW 91.7 FM San Francisco by Other Minds the presenter is fellow blogger (and Sun Microsystems guru) Richard Friedman who has been adding to my recent my theremin post. You can listen online to Music from Other Minds on Friday nights at 11pm (Pacific Time), and the latest programme is available via streaming - just follow this link. Other recommendations of innovative music webcasts are very welcome via the Comments icon below.

My header photo shows Sir Edward Elgar about to enjoy the 1930s equivalent of an MP3 download. 'My friends pictured within' was the description Elgar used for the musical portraits in his Enigma Variations, and to finish, here is an interesting, and exclusive story about the composer's Violin Concerto.
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

Serial downloaders click here

My research for yesterday's Mendelssohn article uncovered a website that is going to delight the many serial downloaders among my readers. Carolina Classical has been created by Charles Moss for the music students he teaches at two universities in South Carolina. There are lovingly constructed articles on a range of composers from Palestrina to Zemlinsky, and many of these are liberally illustrated with music downloads: try one by clicking the image above - and it's not the Eminem Show!

But serial downloading at Carolina Classical doesn't end with audio files. There is also a host of downloadable scores, including many Bach cantatas and Mendelssohn's Songs Without Words, the latter in what are identified as public domain scores in Adobe Acrobat format.

So, serial downloaders are in clover - but, a health warning is needed. We all know that there are very few free lunches in the world of downloads, so I fired off a quick email asking for reassurance from Professor Moss as to the provenance of his downloads. Here is his reply, so I must qualify this feature with the audio download equivalent of caveat emptor.

Dear Sir - The Mendelssohn scores are 100% in the Public Domain, being late 19th Century editions (mostly European) that have long been out of print, and their 75-year copyright now long expired and not renewed since the publishers no longer exist either. The scores and sound files on my Web site are either recorded by me, my friends, or used in RealAudio format with permisson of the copyright owners. No one objects to the use of RealAudio content since it has a far lesser sound quality than MP3. To be blunt, RealAudio offers a small file size with "passable" quality that does not compete with CD-quality audio at all. It merely offers listeners a "sound image" to use when selecting material that they may wish to purchase on CDs.

I teach for two colleges: The University of South Carolina at Sumter and Saint Leo University at Shaw Air Force Base. My Web articles were really written for the use of my college students in my music classes. So now you will understand the motivation of my Web site. I do not make a profit of any kind from this site.

Sincerely, Charles K. Moss




While elsewhere in the US, the indefatigable Walt Santner has uncovered a veritable vault of downloads of complete operas recorded in Bulgaria that don't appear to need any health warnings. Full length Russian works to download are Borodin Prince Igor, Dargomizhsky Rusalka, Mussorgsky Boris Godunov and Khovanshchina, Andrey Petrov Peter I, Prokofiev Betrothal in a Monastery, Rachmaninoff Aleko, Rimsky-Korsakov Boyarinya Vera Sheloga, The Golden Cockerel and The Snow Maiden, Shostakovich Katerina Ismailova, and Stravinsky Mavra and Renard.

There are also downloads of complete operas by little known Bulagarian composers including Atanasov, Goleminov, Goleminov, Hadjiev, Iliev, Pipkov, Stoyanov, Vladigerov. While back in the mainstream the complete Bulgarian National Radio performances include Bizet Les pêcheurs de perles, Verdi Don Carlo, and Wagner: Der fliegende Holländer. The Bulgarian downloads come from a University of Pittsburgh site, and include cast lists and singer biographies.

For obvious reasons I haven't listened to many of these recordings. So reader reviews and experiences while on today's download path are very welcome.

Caveat emptor, and serial downloaders enjoy!

Now, for more Walt Santner discoveries click over to another treasure trove of historic MP3 downloads.
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

BBC deletes classical music downloads

BBC News says on 31st January 2007 - TV shows like Doctor Who are expected to be available for download later this year after the BBC Trust gave initial approval to the BBC's on-demand plans. Under the proposals, viewers will be able to watch popular programmes online or download them to a home computer up to a week after they are broadcast. But the Trust imposed tough conditions on classical music, which could stop a repeat of the BBC's Beethoven podcasts.

Podcasts came under scrutiny, with the Trust recommending that audio books and classical music be excluded from the BBC's download services. "There is a potential negative market impact if the BBC allows listeners to build an extensive library of classical music that will serve as a close substitute for commercially available downloads or CDs," it said. The news will be a disappointment to the one million people who downloaded Beethoven's symphonies in a Radio 3 trial last year.

On An Overgrown Path was the first to say back in June 2005 when the Beethoven downloads were launched - the fact remains that a record company, or concert promoter, would give their right arm to have got just a tiny fraction of those 700,000 downloaders as customers. (The figure must surely reach a million before the symphony cycle is complete?) .... Despite high minded talk from senior BBC executives it is hard to see who the winners in this exercise are.

And, yes, even Norman Lebrecht agreed with me about the BBCs frost with the music business
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

BBC downloads hurt classical music market

The BBC's plans for an on demand "catch-up service", a central plank of its strategy to remain relevant in the digital age, were dealt a blow yesterday when the media watchdog said it risked having an adverse effect on commercial rivals unless certain elements were axed.

In the first major test of the way the new BBC Trust will work with the media regulator, Ofcom warned that the BBC iPlayer (above) risked harming DVD sales and could impact on orchestras and classical music revenues. The iPlayer, which has been in development for three years and extensively trialled, will allow licence fee payers to download any television or radio programme from the previous seven days at will, while also watching the BBC's channels live over the web. Altogether it could account for almost 4bn hours of listening and viewing by 2011.

Ofcom also warned the ability to download audio content could have a "serious adverse effect" on the market for audio books and classical music. Commercially available music is already excluded from the plans but Ofcom believes that making recordings by BBC orchestras available for download could hit CD sales and should be excluded or constrained.

Today's Guardian reports problems ahead for the BBC's digital vision. As On An Overgrown Path said in November 2005 - Musicians jobs before free downloads.

* Download the Ofcom report here.

Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

A treasure trove of music recording history

An interesting, and rewarding, recent development On An Overgrown Path recently has been the interest in the recording process and sound quality, an interest also reflected in other new blogs including the excellent The Crunch. Recording history is a particular area of interest for me as I worked for both the BBC and EMI in my time in the music industry, so I was delighted this week when our internet sleuth Walt Santner sent me details of a veritable treasure trove of recording history links.

The links are part of the University of San Diego's project documenting the history of recorded sound. The timeline only currently goes up to 2005, so it doesn't yet cover topics such as SACD in depth, but there is some really interesting material there including a history of microphone development. But the real gem is the extensive list of internet resources and links. And please don't think this is just for geeks, there is important musical and cultural material there as well.

I've only just started to explore the resources, but already I've been fascinated by the Aaron Copland Collection from the Library of Congress, America's Jazz Heritage from the Smithsonian Institution, a discussion of recording and gender, an audio file of Stokowski talking about orchestra seating layouts, a very good summary of sound recording copyright, and one for the geeks - an illustrated history of world payphones. There are also a lot of downloads, check out the 44 recordings of Omaha Indian music, and Stokowski downloads of ten audio and two video files.

Ideal browsing for an autumn holiday weekend - enjoy!

* That wonderful header photo is from the the HybridSoundSystem.com website, and shows the Seattle Session Orchestra being recorded in Bastyr University Chapel - do check out the HybridSound site for the interesting audio samples.

For more Walt Santner discoveries visit a Treasure trove of historic MP3 downloads
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

A treasure trove of Stokowski downloads

A Japanese site has a treasure trove of recordings by the legendary conductor Leopold Stokowski ranging from 1917 acoustic recordings to 1953 electric recordings. All were 78rpm shellac releases, and the site claims they are copyright free. There are a lot of very fine things to listen to including two complete Tchaikovsky symphonies, a complete 1941 No 4 recorded with the NBC Symphony in 1941, and a 1940 Symphony No.6 'Pathetique' with the All American Youth Orchestra. Thanks go to US reader and internet sleuth Walt Santner whose research uncovered these, and the Norwegian historic MP3s, for us, and to the unknown Japanese webmaster for making them available.

Stokowski was the role model for today's jet set maestros. Born in North London in 1882, a short distance from what was to become EMI's famous Abbey Road Studios, he started his musical career as organist in St James' Church, Piccadily. He moved to the US in 1905, and ten years later became a naturalized American. He took over the Philadelphia Orchestra (see my article Reflections on the Philadelphia Orchestra), and it was here that he built his reputation as orchestral trainer, contemporary music champion (including the first performance and recording of Charles Ives' Symphony No. 4) , pioneer of new technology, and womaniser. He is remembered for many things, most notably his wonderful recorded legacy, his Bach orchestrations, and his work with Walt Disney on the film Fantasia. Do listen to the audio files that Walt Santner has done us all a great favour by uncovering.

* The biography Leopold Stokowski by Preben Opperby was published by Hippocrene Books in the US and Midas Books in the UK (ISBN 0882546589 & 0859362531) but is now out of print.

Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk
If you enjoyed this post take an overgrown path to Rhythm Is It! - the new Fantasia?

Treasure trove of historic MP3 downloads

The Finnish national broadcaster YLE Radio 1 has the most extraordinary treasure trove of historic MP3 downloads on their website. I can't even list the riches available, but the artists include Dinu Lipatti, Pablo Casals, Alfred Cortot, Kirsten Flagstad , Yehudi Menuhin, Arturo Toscanini, and many, many more. There are lots of downloads for each artist, and the technical quality is very good. The whole site is in Finnish, but navigation is intuitive. Just select the artist from the left hand side list, then select the Real Audio or MP3 hyperlink under the composition. Each download has a spoken introduction of around 20 seconds in Finnish, but don't let that put you off.

This is an extraordinary discovery. I am listening to Toscanini conducting the adagio molto e cantabile from Beethoven's 9th as I write - beautiful. Here is the link, and many thanks to reader Walt Santner for the heads-up.

Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk
If you enjoyed this post take An Overgrown Path to Discovered - the online Arnold Schoenberg jukebox

BBC launches free classical MP3 downloads

An important new development for BBC Radio 3 is their move into online MP3 file downloads, as opposed to audio streaming. MP3 files of the Beethoven Symphonies played by the BBC Philharmonic under Gianandrea Noseda are available from their web site for two days after broadcast as part of their Beethoven fest.

Open this link to access the downloads, but hurry as the downloads are available for a limited period.

These downloads are free. There is a fair amount of small print on the site about the files only being available for personal, non-commercial use. Radio 3 controller Roger Wright has said in a press release "We hope it will encourage audiences to explore online classical music."

The motive of trying to reach more listeners for classical music is very laudable, and has taxed music bloggers for some time. But since the Beethoven MP3 files became available in early June the BBC has said that more than 700,000 listeners downloaded files of the first five symphonies. I repeat that figure. Almost three quarters of a million downloads, or 140,000 per symphony.

I can't help but find a certain irony that these statistics are published in the same week as the music industry driven US Supreme Court ruling on file-sharing which ruled that distribution platforms such as Grokster can be held legally responsible if used for copyright infringement. Now I know that the BBC iniative is totally copyright friendly. But doesn't it send a clear mesage to those very listeners that Roger Wright is trying to reach that online classical music is free? And doesn't it also materially lower the price expectation for concert tickets among those same new listeners?

I'm well aware of the study by Harvard Business School associate professor Felix Oberholzer and University of North Carolina, Chapel Hill associate professor Koleman Strumpf:

"We find that file sharing has only had a limited effect on record sales," the study's authors wrote. "While downloads occur on a vast scale, most users are likely individuals who would not have bought the album even in the absence of file sharing."

But the fact remains that a record company, or concert promoter, would give their right arm to have got just a tiny fraction of those 700,000 listeners as customers. (The figure must surely reach a million before the symphony cycle is complete?). Similarly the hard working musicians of the wonderful BBC Philharmonic who play on these downloads would surely appreciate remuneration at more than the pitiful rate received by LSO musicians on LSO Live recordings of a measly £400 - US$728 - each annual profit share? This move also undermines the smart work being done by sites such as Peter Maxwell Davies' MaxOpus to create a 'pay to use' business model for classical MP3 downloads.

Despite high minded talk from senior BBC executives it is hard to see who the winners in this exercise are. Except, of course, the audio file downloaders. And these are the very same people that the music industry is currently trying to teach in the US Supreme Court at vast expense, and with much bad PR, that the creators of intellectual property need to be properly rewarded.

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